Hip Hop Chapter 11 ,12,13,14,15,16,and 17

Front 1

music and african american athletics have been connected since

Back 1

louis armstrong sponsered a baseball team. armstrons secret nine of new orleans 1931

Front 2

baseball was the

Back 2

repository of black style

Front 3

high rollers go to

Back 3

sporting events

Front 4

the synergy of black celebrities is powerful

Back 4

they are connected by the pressure of white scrutiny, black adoration, and dealing with sudden bewildering sums of money

Front 5

band stand and dance floor

Back 5

have equal parralells in the intenstiy and fancy footwork of the african american sportsman

Front 6

two contemporary definers of african americans

Back 6

hip hop and basketball

Front 7

elgin baylor

Back 7

first man in the league to walk on air

Front 8

earl monroe

Back 8

dribbled and shot as if hed turned thelonious monks piano

Front 9

american basketball association

Back 9

wayward hild of a few self proclaimed millionaires and hustling liars

-three point shot

-multimillion dollar salaries for ninetten year olds

Front 10

black street flair that was long suppressed by the ________ was unleased by the ________ and forever changed

Back 10

nba and ncaa division 1, aba

Front 11

hawkins

Back 11

held the basketball like a grapefruit in his hands

Front 12

haywoods deal led to a

Back 12

supreme court case

Front 13

aba had

Back 13

alot of stories

Front 14

dr.j erving

Back 14

legend

-afro and goatee

gravity defying dunks

Front 15

1997 converse commercial

Back 15

evoked the right one majesty of ervings game with images of his aerodynamically impossibble dunks backed by stevie wonders higher ground

Front 16

dawkins

Back 16

shattered backboards, naiming his dunks, and claiming birth on the plantent lovetron

Front 17

dr j erving

Back 17

made converses' big

Front 18

world b free

Back 18

streaky guard lloyd free

Front 19

even the 76ers white boys were in hip hop parlance ill

Back 19

even the 76ers white boys were in hip hop parlance ill

Front 20

in shue

Back 20

the 76ers had a coach who encouraged freelancing, fst break, and a game of reckless abandon tht suited dr j and his back board shattering off balacne shot taking high flying cohorts

Front 21

76ers didnt win the title until

Back 21

1983

Front 22

erving was surrounded by players with sounder fundamentals

Back 22

which helped him become a more rounded better player

Front 23

dr j appeared in

Back 23

coke commercials

philidelphia distriubtor ship

became a major sex symbol

moved converse from canvas to leather

Front 24

evelved from aba renegade to all american role model

Back 24

erving

Front 25

in mid 80s ervings mantle as phillys airmaster was overtaken by

Back 25

round mound of rebound , barkley

Front 26

barkley reveled in being

Back 26

player they loved to hate

Front 27

barkley

Back 27

was agressive

Front 28

barkley

Back 28

didnt tell people what they wanted to hear, he told the truth

Front 29

barkley

Back 29

commodified rebellion for the consumption of the masses of the 80s

Front 30

in 1992

Back 30

barkley was traded to pheonix

Front 31

the leaving of barkley

Back 31

left the 76ers with no identying presence which meant they took up alot of college kids

Front 32

cash and skills

Back 32

afford celbrity for basketball players

Front 33

players of the 90s invested in

Back 33

rap production companies and on occasion rap themselves

Front 34

scott, shaw, and oneal

Back 34

had rap material in record stores

Front 35

stackhouse

Back 35

good player which was 76ers first choice had no antiheroism

Front 36

dc

Back 36

upset people

Front 37

1996

Back 37

6ers got a new stadium and recruited the best available b boy allen iverson

Front 38

allen iverson

Back 38

despite small great player

perfected crossover dribble

Front 39

iverson was charged with

Back 39

maiming by mob

Front 40

iversons charges were dropped

Back 40

true

Front 41

thompson

Back 41

more than a agressibe coach, as a critic of how ollege basketball rules restricted the recruiting of blak student athletes.

