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53 Cards in this Set
- Front
- Back
AAMPTU |
The Alberta Association of Motion Picture Technicians Unions |
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Above the Line |
Costs associated with salaries |
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Allocation |
The assigning of sums of money to specific line items within a budget |
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AMPIA |
Alberta Media Production Industry Association |
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Ancillary Markets |
Revenue sources deriving from a production, but not directly related to its exhibition or broadcast |
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Archiving |
Copying a show of its elements for safe keeping over long periods |
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Bankable |
A project which financiers are prepared to provide capital for. It is an appealing project which exhibits low risk and high return. |
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Below the Line |
Costs associated with hourly crew rates, or materials and services. |
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Broadcast Letter |
A legal commitment from a broadcaster committing them to airing a finished product. |
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Budget |
The detailed financial breakdown of a production |
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Budget Contingency |
Money in the budget put aside for anything else that exceeds the total budget (Safeguard funds). |
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Budget to Production |
Financing is already in place. Money is no object. |
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Budget Top Sheet |
One page summary of budget sub-totals, arranged by major categories. Ie, Producer/Actor fees, Equipment Rentals, etc. |
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Bumper(s) |
Clips used from a future program for promotional sound bites. "In next week's episode.." |
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Buzz |
The excitement or word on the street surrounding a certain project or person. |
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Cash Flow (Projection) |
Money out, Money In. |
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C.A.V.C.O Certification |
Canadian Audio Visual Certification Office - Administration which assesses content on whether it is purely Canadian. |
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Company |
A legal entity that is separate from the shareholders. ie: Single proprietorships, Limited Liability Company (LLC), Incorporation. |
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Completion Guarantor |
Investor or financial institution that guarantees the production will be completed on time. |
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Co-Production |
A production that's is made possible by two or more entities joining forces. |
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Copyright |
Legal protection for any intellectual property. |
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Core Values |
A set of standards corporations or individuals adhere to. |
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Core Audience |
Demographic most likely to watch your production. Also referred to as: "Niche Audience". |
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Cost Report |
A weekly report submitted to PM comparing actual expenditures for special parts of the show. |
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Crowdsourcing |
Acquiring funding through Internet solicitation. |
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Deal Memo |
Actual employment contract for anyone working on a production. |
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Deeming |
Making an exception of the rules for convenience of a specific production. |
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Deliverables |
Specifications set out by the purchaser. ie: Aspect Ratio, Frame Rate, Format, Sound Channel Separation, Black and White, Etc. |
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Demographic |
Particular segment within a population defined by characteristics. |
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Derivative Work |
Spinoff, often, but not always. Another medium from an original artistic work. |
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Distribution Agreement |
Contract between the distributor and the production company, in which, the distributor agrees to promote a production in a given territory for a certain period. |
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Distributor |
An agent which ensures your finished production will make delivered to various screening venues. |
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Domestic Market |
Local market, referring to one nation. |
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Domestic Product |
A product created entirely in your and by countrymen/women. 100% Canadian |
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Draw Downs |
Large blocks of money taken from the entire budget and incrementally used to pay bills and services. |
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The New 50:50 Rule |
Half your budget goes to Production, and the other half goes to Advertising. |
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3 Stages of Publicity |
1. Unit 2. Launch 3. Corporate |
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Property |
An original story idea written down in synopsis, draft script, treatment form. |
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Screenwriters Agreement |
How much will be paid When script is delivered Screen credit to be given Right sharing provisions Right of revisions Right of first refusal |
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Chain of Title |
Proof that you own a intellectual property |
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Public Domain |
A property to which the rights expired 50 years ago (CAN) or 70 years in USA. |
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Optioning Rights |
Rented the right to develop property in a given window of time. |
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Buying Rights |
Gives you full rights to develop the property. Comes at a higher price. |
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Target Audience |
The demographics that identify the folks who are more likely to buy tickets. |
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Return on Investment |
Efficiency of your investment. The percentage which you get back. |
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Indicia |
Logo, watermark, Latin for "sign". |
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Intellectual Property |
Non physical asset that is of creative effort. |
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Monetizing |
Act of making your production make money back and potentially turn a profit. |
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Piracy |
Unauthorized reproduction of copyright materials. Studios lose BILLIONS of revenue every year to this. |
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Platform |
Delivery vehicle for program material. ie: video games, phone apps, etc. |
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Pre Sale |
Distributor or Broadcaster committing to buy or lease the finished product prior to shooting. |
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Recoupment |
Repayment to investors of any capital money, plus share of profit. |
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Errors & Omissions |
Insurance protecting producers, studios, contractors against mistakes they may make. |