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11 Cards in this Set
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- Back
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Charles Cressent, “Monkey” Commode,c. 1745. Satinwood Veneer (marquetry technique), Gilded Bronze, Marble; H. 35.4 in X W: 56.3 in;D. 25.2 in. RococoStyle. Musée du Louvre,France OA 6868. |
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2.Charles Cressent, Wall Clock, 1745.Gilded Bronze and clock movement; 51.2 x 14.6 x 7.1 in. Musée National du Châteaude Versailles, France, V4837. |
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Jean-Henri Riesener, Mechanical Table,18th Century, Paris, France. Oak veneered with mahogany and marquetry of fruitwoodmarquetry, gilt-bronze mounts, mirror glass, iron and brass fittings, green velvet (notoriginal |
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. Germain Boffrand (designer), Chambre deParade (Formal CeremonialBedchamber), Interior at Hôtel de Soubise, Paris,France, 1735-40. Rococo style. |
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.Paul de Lamarie (silversmith), TeaCaddy, 1747, England. Silver gilt; English Rococo style with Chinese scenes (Chinoiserie |
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Pieterde Swart (designer) and probably carved by Agostino Carlini. Torchère (One of a Pair),1748-1753, The Hague, Netherlands. Gessoed, Painted, Gilt Limewood, Crushed Glass, Basepossibly Dogwood |
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.Giovanni Battista Tiepolo (painter), Interior Fresco Decoration for the Kaisersaal (Imperial Hall-largedining room Fresco = technique of mural painting executed upon wet lime plaster. |
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FrançoisBoucher, TheArts and Sciences: Astronomy and Hydraulics, 1750-1752 (Originally in Collection of Madame dePompadour at the Château de Crécy. Oil on Canvas |
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Jacques-LouisDavid, Portraitof Madame Récamier, 1800. Oil on Canvas |
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. Jacques-Louis David, Portraitof MadameHenriette deVerninac, 1799. Oil on Canvas |
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Jacques-Louis David, The Emperor Napoleon in His Study at Tuileries, 1812. Oil on canvas |