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18 Cards in this Set
- Front
- Back
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Figuring for non-harmonic tones occurring at the initial attack of a chord are...
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..(suspensions,
appoggiaturas, and accented passing tones), |
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A Diatonic passing tone flls the interval of two tones...
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a third apart
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Non Harmonic Tones filling the interval of a third in a strong rhythmic position
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Accented passing tone
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A chromatic passing tone fills the interval of two tones...
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a M2 apart and occurs in a weak rhythmic position.
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Cross Relation occurs when a
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a chromatically altered note in one voice is next to the same
diatonic scale degree in a different voice. It should be avoided except when using the upper tetrachord of the melodic minor scale. |
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A Double passing tone fills the interval of a...
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Perfect fourth
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A chromatically Altered passing tone fills the interval of a
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Third between two chord tones and uses an accidental
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Changing tones are two non-harmonic tones
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approaching a chord tone, one above and
one below. |
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Nota Cambiata is
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When changing tones are between two notes a third apart
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A Cambiata is
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A non harmonic tone approached by disjunct motion in one direction and resloves by conjunct motion in the opposite direction.
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An Echappe or escape tone is
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a non harmonic tone approached by conjuct motion in one direction and left by disjunct motion in the opposite direction
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An upward resoloution of a suspension is called a
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retardation
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An appoggiatura functions as
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a suspension without a
preparation. |
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An appoggiatura is a
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non-harmonic tone a step above or below a chord tone of a single
chord. |
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When an
appoggiatura is approached by conjunct motion in the same direction as its resolution, it is also called an |
accented passing tone.
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A pedal non harmonic tone in the Soprano voice is called
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an Inverted Pedal
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Non-harmonic tones of the same kind can occur simultaneously. The most common are
passing tones or auxiliaries. |
Some have become so widely used that a change of chord analysis may occur called Auxillary 6
4 |
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The two uses of the appoggiatura six-four are the
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I6 to the V and IV6 to V
4 4 |