Front 42

thompson

Back 42

had been as resolute as his swuads playing

Front 43

for iverson

Back 43

thompson changed his coaching style

Front 44

iverson

Back 44

dominated the big east conference and established himself as one of the ages exceptional players

Front 45

1996

Back 45

with thompsons bleeings, ivrson became the first georgetown player to leave school early for the nba

Front 46

iverson

Back 46

was number one choice for phily and scored a major sneaker deal with rebok

Front 47

had a combative hip hop bred attitude toward the leagues elders

Back 47

iverson

Front 48

said he didnt respoect anyone on the court

Back 48

was taken as a dis to jordanm rodmanm pippin

Front 49

iverson

Back 49

became the living embodiment of hip hops boldness and taste for controlled rebellion

Front 50

when a posse of his boys and stackhouses friends got into a scuffle outside a sixer practive.

Back 50

iverson defended them all . a sign of solidarity with hishomies central to the culture

Front 51

iverson has formed his own production company

Back 51

crew thick

Front 52

hip hop is not a political movement in the usual sense

Back 52

true

Front 53

hip hop___________ present a systematic critique of white world supremacy

Back 53

doesnt

Front 54

hip hop has not produced

Back 54

a manifesto for collective political agitation

Front 55

hip hop has not

Back 55

produced no malcom x or dr. king nor has it spawned no grassroots activist organization on the order of the southern chirstian leadership conference, the black panther party, naacp, or even the country music association

Front 56

Hip hop has acually had suprisinly little

Back 56

concrete long term impoact on african american politics

Front 57

hip hop made its mark by

Back 57

turning its listeners on to real political icons,radical organization of the past, and self sufficient operation of the present.

Front 58

hip hop has

Back 58

articulated and predicted the explosive rage that rocked los angeles in 1992

Front 59

hip hop has

Back 59

given two generations of young people a way into the entertainment buisness and and uncensored vehicle for expression

Front 60

chuck d said

Back 60

he hope public enemy would spawn thousands of black leaders

Front 61

public enemy

Back 61

probably affected many more young people than thousands

Front 62

hip hops major problem is

Back 62

mcs are not political activists by trainng or inclination

Front 63

public enemys ultimate strenth was

Back 63

making and selling records

Front 64

public enemy made politics seem

Back 64

cool

Front 65

hip hops values

Back 65

revellion

identification with street culture

materialism

aggression

.... flexible tool of communication ... adaptable

Front 66

hip hop values are

Back 66

are easy to market or turn into a elemtn of a product

Front 67

hip hop survives

Back 67

even the crassest commericalism

Front 68

hip hop is the ultimate capitalist tool

Back 68

has literary, cinematic, fashionable, and political in ways that have nothing to do with black nationalism

Front 69

the dichotomy between vibe and souce

Back 69

white merchandisers and grassroots ethic designers speaks to the multiple approaches and overall evolution of what may be the most multilaered aspect of hip hop ... its style

Front 70

most multilayered aspect of hip hop

Back 70

its style

Front 71

more than dancing , record production, and rhyming

Back 71

fashion has utated amazingly

Front 72

in 1995 essay by sally fletcher

Back 72

piece on urban fashion by stating a "true hip hop spirit doesnt need or want a designer label on his jeans" his own name is the only commodity to promote.

Front 73

flinker aruges

Back 73

a heightened sense fo identity of putting across ones personal image was essential to this post soul era aestheti

Front 74

in hip hops firs phase

Back 74

flinker was right

Front 75

gang mode

Back 75

dungaree jacket turned inside out with the name savage nomads or jolly stompers drawn on the back

Front 76

gand mode

Back 76

was the origal hip hop fashion

Front 77

original hip hop fashion was

Back 77

gang mode or hododed jackets or sweatshirt

Front 78

original hip hop fashion

Back 78

gold chains , street tags on name plates, baseball and painters capts, worn sideways or painted, sweat suits, usually adidas, and shell toed sneakers with fat laces or no laces

Front 79

personalizing the gear, use of clashing colors, or wearing clothes out of season

Back 79

was essetial

Front 80

brand name gear

Back 80

tended to be inexpensive, utilitarian and low maintenance

Front 81

leather ski parka with fur trim

Back 81

came out of hip hops early days and has not totally disappeared

Front 82

was an imporivitional quality

Back 82

to style in the old school late 70s- 1983

Front 83

70-83

Back 83

time when high fashion designers began taking these street style and the day glo colors used to tag subway cars seriously

