• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/37

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

37 Cards in this Set

  • Front
  • Back
The Personal is political
Political phrase that broke down the dichotomy of private and public
The Underground Press
-Village Voice
-MS
-Rolling Stone
shoestring papers, newsletters, and magazines sprang up to allow the various political and social groups to communicate with themselves and the outside world.
-anti establishment newspaper
-feminist
-Music
Pacifica Network
First example of public radio that wasn't educational or religious
Cigarette advertising
1
Network owned and Operated Station
A station owned and operated by one of the three
commercial networks. Each network could own
up to seven TV stations (five VHF and two UHF),
usually in the largest national markets. Income: all
advertising time sold adjacent to both network
programs and syndicated/local programs. Most
profitable part of network business.
Network Affiliate
A station affiliated with a network but owned by
another company: individual or group owner
(with same limit of seven). Income: sell local ad
time adjacent to network programs; sell all time
for syndicated and local programs. Also station
compensation from network.
Independent Station
A station unaffiliated with a network. Owned by
individual or group owner. Income: all derives
from sale of advertising slots adjacent to
syndicated or locally produced programs, or sale
of time to programmers.
Public Television Station
A station affiliated with the PBS network. Owned
by nonprofit groups, universities, or cities.
Noncommercial; income from CPB, state
governments, foundations, corporate
underwriting, and “viewers like you. ”
Desilu
independent production company the worked for all 3 networks and produced hits like I Love Lucy
Talent Agents
As the sixties progressed, talent agents became increasingly central to the production process, often putting together a package of star, writer, director and other creative talent that was then sold to an independent producer.
CATV
Community Antenna Television (CATV), as we have seen, started out as a way for communities unreachable by over-the-air signals to bring TV into homes via a wire. Cable TV
National Cable Television Association
formed to lobby against its usual foe, the National Association of Broad-casters (NAB), and to push for cable expansion.
Independent stations and cable
Cable also had the capacity to strengthen existing independent stations, especially those in the handicapped UHF band, as they brought clear, sharp pictures into homes right alongside the big VHF channels.
First run syndication
shows produced espe-cially to be sold to stations, not to nets. In the sixties and seventies they usually consisted of specialty formats, like game shows, talk, and specials. More inde-pendent production companies began to concentrate on these types of pro-grams, which were sold directly to independent stations.
Off-network syndication
reruns
National Educational Television
believed strongly that the United States needed its own BBC-like broad-caster, and as criticism of commercial broadcasting rose in the wake of the quiz show scandal, even commercial networks and stations began to think that non-commercial, publicly funded broadcasting might be an idea whose time had come.
1967 Carnegie Commission Report on Public Television
laid out a plan for “a federally chartered, nonprofit, nongovernmental corporation”
Populist and elitist impulses behind public TV
On the one hand dominated by pro-gramming that appeals primarily to the educated upper middle class, on the
other motivated by a more democratic, populist model that emphasizes local production, diversity, and public participation, PBS is always a subject of con-tention.
WLBT
from Jackson, Misssissippi, featured African American Performers and advocated civil rights activism
Youth audience
Besides their numbers, their age, and their highly disposable incomes, it was known that youth were rebellious against the values of their parents ’ generation. They were less racially and sexually conservative, more interested in overt political content, and more tolerant of frank talk and confrontation
Network news and the vietnam War
After the tet offensive in January of 68, network news shifted public opinion about the war in Vietnam
Super Bowl
Football went on networks and was highly profitable
Debates about TV violence
Studies found that kids who watched violent tv would reenact through wrestling or play fighting
TV was move vivid than older medium
Action for children's Television and the Children's Television Workshop
founded in 1968 with support from the Ford and Carnegie Foundations and the U.S. Department of Education.
made sesame street
1964 ruling forbidding simulcasting on AM and FM and its influence on FM radio
The owners reasoned that they could hire strange hippies as FM disc jockeys, letting them play whatever they thought their contemporaries wanted to hear. And, best of all, since they would be on ‘underground’ FM stations, they wouldn’t command big salaries like their AM counterparts
Public Broadcasting Act of 1967
-It created the Corporation for Public Broadcasting (CPB), which soon begat the Public Broadcasting Service (PBS)
-Funded stations, not a central network
-stations would create their own programming and share with one another
-education stations incraesed from 127 to 247 from 1967 - 1975
Financial Interest and Syndication Rules (Fin/Syn)
limit the num-ber of programs that a network could own (have a financial interest in) to only 15 hours a week of non-news shows it produced itself in-house
The networks were only allowed to buy such independently produced programming for a limited, one- (or two-) time run. After its network run, allrights to the program would revert to the producer, who could sell it into syn-dication and keep all the profits.
Primte Time Access Rules (PTAR)
Networks may not provide programming to affiliates during first hour of Mon–Sat prime time (7 –8 p.m. EST) in 50 largest markets.
FCC's Third Report and Order on Cable TV (1972)
Cable has to carry local network tv
Fairness Doctrine
equal representation of opposing viewpoints
Smothers Brothers Comedy Hour
light comedy about politics
All in the Family
anti racism, sitcom
Good Times
black comedy, sit com
Mary Tyler Moore Show
independent women
An American Family
PBS American Culture in documentary, forerunner of reality tv
Dragnet
crime drama
Monday Night Football
ABC response to NBC / CBS own of MLB / NFL