Harmony And Counterpoint

Front 1

IV - V

Back 1

all upper parts must fall

Front 2

IVb - Vb

Back 2

Roots are in soprano

Front 3

I - V7c - Ib

Back 3

Soprano: m s d or m f s * or vice versa

Bass: d r m * or vice versa

seventh rises from f to s

Front 4

ii - V - I

Back 4

Soprano: r r d or l t d

Front 5

IVb - V

Back 5

Phrygrian Cadence

Roots in Soprano - r m

A/T : l - si, r - t

Front 6

V7 - I

Back 6

you must leave out the fifth in one of these chords to fully resolve

Front 7

iib- V

Back 7

double the third in iib

all upper parts fall

Front 8

V - vi

Back 8

all upper parts fall

leading note rises

double the third in vi

Front 9

Ic- V

Back 9

two parts fall by step: m-r and d-t

there will be a common note

double the bass of Ic

Front 10

V7 - vi

Back 10

leading note rises

uppers fall

double the third in vi

Front 11

IV - I

Back 11

d-d

f-m

l-s

f-d

Front 12

V - IVb - Vb - I and reverse

Back 12

Soprano: Roots

Alto: Fifths

double the fifth in one chord and the root in the other

Front 13

I - viib - Ib and reverse

Back 13

Bass: d r m

Uppers: m r d, s f s, d t d

Front 14

Iv - Ic - IVb

Back 14

Uppers: d common note, d t l, f m f

Bass: f s l

Front 15

I - Vc - Ib

Back 15

Uppers: S common note, d t d, m r d

Bass: d r m

Front 16

V7b - I

V7c - I

V7d - Ib

Back 16

t - d

f - m

Front 17

d t d or m r d or d r m

Back 17

I - viib - Ib

Front 18

l t d

Back 18

ii - V - I or I - V7d - Ib

Front 19

m r d or d t d

Back 19

Ic - V - I

Ic must be rhythmically accented