Front 84

first designer in hip hop game was

Back 84

wili smith who hired several graffiti aritsts to do a playful t shirt line

Front 85

84 stephen sprouse

Back 85

integrated day glo colors and graffiti styled prints into his work

Front 86

norma kamali

Back 86

gave using breaking and rap as a bacdrop for showcasing their lines of hip hop apparel

Front 87

norma kamalis try in 1984 resulted in

Back 87

street beat. it was later reedited with chaka khan and became the video for khans hit single "i feel for you"

Front 88

85

Back 88

was when the athletic manufacurers began to see how the link between hip hop and their products could pay off

Front 89

__________ made the concnection between hip hop and athletic wear real

Back 89

russel simons

Front 90

michael jordan

Back 90

had a landmark nike deal

Front 91

run was told

Back 91

he would have his own line of adidas clothing

Front 92

most memorable event to run

Back 92

adidas line of clothing , until he became born again

Front 93

run dmc and adidas colab

Back 93

signified that hip hop community was now having things made expressly for them by major manufacturers

Front 94

whodini made a small deal with

Back 94

lacoste

Front 95

ll cool j a large deal with

Back 95

troop

Front 96

dapper dans shop

Back 96

one of the sites where the relationship between mainstream fashin and hip hop was altered

Front 97

on dapper dans street that

Back 97

mike tyson on his way to pick up a custom made dont belive the hype leather jacked punched out mitch green in 88

Front 98

dans shop made

Back 98

faux gucci oufits for eric b and rakim for cover of follow the leader

Front 99

dans shop

Back 99

were cut to fit hubcaps furniture large embelms of designers were ut

Front 100

the appropriation of high fashion items began in

Back 100

late 70s with cazals

Front 101

cazals

Back 101

line of designer glases frames that were wore just as frames

Front 102

old school symbols of self identification

Back 102

nameplate belt cukcles and stenciled t shirts

Front 103

old school symbols of self idnetification

Back 103

gave way to the cultures total immersion with expensive status gear

Front 104

during the days bambaataa, hec, and flash were spinning in the bronx parks

Back 104

gang emblems were drawn and spray painted onto jackets and dunaree legs

Front 105

raiders became another gang generated style

Back 105

true

Front 106

when kings hockey switched to silver and black

Back 106

the logo quickly became essential to the west coast hip hop uniform

Front 107

sunglasses

Back 107

locs

Front 108

gangs and drug operations

Back 108

gravitated in different sports merchandise

Front 109

sellers of athletic apparel began

Back 109

courting gang members

Front 110

heavy winter obots (timbs) came from

Back 110

use by crack dealers

Front 111

the manufacturere of tims was

Back 111

uncomfortable with the unexpected identification of its brand name with urbban youth

Front 112

when the word of mouth was that that timbs didnt like the hip hop t

Back 112

tims dissapeared from the cultureonly ember left of timbs was

Front 113

top vitginina based producer went

Back 113

by the name timbaland

Front 114

tribe called quests 1tip

Back 114

requested for polo street wear and was rejected by reps for the ralph lauren affiliated company

Front 115

regected for plo street wear because

Back 115

they were worried about how it would affect the comanys image

Front 116

laurens reevaluation to embrace hip hop was

Back 116

influenced by the relationship between hip hop and tommy hilfiger

Front 117

grand puba

Back 117

has always been a hipster favex member of masters of cerembony and sometime member of brand nbian and the possessor of an intriguing off kilter flow has always been a hipster favorite

Front 118

grand puba remained a hipster fav bc

Back 118

he remained as much a cult figure as a record seller

Front 119

puba started mentioning

Back 119

hillfiger in his work

Front 120

andy tommys brother offered

Back 120

puba and his crew to get whatever they wished

Front 121

urban prep

Back 121

prep clothes with larger logos and mroe colorful to appeal to hip hop

Front 122

urban prep

Back 122

dressing that took prep school clothes and strtched them to fit the loose, baggy feel of the 90s

Front 123

kadada

Back 123

jones daughter became a free loating asset for the tommy line

Front 124

Rumor on hilfiger dissed

Back 124

black market on the oprah show

Front 125

hilfiger

Back 125

was estrong supporter of vibe and was friends with simmons and jones butknew litle about hip hop

Front 126

96

Back 126

hilfiger was the 1 apparel traded on the ny stock exxchange bc hip hop and urpan prep look

