Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
33 Cards in this Set
- Front
- Back
- 3rd side (hint)
John Szarkowsky |
Curates show at moma, influenced in 60's and 70's Elevated photography as an art thru publications and exhibits. Laid groundwork for institutional life of photography, museums, universities. |
|
|
The Photographers Eye (exhibit by Szarkowski 1964) |
5 characteristics The Thing Itself: A picture and not the equivalent of reality. The Frame: Choosing or eliminating objects within a frame. Infinite number of compositions The Detail: Clarity and it can isolate a frament of reality (capturing fragments of the truth Time: All photos are the compression of a given amount of time Vantage Point: Representing the subject from different points of view |
|
|
Mirrors & Windows |
How Szarkowski used this to explain photography
MIRRORS: Introspective photographer (internal artist)
WINDOWS: Glimpse of the world as it appeared (ex. Street photography, "Americans" by Roberr Franks. |
|
|
Postmodernism |
The rejection of modernists concerns in art opened door for artists to work anyway they felt supported their concept. Like using: Appropriation Staging Narratives Blurring Images
Richard Prince Sherry Levine Cindy Sherman |
|
|
Studium |
Photo content that interests the intellect |
Study_intellect. Ex conceptual |
|
Punctum |
Content that has a sudden arresting affect on viewer |
Puncture-impact ex Diane Arbus |
|
Detonation |
The literal meaning of a word or explicit meaning of a sign |
|
|
Connotation |
Emotial meaning, What the idea represents social overtone or cultural implication s |
|
|
Uta Barth Ground #42 1994 |
Uta Barth Ground #42 1994 |
Breaking rules more about mood or idea |
|
Catherine Opie Chicken 1991 |
Catherine Opie Chicken 1991 |
|
|
Judy Dater Self-portrait at crater of the moon 1981 |
Bsns |
|
|
Richard Prince Untitled (cowboy) 1989 |
Hdjd |
|
|
Mary Ellen Mark Tiny on Pike Street Seattle, Washington 1983 |
Mary Ellen MarkTiny on Pike StreetSeattle, Washington1983 |
|
|
Sebastiao Salgado Greatee Burhan Oil Field, Kuwait 1991 |
Sebastiao SalgadoGreatee Burhan Oil Field, Kuwait1991 |
|
|
Nan Goldin The Hug 1980 |
Nan GoldinThe Hug1980 |
|
|
Nan Goldin Nan one month after being bathered 1984 |
Nan GoldinNan one month after being bathered1984 |
|
|
Gray Schnieder Genetic Self-portrait: Tumor Suppressor Gene 1997 |
Gray SchniederGenetic Self-portrait: TumorSuppressor Gene1997 |
|
|
Catherine Chalmers Caterpillars eating a Tomato from food chain 1994-96 |
Catherine ChalmersCaterpillars eating a Tomato from food chain1994-96 |
|
|
Nancy Burson Warhead 1 (Reagan, Brezhnev, Thatcher, Mitterand, and Deng) 1982 |
Nancy BursonWarhead 1(Reagan, Brezhnev, Thatcher, Mitterand, and Deng)1982 |
|
|
Fontcuberta |
Embraced computer as a tool, favored manipulation. Predicted wide use of this technology. |
|
|
Aziz and Cucher Man With Computer from Faith, Honor & Beauty 1992 |
Aziz and CucherMan With Computer from Faith, Honor & Beauty1992 |
|
|
Joan Foncuberta The miracle of Dolphin surfing 2002 |
Joan FoncubertaThe miracle of Dolphin surfing2002 |
|
|
Jeff Wall A Sudden Gust of Wind 1993 |
Jeff WallA Sudden Gust of Wind 1993 |
|
|
Yasumasa Morimura Self-portrait, Red Marilyn 1996 |
Yasumasa MorimuraSelf-portrait, Red Marilyn1996 |
|
|
Edward Burtynsky Nickel Tailings #34 1996 |
Edward BurtynskyNickel Tailings #341996 |
|
|
Annette Messager From here I saw what happened and I cried 1991 |
Annette MessagerFrom here I saw what happened and I cried1991 |
|
|
Danny Lyon Girl laying on bed 1947 |
Danny LyonGirl laying on bed1947 |
|
|
William Eagleston Untitled Tricycle 1970 |
William EaglestonUntitledTricycle 1970 |
|
|
Lucas Samara Untitled 1973 |
Lucas SamaraUntitled1973 |
|
|
Danny Lyon Girl laying on bed 1947 |
Danny LyonGirl laying on bed1947 |
|
|
Susan Sontag |
Wrote on how photography has affected our culture Book adresses Beauty, voyeurism, anesthetization of culture due to the proliferation of images. |
|
|
The work of art in the age of mechanical reproduction |
By Walter Benjamin Seminal document in photo theory He discussed aura in the presence of an original, and authorship and originality in a photograph. |
|
|
Camera Lucida |
Roland Barthes |
|