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97 Cards in this Set
- Front
- Back
Affective fallacy |
The fallacy of wrongly evaluating a literary work by emphasizing only its emotional impact |
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Allegory |
A narrative whose characters, symbols, and situations represent elements outside the text. For example, the character christian in the blank pilgrims progress represents the every man who is a christian |
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Allusion |
An indirect reference to some literary or historical figure or event. |
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Ambiguity |
A literary device in which an author uses words with more than one meaning, deliberately leaving the reader uncertain
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Antagonist |
A competitor or opponent of the main character in a work of literature |
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Antihero |
A protagonist in a modern literary work who has none of the noble qualities associated with the traditional hero |
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Antithesis |
A phrase that contains words whose meaning harshly contrast with each other and are rhetorical and balance. For example, alexander popes man proposes god disposes is a blank. |
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Apostrophe |
A direct, emotional address to an absent character or quality, as if it were a present. |
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Archetype |
An image or character representative of some greater, more common element that reoccurs constantly and variously in literature |
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Avant Garde |
A term used to describe writing that is strikingly different from the dominant writing of the age in its form, style, content, and attitude |
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Character |
A person created by an author for use in a work of fiction, poetry, or drama |
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Cliche |
A phrase so overused that it has lost its original punch for example, beating a dead horse |
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Climax |
A point at which the events in a play or story reach their crisis, where the maximum emotional reaction of the reader is created |
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Colloquialism |
A term used in speech but not acceptable in formal writing |
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Colloquy |
A debate or conversation among characters |
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Complication |
A part of a plot in which the conflict among the characters or forces is engaged |
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Conceit |
A metaphor extended to great lengths in the poem |
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Conflict |
A struggle among opposing forces or characters in fiction, poetry, or drama. |
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Connotation |
Implications of words or sentences, beyond their literal, or native, meanings |
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Denotation |
Literal meaning of a word or sentence |
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Denoument |
The final action of a plot in which the conflict is resolved the outcome |
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Dialogue |
Conversation between 2 people in fiction drama or poetry |
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Diction |
The use of words, good blank is accurate and appropriate to the subject |
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Epigram |
A sharp, witty saying, such as oscar wilde I can resist everything but temptation. |
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Epigraph |
A short inscription at the start of a literary work |
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Essay |
Literally, attempt, a short piece of nonfiction prose that makes specific points and statements about a limited topic |
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Euphemism |
A word or phrase substituting indirect for direct statement for example in place of died |
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Exposition |
A portion of a narrative or dramatic work that establishes the tone , setting, and basic situation |
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Fantasy |
A work that takes place in a world that does not exist |
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Figurative language |
Language that deliberately departs from every day phrasing, with dramatic and imagistic effects that move the reader into a fresh mode of perception |
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Foil |
A person or thing that contrast with and so emphasizes and enhances the quality of of another |
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Foreshadowing |
In a plot, an indication of something yet to happen |
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Genre |
A distinct kind of writing, such as mystery, gothic, farce, or black comedy |
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Hero/ heroin |
The central character of a literary work, he or she often has great virtues and faults, and his or her trials and successes form the main action of the plot. |
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Hyperbole |
Deliberately overstated, exaggerated figurative language, used either for comic or great emotional effect |
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Image imagism imagery |
A concrete expression of something perceived by the senses, using simile, metaphor, and figurative language |
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Irony |
An effect associated with statements or situations in which something said or done is at odds with how they truly are |
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Juxtaposition |
The fact of two things being seen or placed close together with contrasting effects the blank of these 2 images reveals a startling insight |
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Litotes |
Ironical, deliberately understated figurative language, used either for a comic or great emotional effect |
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Metaphor |
An implicit comparison of an object or feeling with another unlike it, under a blood red sky |
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Metonymy |
A figure of speech in which an object or person is not mentioned directly but suggested by an object associated with it , as when a reference to the white house means the president. |
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Mood |
The emotional tone or outlook an author brings to a subject |
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Motif |
A distinctive feature or prominent idea in an artistic or literary composition |
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Myth |
Ancient stories of unknown origin involving the supernatural, have provided cultures and writers with interpretations of the world's events |
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Narrative |
A story that consists of an account of a sequence of events |
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Novel |
A long fictional narrative that represents human events, characters, and actions. |
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Paradox |
A statement that seems contradictory but actually points out a truth |
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Parody |
A literary work that deliberately makes fun of another literary work or a social situation |
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Personification |