Front 127

hip hop driven growth of ddsigners like hilfiger and lauren didnot drive

Back 127

smart african american companies out of buisness

Front 128

hilfiger

Back 128

expanded the market

Front 129

larger brands made

Back 129

more adventurous dressers keep it real by seeking black designers

Front 130

nlack and hip white consumers decided

Back 130

they wouldnt be caught dead wearing the fashion equivalent of a hammer rocrod

Front 131

black run apparel enterprises ten to be

Back 131

more progressive in their choices of fabics, lgs, and colors

Front 132

Karl Kai

Back 132

greatest hip hop african american fashio success story

Front 133

karl kani

Back 133

carl wililams, a brooklyn native based out of los angelees made 50 m in 97

Front 134

91 kani pioneered

Back 134

eextra naggy pants and sweaters with his bold signature adorning each piece

Front 135

kanis work was distrubuted in partenrship with

Back 135

threads 4 life (lla), cross colours line

Front 136

cross colours

Back 136

brand known for baggy denim overalls highlightened by a ggaish red, yellow, and green logs

Front 137

mismanagement and unpaid bills brought kanis line to a halt

Back 137

allowed hilfigers of the world to move in

Front 138

around the country other innovative african american apparel companies

Back 138

folowed kanis lead

Front 139

two conflicting trends in fashion that speak to battling aesthetics within the overall culture

Back 139

1- those whom dress to impress iwth high fashion names

2- do it yourself philosphy that created hip hop

Front 140

designer just comes off as

Back 140

im paid consumerism with no subcontext now

Front 141

chuck d

Back 141

had his own lothing line

rapp

Front 142

fred siegel boutique a

Back 142

and fat farm

Front 143

the curiousity and ambition

Back 143

is no where near abating

Front 144

barry michale cooper

Back 144

toughtful heaty laugh guy

Front 145

barry like georges

Back 145

review of schraders amercan gigolo

Front 146

barry michael booper

Back 146

a reporter forecaster on the emerging culture of drugs, gunsm, and sampled beats that exploded in tandem with crack

Front 147

barry cooper

Back 147

gave the phrase new jack swing to tedd rileys sound

Front 148

bary boopers signature piece of journalism

Back 148

kiss killing kids : new yak city eats its young ... detroits brutal drug scene

Front 149

kids killing kids showed

Back 149

dealers and its youth culture as trailblazers in experiencing the possibilites and corruption that crack presented

Front 150

alarms that the need to

Back 150

showand prove is that extreme when it comes to gangster style

Front 151

barry was warned by local gangsters to

Back 151

stay out of detroit

Front 152

barrys article attracted

Back 152

wo aggressive black film producers george jackson and doug mchenry

Front 153

barry was then

Back 153

recruited by jackson and mckenry to write hollywood moldrama about new jack halem drug dealer fot the 80s

Front 154

hip hop put a premium on

Back 154

authenticity

Front 155

barrys title

Back 155

new jack city

Front 156

barry

Back 156

put a personal samp on new jack city bysetting t in barrys hoo, and featuring a conflict between two brothers inth drug game who clash over limits of loyaltybarry also produced sugar hill and above the rim

Front 157

sugar hill and above the rim 94

Back 157

halem crime dramas featuring brothers in conflict

Front 158

barrys movies

Back 158

are obsessed iwht grime andtroubled familiies of uptown new yrok

Front 159

pup fiction is

Back 159

disdained by most educated folkss

Front 160

barrys films have been derided as

Back 160

contempoary blaxploitation

Front 161

nick pileggis gangsta scripts

Back 161

flow out of his days covering the mafia

Front 162

barrys work

Back 162

is in the authentic pulp fiction tradition of icebe slim and donald goinesas are the gangsta rhymes of rappers such as krs one and ice cuve

Front 163

96 ww nort a publisher began a line called

Back 163

old school books which spoke to the dark side of the soul era from 58-70s

Front 164

old school books looked at american life

Back 164

harsh despairing eyes

Front 165

old school books

Back 165

was under guidancec of pulp fiction fanatics gerald and vlumenfeld

Front 166

himes and williams and the line has reprinted two of the ovscure novels

Back 166

williams the angry ones and himes the end of the primitive

Front 167

two oldschool books that were famous

Back 167

the angry ones, willim and the end of th eprimitive, himes

Front 168

heart of the line is dedicated to

Back 168

rescuing lost writers like clarence cooper jr, herbert simmons, and charles perry

