Hip Hop Chapter 10

Front 1

in 1989

Back 1

ice cube went to new york to work with bomb squad

Front 2

bomb squad

Back 2

the production team behind public enemy

Front 3

resulting album from ice cubes work with bomb squad

Back 3

amerikka

Front 4

amerikkka

Back 4

was a hip hop landmark

united front

Front 5

all the critics in new york

Back 5

ice cube felt like he didnt get love

Front 6

nelson george thinkgs all the crics in new york is

Back 6

NOT the new oppening salvo in the new bicostal war

Front 7

all the critics innew york nelson george thinks is

Back 7

a manifestation of an ongoing love hate complex the big apple seems to foster in the res of america,especially the west coast

Front 8

melting pot of new york

Back 8

arrogance, creativity, and willful multiculturlaism

which upsets redneck congressmen. concerning clergy, and irritating conservatives at least since Gershwin wrote "rhapsody in blue"

Front 9

insecurity comes from hip hop

Back 9

starting in new york

Front 10

new yorkers

Back 10

have swagger that the world detests and envies

Front 11

new york has

Back 11

country-city contrast

Front 12

Langston Hughes

Back 12

captrued thecountry city contrast in his Jesse B Semple stories about southern boy moving to harlem

Front 13

new york never embraced the

Back 13

blues beacuse too country

Front 14

jazz and blues related to

Back 14

disco and funk

Front 15

new york didnt embrace

Back 15

uncut funk the way much of the rest of the country did. combine that with new yrokss overall feeling of superiority, and you have a mix of tast and attitude that affected top music very early on

Front 16

the contempt of new yonkers for non new york rap began with

Back 16

teh disdain in manhatten for the sugar hill gang

Front 17

the bridge and the bridge is over

Back 17

debated mc shan about the birth of hip hop

Front 18

new york and philly

Back 18

rididculed rap records from outside the northeast and the north east attitude, that everything made outside the eastern corridor was outstandard, was accepted by the first generation of rap consumers

Front 19

first non new york mcs to get national coverage were from

Back 19

philly

Front 20

lady b

Back 20

promoted philly tunes on radio show WHAT

Front 21

fresh fest tour of 84 and dmcs headling tour

Back 21

pushed musics borders farther west

Front 22

regional taste

Back 22

exists

Front 23

las best knwon rapper

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ice t

Front 24

ice t was too

Back 24

new york oriented

Front 25

rappers cant identitfy

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with where they are from

Front 26

2 live crews 2 live is what we are made of 1988

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made history by being irst non new yrk rap group to sell over 500k copies of an album

Front 27

2 live crews albums succeeded because

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it didnt sound like new york rap

Front 28

used poetic call and response chants

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watts prophets

Front 29

late 60s la trio

Back 29

watts prophets

Front 30

rappin black in a white world is considered

Back 30

a classic that is equal to eastern music to poetic afficionado

Front 31

only exposure for watts prophets

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on quincy jones show in 1975 played lovers rap

Front 32

locking and poping

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from la

Front 33

loking and poping

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got exposure on sould train in 70s

Front 34

people would pop and lock at the

Back 34

radio ... club equal to the roxy

Front 35

uncle jams army

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collective of djs and promoters that gave venues of 16k at la

Front 36

real first hip hop sound tended ot be

Back 36

electro pop

Front 37

wreckin cru

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dres first band ...electropop

Front 38

eazy e started

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ruthless... his own label

Front 39

ie cube befriended

Back 39

dr dre

Front 40

sir jinx

Back 40

ice cubes dj and production partner

Front 41

it was supposedly dr dres idea that

Back 41

eazy record himself instead of the new york people HBO

Front 42

first album on ruthless was

Back 42

boyz in the hood

Front 43

eazy hooked up with

Back 43

jerry heller

Front 44

jerry heller

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old school biz member of the permanat buisness

Front 45

straight out of compton was

Back 45

a revolution

Front 46

east coast had a

Back 46

postiive rhetoric

Front 47

rhymes of nwa were composed of two of the best lyricists ever

Back 47

ice cube and the doc

Front 48

between 1988 and 1990

Back 48

hostility grew between new york

Front 49

new yorks insecurity was

Back 49

tom dogs f*ck compton 1991

Front 50

nwa, luther campbell, geto boyz, and too short

Back 50

would reinvent the definition of what a good rap record was

Front 51

tommy boy prez monica lynch published a opinion piece in 1991

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has new york fallen the f*ck off

Front 52

the members of nwa release hits

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dissing eachother

Front 53

the dismanteling of nwa was

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extremely succesfull for all in it even those non nwa affiliates

Front 54

dr dre

Back 54

ruled gangsta rap

Front 55

dres approach to sampling, use of funk grooves, and high pitched key board backings

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informed most of west cost hip hop

Front 56

dres signature works

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nwa.. straight outta compton, the chronis, doggystyle

Front 57

dre was filled with ______ that made it a true hip hop statement

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genius, pain, and contradictory values

Front 58

hustled st ides malt liquor in the hood

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ice cube

Front 59

because of his keen analytic mind, a novelists care for narrative, and a biting rhyme flow

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ice cube is one of the most fascinating men to ever rock a mike

Front 60

directed friday and players club

Back 60

ice cube

Front 61

cube hired diretor

Back 61

f gary gary to direct friday

Front 62

eazy e was truest to his particular game

Back 62

eazy e was truest to his particular game

Front 63

eazy e found

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dr dre, ice cube, the doc, teh ren, and bones thugs and harmony

Front 64

eazy e took

Back 64

jerry hellers side against that of his homies

Front 65

eazy

Back 65

fed his ego, made money, and got women

greed was his downfall

Front 66

marion knight

Back 66

the forced behind death row records

Front 67

marion knight

Back 67

threathened eazy e with baseball bats and a offer he couldnt resist

Front 68

eazy e lost ruthless

Back 68

because of marion knight

Front 69

eazy died of aids

Back 69

in march 1995

Front 70

more love for the death of

Back 70

tupac and biggie than of eazy es

Front 71

in 1992 suge knight and david kenner

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made a deal for death row records with interscope records that altered hip hops landscape analogous to the def jam -- cbs union in 1986

Front 72

death row- interscope union

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had suge knight and dr dre

Front 73

def jam and cbs

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had russell simmons and teddy riley

Front 74

death row and interscope would

Back 74

take gang mentality and make it pop

Front 75

democratic people were very hiprocritical

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page 140

Front 76

combs

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prospered in the east coast west coast war

Front 77

the imagined fued was

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as destructive to hip hop as crack was to the black community

Front 78

tupac was shot on

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november 1994 in the lobby of times squares quad recording studio

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tupac emergd from digital underground in

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1991

Front 80

shotting of tupac

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signifyied the war

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two gun man pumped five shots into him

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and stole 40k in jewelry

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between his conviction and sentence

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he got it in the head that puffy, big, and others set him up for the shots,while in upstate new york

Front 83

suge came to

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tupacs rescue... bailed him out 1.4 mil

- got tupac on death row

Front 84

tupac died

Back 84

in september 1996

Front 85

tupacs death ended the

Back 85

west coast east coast war

Front 86

the style that begun iwht ice t, was popularized by nwa, and skillfully packaged for amss consumption by dr.dre and suge knight was over

Back 86

the style that begun iwht ice t, was popularized by nwa, and skillfully packaged for amss consumption by dr.dre and suge knight was over

Front 87

the recordings from compton

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told the story of the poverty, guns, and despair taht everyone noticed after the 1992 riots