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17 Cards in this Set
- Front
- Back
- 3rd side (hint)
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Goddards |
Surrey England 1900 Sir Edwin Lutyens |
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Red House |
Philip Webb- architect William Morris (client,designer) London England 1859 |
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Garden City |
Ebenezer Howard cities of To-morrow 1898 Three magnets diagram Reverse movement of people from urban back to rural 3 main: low land cost, redevelopment cost more than new, development at lower density |
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R.H Exterior Elements |
Roof - most important feature due to proportion and complex gable, hips, valleys, ridges - volumetric manipulation.. does not constrain the internal spaces, expresses them externally |
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R.H exterior elements 2 |
Well House + Porch - fulcrum point which plan pivots around -faces south & east to capture morning light -porch opens onto the court(pilgrims rest) as is denoted by tall pointed arch (gothic inspiration) |
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R.H element 3 |
Fenestration (arrangement of windows/doors) - freedom of expression in size & arrangement of these is unique characteristic |
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R.H element 4 |
Entrance -demarcated on the elevation by bold pointed arch which leads to recessed entrance porch |
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R.H Interior elements |
Stairs & Drawing Room - important to arts and crafts movement bc it's the collaboration of romantic dreamer(Morris) + practical architect (Webb) - develop this 'free style' through combination of sense,tradition, and invention Inspired Edwin Lutyens |
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R.H I element 1 |
Stairs - generator of the plan, all rooms stem off it - located in internal element of L shape plan -connecting horizontal and vertical elements of gallery, inner corridor and entrance hall -provide lots of natural light through whole circulation system of house |
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R.H I element 2 |
Drawing Room -tallest, largest Room expressed at highest roof ridge on elevation -large brick fireplace dominates room(chimney) |
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Godd Exterior Elements 1 |
Garden - building composed around garden court w a dipping well -use of lawn, planting beds and paved terraces blend house w landscape - landscape as architectural material |
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Godd Element 2 |
Materials/Texture -limiting choice in material palette to properly reflect vernacular of its surroundings - important aspect of arts& crafts mov. -believed added artistic value and legitimacy -reflect form and structure through local materials, traditions -nature as added texture to blend -selection based on soundness of structure and economy of means -craftsmanship important bc beauty in the eye of the maker |
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Godd Element 3 |
Chimney, Gables, Windowless walls - opposite of highly glazed inner facade -scale disproportionate but signals to importance of interior fireplaces |
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Godd Interior Elements 1 |
Entrance Hall -moment of reprieve from symmetry of plan * - focal point in its placement -at inner angle off the common room and straight though to the garden beyond |
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Godd I Element 2 |
Common Room -spiritual centre for disadvantaged women of city -importance seen since placed at centre of plan and by the gables on front elevation - huge structural oak timbers shows honesty in material choice & construct -made for multiple activities -opens up the large south facing windows overlooking central garden court |
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Godd I Element 3 |
Skittles Alley -recreation area on rainy days ex. Bowling -break in plans symmetry, seen as an afterthought -dominance of structure, lots of natural light |
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Frank Lloyd Wright. "The Art and Craft of the Machine" |
Letter to Chicago arts and crafts society at Hull house and Western Society of Engineers 1901. -in the machine lies the only future of art and craft - machine is metamorphosis of art and craft -role of technology in artistic process |
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