Front 169

worl dof the desperate and the deranged the doomed and the damned where the sn never worl dof the desperate and the deranged the doomed and the damned where the sn never shinesshines

Back 169

worl dof the desperate and the deranged the doomed and the damned where the sn never shines

Front 170

payback pres

Back 170

uk uk counter part important in the states

Front 171

paybak press like old school books

Back 171

links reality rap to forgotton hard boiled prose ... explorations of nihilstic racism a nd the nightmares of african americans are apart of an occasionally disreputable legacy that hsould not be ignored

Front 172

post sould generation

Back 172

has more freedom

Front 173

70s

Back 173

olde english 800 was on the rise

Front 174

olt 45 was a r&b brew

Back 174

olde e was old school raps favorite libation

Front 175

dmc wrote a poem

Back 175

on olde e

Front 176

malt liquor was for

Back 176

roughnecks way before mc lyte popularized the phrase

Front 177

mal liquor ads had long used symbols of

Back 177

black macho and music driven spots on theblck radio

Front 178

fred wiliamson

Back 178

king coba spokesmand

Front 179

st ides ignored

Back 179

mainistream rapstars and went right for the hard core

Front 180

st ides

Back 180

collag with king tee

Front 181

st ides was for

Back 181

roughneks like you

Front 182

1 million bottle bags

Back 182

cuckd song o commented negatively on phenomenon of malt liquor and hip hop

Front 183

chuck d sued st ides distributor

Back 183

mckenzie river corporation for 5 million and made an out of court settlement that reputedly provided the down payment on an atlanta home

Front 184

st ides replace cube iwht d

Back 184

snoop

Front 185

artist for st ides commerical was same artsits that did

Back 185

artwork for doggystyle

Front 186

sprite

Back 186

specifically targeted the hip hop audience in the mid 90s

Front 187

sprite

Back 187

firt tv spots iwht a trive called quest

Front 188

sequences from the movie wild style were restaged using contemporary stars

Back 188

for sprite

Front 189

lisa wiliamson

Back 189

great leader for afriecan america

Front 190

lisa williamson

Back 190

wasnt integrationist but informed by commonsense black nationalism

Front 191

lisa

Back 191

got a job from a reverend to build a network for youth activists

Front 192

chavis's recognition of lisas leadership qualities suggested a progressive quiality

Back 192

that would later lead him to the presidency of the NAACP, where he did outreach with black youth gang

Front 193

1997 chavis

Back 193

renounced christianity and joined the nation of islam as a deputy to louis farrakhan

Front 194

Lisa wanted to

Back 194

take 100 of the the kids who lived in city subsidized housing to a abandoned black college campus in north caolina they could learn about curriculum as well as black hisory to personal hygeine

Front 195

lisa made her firs real music buisness contract when she met

Back 195

bill sthney, th then def jam vice president

Front 196

90 apollo theater even showased an allstar lineup of new york rap and raised 60 k

Back 196

to open lisas african youth survival camp

Front 197

lisa was recruited by he new minister of information

Back 197

true

Front 198

cuck d renamed her

Back 198

sister souljah

Front 199

sister soulja was known as

Back 199

publi enemys female counterpart

Front 200

sister souljah was signed to epic records in 1992

Back 200

debut album ... 360 degreees of power slaverys still

Front 201

slaversys still in efefct

Back 201

provactvie single bby sister souljah

Front 202

clinton charged tht sister souljah was

Back 202

calling on blacks to kill whites and challenged reverned jsse jackson and his rainbow coalition to condemn her

Front 203

clinton took sister souljahs

Back 203

statement in the post way out of context

Front 204

hip hop is

Back 204

scapegoat

Front 205

parents music resource center

Back 205

group that forces record industry to stiker is record with rations for ovscenity was inaugurated by al gores wife in 84

Front 206

sister souljah

Back 206

with the aid of times bbooks, became an author

Front 207

sister souljahs

Back 207

no sirespect, a memoir of her romantic life tht jused her political activites as a distat backdrop for herown observation on love amog gneration x for h on love among generation x

Front 208

lisa williamson is now working for puffy combs,

Back 208

runninghis daddys house charities

Front 209

lisa went from

Back 209

antiapartheid ativist to angry nationalist rapper to relationship epert ack to do gooder

Front 210

the most onsistent element of hip hop has been

Back 210

a captivating, yet ever mutating sense of self.

