Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
70 Cards in this Set
- Front
- Back
accent
|
when a syllable is given a greater amount of force in speaking than is given to another; also known as stress
|
|
Alexandrine
|
in English verse, a line of iambic hexameter usually having a caesura after the third foot
|
|
allegory`
|
narrative in either verse or prose in which characters, events, and in some cases setting, represent abstract concepts apart from the literal meaning of the story
|
|
alliteration
|
repetition of consonant sounds at the beginning of words or within them, especially accented syllables
|
|
allusion
|
an indirect reference to a person, place, or thing - fictitious, historical, actual
|
|
analogy
|
a comparison made between two objects, situations, or ideas that share something in common but are otherwise totally different
|
|
anapest
|
a metrical foot consisting of three syllables, two accented followed by one unaccented
|
|
anaphora
|
repetition of the same word or phrase at the beginning of several successive clauses, verses, or paragraphs
|
|
antagonist
|
a character in a story or play that opposes the protagonist
|
|
apostrophe
|
a figure of speech in which a character or narrator directly addresses an abstract concept, an inanimate object, or a person who is not present
|
|
assonance
|
the repetition of similar vowel sounds in stressed syllables or words; like alliteration, assonance may occur either initially or internally
|
|
ballad
|
narrative song or poem passed on orally
|
|
blank verse
|
unrhymed iambic pentameter
|
|
caesura
|
a light but definite pause within a line of poetry
|
|
catharsis
|
the purification of emotions by vicarious experience, especially through drama
|
|
characterization
|
the methods used by an author to develop the personality of a character in a literary work
|
|
chiasmus
|
a rhetorical device in which words or phrases initially presented are restated in reverse order: do not live to eat, eat to live
|
|
chorus
|
in ancient Greek drama, a group of actors who sang and danced in unison and provided commentary on the actions of the main characters
|
|
cliché
|
a trite or hackneyed expression, idea, plot, character development, etc.
|
|
climax
|
decisive moment that is the maximum intensity or is a major turning point in the plot; a point when the action changes course and begins to resolve itself in some manner
|
|
comedy
|
a play written primarily to amuse the audience, usually featuring a protagonist whose fortunes take a turn for the better
|
|
comic relief
|
an amusing scene, incident, character, or speech introduced into a serious or tragic work to relieve tension
|
|
conceit
|
an elaborate, extended, and often surprising comparison made between two very dissimilar things that exhibits the author's ingenuity and cleverness
|
|
conflict
|
struggle between two opposing forces or characters in a short story, novel, play, or narrative poem; a conflict may be internal or external; person v. person, person v. nature, person v. society, person v. himself
|
|
connotation
|
the emotional associations that surround a word as opposed to its denotation
|
|
consonance
|
the repetition of consonant sounds that are preceded by a different vowel
|
|
couplet
|
two successive lines of verse that have the same meter and in many cases rhyme
|
|
dactyl
|
a three-syllable metrical foot consisting of a stressed syllable followed by two unstressed syllables
|
|
denotation
|
literal meaning of a word
|
|
denouement
|
the resolution of the plot of a literary work
|
|
didactic poetry
|
poetry whose purpose is to teach the reader a lesson
|
|
dramatic monologue
|
lyric poem in which the speaker addresses someone whose replies are not recorded; in a dramatic monologue, the poet adopts the voice of a fictive or historical voice or some other persona
|
|
dramatic situtation
|
a situation that drives the plot of a drama and involves the dynamic relation between a character and a goal or objective and the obstacles that intervene between the character and the objective
|
|
elegy
|
a lament or a sadly meditative poem sometimes written on the occasion of death, usually formal in language and structure and solemn or melancholy in tone
|
|
end-stopped line
|
a line of poetry that contains a complete thought, usually ending with a period, colon, or semicolon, and therefore ends in a full pause; the opposite of a run-on line
|
|
English or Shakespearean sonnet
|
fourteen lines in iambic pentameter with rhyme scheme abab/cdcd/efef/gg; couplet
|
|
enjambment
|
the employment of run-on lines of poetry whereby the meaning of the statement is carried from one line to the next without pause
|
|
epic
|
a long narrative poem describing the deeds of a great hero, great adventures, and matters of national or global significance, and sometimes featuring supernatural forces
|
|
epigram
|
a short poem that ends in a witty or ingenious turn of though, to which the rest of the composition is intended to lead up
|
|
epigraph
|
a motto or quotation at the beginning of a book, poem, or chapter that usually indicates its theme
|
|
epiphany
|
a moment of enlightenment in which an underlying truth or essential nature of something is suddenly revealed or made clear to a character
|
|
epistolary
|
associated with letters or the writing of letters; for example, an epistolary poem is a letter written in verse
|
|
eye rhyme
|
"have" versus "grave"
also known as sight rhyme |
|
exposition
|
in fiction, the narrative passages that establish the basic setting of the story
|
|
falling action
|
action that occurs after the climax and directly before the denouement or the resolution of the plot
|
|
farce
|
highly comic, light-hearted drama, usually involving stock situations and characters and based on a far-fetched humorous situation
|
|
feminine ending
|
an unaccented syllable at the end of a line of poetry
|
|
feminine rhyme
|
similarity in rhyme is found in the last two syllables: "weary" and "dreary"
|
|
figurative language
|
language used in a nonliteral way; figurative language uses figures of speech such as similes, metaphors, personification, hyperbole, synecdoche, etc.
|
|
foot
|
a division of verse consisting of a number of syllables, one of which has the principal stress: the basic unit of meter in poetry
|
|
framed story
|
narrative device whereby a story or group of stories is presented within the framework of a larger narrative
|
|
half-rhyme
|
slant rhyme
|
|
heroic couplet
|
two rhymed lines of iambic pentameter
|
|
high comedy
|
comedy that appeals to the intellect using verbal wit, a clever plot, and visual elegance
|
|
hyperbole
|
a figure of speech in which exaggeration or overstatement is used for special effect
|
|
iamb
|
a metrical foot consisting of two syllables, the first unaccented, and the second accented
|
|
in medias res
|
narratives that begin in the middle of the action
|
|
internal rhyme
|
rhyme that occurs within a line of poetry
|
|
Italian or Petrachan sonnet
|
fourteen lines, two parts: octet followed by sestet w/ rhyme scheme abbaabba/cdecde
|
|
limerick
|
a five-line comic verse form with a rhyme scheme aabba with the 1st, 2nd, and 5th lines in trimeter and the 3rd and 4th in dimeter
|
|
litotes
|
a type of understatement in which an affirmative is expressed by the negation of its opposite
|
|
low comedy
|
comic actions based on broad physical humor, scatology, crude punning, and the argumentative behavior of ignorant and lower-class characters
|
|
lyric
|
a poem that expresses an emotion or state of mind, creating a single, highly personal impression upon the reader
|
|
masculine ending
|
an accented syllable that ends a line of verse
|
|
masculine rhyme
|
a rhyme of one-syllable words or of stressed final syllables
jail and bail divorce and remorse |
|
melodrama
|
a sensational 19th century play that featured a suspenseful, plot-oriented drama with all-good heroes, all-bad villains, simplistic dialogue, and soaring moral conclusions
|
|
metonymy
|
figure of speech in which a word or phrase is substituted for another with which it is closely associated
Washington: government |
|
novella
|
story that is longer than a short story but is shorter than a novel
|
|
ode
|
a formal, ceremonious, and complexly organized form of lyric poetry; usually rather long and often commemorate an important event such as marriage
|
|
pastoral
|
a conventional form of lyric poetry that presents an idealized view of rural life
|