A literary strategy giving non human things human characteristics or attitudes |
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Plot |
The sequence of events in a story, poem, or play, the events build upon each other toward a convincing conclusion |
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Point of view |
The angle from which a writer tells a story. Of view can either be omniscient, limited coma or through the eyes of one or more characters. |
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Prose |
Any form of writing that does not have the rhythmic pattern of metrical verse or free verse. Good blank is characterized by tightness specificity and sense of style |
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protagonist |
The leading character, the blank engages the main concern of readers or the audience. |
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Repetition |
The action of repeating words and phrases that have already been said or written for emphasis or literary effect. |
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Satire |
A literary work using wit, irony, anger and parity to criticize human foibles and social institutions |
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Setting |
The background of a literary work the time the era the geography and the overall culture |
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Simile |
A comparison of 2 things via the word like or as |
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Stereotype |
Widely believed and over simplified attitudes towards a person an issue and so on |
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Stream of consciousness |
Writing that attempts to imitate and follow a character's thought process |
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Style |
The property of writing that gives form expression and individuality to the content |
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Subject |
The person place, idea situation or thing with which some piece of literature most immediately concern themselves with |
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Subtext |
Significant communication, especially in dialogue, that gives motivation for the words being said |
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Suspense |
Those literary qualities that leave a reader breathlessly awaiting further developments with no clear idea of what those developments will be |
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Synecdoche |
A kind of metaphor in which the mention of a part stands for the whole refers not only to the heads of the cattle but to each animal as a whole |
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Synopsis |
A summary of the main points of a plot |
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Syntax |
The arrangement of words to form sentences |
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Theme |
The main idea of a literary work created by its treatment its immediate subject |
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Tone |
The expression of a writer's attitude toward a subject the mood the author was chosen for peace |
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Verbal irony |
The discrepancy between things as they are stated and as they really are |
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Wit |
Originally a word that meant intelligence which now refers to a facility for quick, writing that usually employs humor to make its |
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Alliteration |
The repetition of consonant or vowel sounds at the beginning of words. |
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Assonance |
The use of similar vowel sounds in adjacent or close by words for example slide and mind |
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Anapest |
A metrical foot consisting of 2 unaccented syllables followed by an accented one(--\) as in tge phrasr on the ship |
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Blank verse |
Unrhymed lines of iambic pentameter |
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Caesura |
A pause within a line of poetry, often created through punctuation |
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Carpe Diem |
Latin for seas the day used in literature to describe poetry that examines temporary human pleasures. Against the backdrop of eternity, as in Marcels to his coy mistress. |
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Consonance |
Repetition of consonant sounds within words |
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Couplet |
2 lines of verse that have unity within themselves, often because they rhyme. |
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Dactyl |
A metrical foot containing an accented syllable followed by 2 unaccented syllables.(\--) as in the word craziness |
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Foot |
A metrical unit of a line of poetry that contains at least one stressed and one or more unstressed syllables. |
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Free verse. |
Poetry that relies more on rhythm than on regular meter for its effectiveness, also known as open form. |
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Haiku. |
A form of Japanese poetry now also practiced by westerners, which in 3 lines of 5. 7. And the 5 syllable presents. A sharp picture and a corresponding emotion or insight. |
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Heroic couplet |
2 lines of rhyming iambic pentameter. |
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Iamb |
A metrical foot composed of one accented syllable, followed by one stressed syllable(-/) as in the word undone |
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Internal rhyme |
Rhyme that occurs within a single line of poetry. |
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Line. |
The fundamental element of a poem, a set of words that end at a specific point on the page And has a unity independent of what goes before and after |
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Meter |
A rhythmic pattern in a poem created by the alternation of stressed and unstressed syllables. |
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Off, near, slant, partial, imperfect rhyme |
A form of rhyme employing not quite identical sounds such as slip and slap. |
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Onomatopoeia. |
An effect in which a word or phrase sounds like its sebnse for example, Tennisons murmuring of innumerable bees. |
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Quatrain |
A four line stanza |
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Rhyme |
A repetition of similar sounds or the same sound in 2 or more words most often in the final syllable of lines of poems and songs. |
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Rythm |
In poetry, the regular recurrence of stress syllables in literature in general, the overall flow of language having a sensory effect on the reader. |
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Scansion. |
The act of counting out the meter of a poem |
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Sonnet |
A poem of 14 lines using some kind of metrical form and rhyme scheme and always unified with a concentrated expression of a large subject. |
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Stanza |
A portion of a poem set off by blank space before and after more formally it stands and may have rhythm and metrical regularity matching that stanza as before and after. |
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Trochee |
A metrical foot consisting of an accented syllable followed by an unaccented one.(/-) as in the word salty |
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Octave |
An 8 line stanza of poetry, often part of a sonnet. |