Front 211

nelson george gave a talk at spelman all girls school on how

Back 211

lyrical violance toward women was a ugly compenstaion for their absence of rhyme skills

Front 212

woman were fine with luke campbells

Back 212

negtive music as long as it was about hoes luke knew

Front 213

luther campbell was

Back 213

kind of a cultural hero

Front 214

nelson george thinks

Back 214

he was wrong for speaking poorly of a man putting street reality on record

Front 215

it was _________ that owed its rhythmic unerpinning to electro funk like the soul sonic forces planet rock

Back 215

miami pumping bass, a kinetic, dance happy sound

Front 216

2 live crew was the

Back 216

unofficial soundtrack of wet tshirt contests and other uplifting collegiate pursuits

Front 217

many folks raised on hip hop have bought into a ver limited view of life one that

Back 217

deems that truth is defined by their perception of street dogma

Front 218

2 live crew was

Back 218

subteranean battle of the sexes

Front 219

an indirect yet high intensity cultural war between the african american sexes has

Back 219

spanned the post soul era

Front 220

first shot in african american sex war was

Back 220

ntozake shange in the bicentennial year

Front 221

colored girls who have considered suice/ when the rainbow is enuf

Back 221

tells storiess of females that have had evil done to them by the men they loved

- theater that captures years of black female frustration, confusion, and pain in one indelible image

Front 222

michelle wallace black macho and he mth of the superwoman

Back 222

points out how exploitive of women black men often were during both the civil rights movement and the black nationalist era

-highlights the sense of sexual entitlement that went along with visionary rhterric and leadership

Front 223

black man is boogeyman phase

Back 223

black men were regularly depicted as rapists, muggers, and predators

Front 224

black macho and the myth of the superwoman

Back 224

shed light on the machismo among the african american political leadership and altered views of the struggle for equality in ways some found traitorous

Front 225

gayle jones correigdoras, alice walkers the third life of grange copeland, and the early work of toni morrisonscareer bluest eye sula

Back 225

evolved out of wanting to gie a voice t othe long suppressed experience of african american woman, a voice that inherently led to a critique of white racism and the pains inflicted upon african amerian women by the men in teir lives

Front 226

zora hurston

Back 226

once restricted to black literary antologies, was anointed a patron saint of black womanhood

-result of walker and washington

Front 227

southern ritual influenced works like

Back 227

the color purple and disappearing acts

Front 228

zoras revival made her

Back 228

valuable like men, black women were rethinking the past and writing themselves into the narrative

Front 229

just as b boys were an emergin post soul force so was

Back 229

a national community of college educated, upwardly movlie, socially conscious, somewhat politicized black women

Front 230

essence

Back 230

71 forum for empowering images, practical advice ad praise songs to sisterhood

Front 231

male resentment towards black female asseriveness surrounded

Back 231

the color purple

Front 232

criticism was aimed back at

Back 232

shange and wallace

Front 233

the implication was that

Back 233

walker put black male misogyny on equal footing with white racism= many found this offesive

Front 234

race loyalty displayed by prominant black woman

Back 234

was the cause of name calling, shouting, and general disrespect by men

Front 235

proper negroes against jazz and blues

Back 235

women standin up for too live crew

Front 236

the color purple and too live crew are both

Back 236

products of battle of sexes

Front 237

getting paid justifies everything

Back 237

true

Front 238

too live crew went to federal court in florida

Back 238

according to testimony this wasnt just a nasty rap group but a example of humor and satire

Front 239

2 live crew

Back 239

first us recording group to have sales to minors banned on means of indecency

Front 240

luke campbell became know as

Back 240

poster boy for rap raunchyness and the fight against censorship

Front 241

91 2 live crew parody of rob orbinsons pretty woman

Back 241

attacked by publishers, Attuck-rose, yet supreme court ruled the 2 live crew in the ok for the fair use provisions of the copyright law

Front 242

as campbell went bankrupt

Back 242

the country embraced his music but a more clean version of others

Front 243

campbell then signedwith

Back 243

island in 97

Front 244

mr.mixx and brother marquis

Back 244

left over a dispute of money

Front 245

campbell (captain dick)

Back 245

published black mens magazine and hosts x rated pay per view talk show

Front 246

luther campbell as

Back 246

willie horton

Front 247

the paranoia that people are being racially charged

Back 247

keeps facts from being brought up, people tend to pick side of colored individual

Front 248

white plotting and black male foolishness

Back 248

can create a mess

Front 249

the man who popularized the big black butt girl video as a vehicle for selling records

Back 249

campbell

Front 250

campbell was

Back 250

nor a villian or a hero

Front 251

at 85 rap battle for world supremacy

Back 251

roxanne shante ripped stetsasnics friutkwan and old school busy bee, she almost won mc of the year

-memorable for woman because she was allowed to compete on equal footing

Front 252

hip hops typical narrator is

Back 252

young, angry, horny male who is often distainful or at least uninterested in commitments of any kind

Front 253

adult relationships are the backbone of

Back 253

blues and soul music

-where both women and men tell stories of love hate infediaity and lust

Front 254

latifah and lyte

Back 254

the genres most lyrically significant women

Front 255

hip hops most comercially succesfull female group

Back 255

salt n pepa

Front 256

female artists get their break through

Back 256

using sex

Front 257

salt and pepa were supervised by

Back 257

hurby luv bug

Front 258

ghettocentric view

Back 258

harsh, unsentimental, and antiwoman

Front 259

disrespect towards woman had to do with

Back 259

crack

Front 260

hip hop style made woman

Back 260

adopt a more b boy mentality and harsh mentality that didnt place much importance on female instincts

Front 261

being an around the way girl

Back 261

was praised

Front 262

there is a homoerotic quality to hip hop culture

Back 262

nurtured in gangs and jails, where woman are unneccsary other than for sex

Front 263

90s is

Back 263

overcompensating for 80s style in woman

Front 264

a landscape where woman were stereotyped and weakened of their values is the environment where

Back 264

2 live crew thrived

Front 265

gold diggers started with

Back 265

kool moe dee's they want money

Front 266

rap records articulate teh black men are

Back 266

under attack by white men and black woman

Front 267

la di da di was

Back 267

first rap record to be cited by source to call a woman bitch

Front 268

c dolores tucker

Back 268

always wore turbans

Front 269

warwick and moore were

Back 269

supporters of tucker

Front 270

tucker and her supporters were

Back 270

woman who resented the power hip hop gave to young african american males

they didnt like that rap made it that a unworthy generation of entreuprenuers pushed past them

Front 271

tucker was a

Back 271

veteran of the civil rights movement and long time liberal activist and civil servant.

served as pensylvanias secratary of state from 71-77

Front 272

tuckers argument was that

Back 272

the rap that she and her advisors disliked was not popular on its own merits because white corporations sold it

Front 273

tuckers goals was to

Back 273

clean up rap lyrics

Front 274

tucker states that rap in its purest form was

Back 274

artform of prose and poetry which expressed life in the same sense that the spirituals did

Front 275

3 bands that plyed crucial roles in creating raps rep for mysogny

Back 275

2 live crew, niggaz with attitude, geto boys

Front 276

the self defeating view that tucker had was that

Back 276

black creators wouldnt succeed without white buisness men

Front 277

knight offered tucker

Back 277

the rights to moores lift every voice and sing

-she offered to set up a meeting between knight and fuchs

Front 278

tucker was unwilling to take on the black artists directly so she

Back 278

blamed white faces

Front 279

tucker got a lawsuit from interscope for

Back 279

tampering

Front 280

tucker had an alliance with

Back 280

william bennet

self serving alliance GOP

Front 281

william bennett

Back 281

enemy of black america

Front 282

tucker committed the same hypocrisy that she accused the hip hop community of

Back 282

making a deal with the white poer structure to further your own selfish ends

Front 283

congresswoman water

Back 283

stood up for rap

Front 284

tuckers acolyes were dissmissive of waters

Back 284

they said shed taken blood ojey, as if their liison with the gop gave the the moreal authroity to judge

Front 285

august 97 tucker sued tupac estate for

Back 285

references in all eyez on me harmer her marriage, resulting in the inability of her and her husband to have sex for two years

Front 286

starski wanted to be a mc

Back 286

but was a better dj

Front 287

_________ has enjoyed the longest comercially viable career as an MC because he is remarkably versatile

Back 287

ll cool j

Front 288

once a rap star falls

Back 288

they usually dont get back up

Front 289

________ helped create alot of the contemporary rap vocab

Back 289

late cowboy of furious five, kidd creole, and melle mel

Front 290

coke la rock

Back 290

pumped the crowds for kool herc, cited by some as a crucial creator of style

Front 291

og

Back 291

pete dj jones

Front 292

hollywood was

Back 292

one of the biggest stars of the prerecorded era of mcing, thrivedin disco and after hour clubs in bronx and harlem, and he created many hip hop signature phrases

Front 293

hollywood released a 12 inch single

Back 293

in 86 on an uptown indie label, country toast

Front 294

younger stars build upon

Back 294

older stars and add personality and eprspectives that make them stars

Front 295

there is an aspect of the american psyche, one forged in this nations overheated furnace of racism and stoked by liberal guilt, that tempts us to romatnicize the often ovscure pioneers of afrcan american musical culture

Back 295

there is an aspect of the american psyche, one forged in this nations overheated furnace of racism and stoked by liberal guilt, that tempts us to romatnicize the often ovscure pioneers of afrcan american musical culture

Front 296

survival of the fittest is a concept

Back 296

intergral to hip hops competitive nature

Front 297

grandmaster caz states that

Back 297

big bank hank of rappers delight stole his lyrics and used it in rapeprs delight

Front 298

beasties introduced caz at a concert

Back 298

caz wouldnt let go of the mic

Front 299

kool moe dee

Back 299

bowed out gracefully

Front 300

moe dee reinvented himself

Back 300

created doctor wich was a minor pop hit

Front 301

moe dee dressed

Back 301

futuristic

Front 302

moe dee didnt jump start his career until he

Back 302

got into battling

Front 303

moe dee had rivalry with ll cool j

Back 303

bumped his music career

Front 304

moe dee had a positive knowledge is king album

Back 304

true

Front 305

kool moe dee

Back 305

began acting and started screenwriting

Front 306

dee released

Back 306

2 albums in 90s

Front 307

in 96 in partenership with maty rich

Back 307

moe dee sold himself to disney as a talk show host

Front 308

ll released a song that said he took down

Back 308

cool moe

Front 309

moe dee

Back 309

actually lived through hip hop and came out the other side

Front 310

young black french record executive explains that

Back 310

hiphop in southern france is heavily influenced by african and arab culture, while the words are specific to frances uneasy ethnic mix

Front 311

frances biggest rap star

Back 311

mc solaar

Front 312

french bboys are

Back 312

usually stuck up

Front 313

englands most imporant hip hop gatekeeper

Back 313

tim westwood

Front 314

hip hop has

Back 314

funked the world

Front 315

hip hop and its culutre has been embraced by young people as a conduit for informationa nd attitude that irritates the cdolores tucker of every country

Back 315

hip hop and its culutre has been embraced by young people as a conduit for informationa nd attitude that irritates the cdolores tucker of every country

Front 316

bc hip hop has so many elemtns (dancing, clothing, musicm attitude)

Back 316

its essential mutability makes it adapbtable world wide

Front 317

many european groups

Back 317

employ english as a univeral language

Front 318

djs are respected

Back 318

more in other countries than US

Front 319

young non american djs have

Back 319

helped popularize the phrase turntablistss

Front 320

turntablists goals is to

Back 320

create sonic tapestries for listeners, showcasing the djs dexterity and library

-disdain for commercial hip hop

-more self conscious display of aritstry than rocking parties

Front 321

us rhyme cadence and sample techniques are heard throughout

Back 321

south america

Front 322

some of the worlds most heavily coded lyrics come from

Back 322

ireland

Front 323

germanys biggest mid 80's group die fantastischenvier

Back 323

adopted a pop style anaologousto jazzy jeff and the fresh prince to overcome the harsh language problem

Front 324

japanese are more interesting for

Back 324

style

Front 325

japanese like raw rap

Back 325

like alkaholiks and large professor

Front 326

new blackism

Back 326

in tokyo the fascination of hip hop

-not always used affecionately