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52 Cards in this Set
- Front
- Back
paleolithic |
The "old" stone age, during which humans created the first paintings and sculptures |
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neolithic |
The "new" stone age |
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prehistory |
human history in the period before recorded events, known mainly through archaeological discoveries, study, research, etc.; history of prehistoric humans. |
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relief |
figures projecting from a background of which they are part |
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optical vs descriptive viewpoint |
optical - seen from a fixed viewpoint
descriptive - less realistic but shows more |
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form |
an object's shape and structure |
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burin |
a tempered steel rod, with a lozenge-shaped point and a rounded handle, used for engraving furrows in metal. |
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incise |
to cut into; cut marks, figures, etc., upon. |
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twisted perspective |
communicates the most visual information |
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narrative art |
art that tells a story |
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composite view |
same as twisted perspective, shows part in profile and part in frontal |
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landscape |
painting of natural scenery - no narrative |
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lintel |
a horizontal beam used to span an opening |
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megalith |
a large, roughly hewn stone used in the construction of monumental prehistoric structures |
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pictographs |
a picture - usually stylized - that represents an idea |
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cuneiform |
system of writing composed of slim triangular or wedge-shaped elements, as the characters used in writing by the ancient Akkadians, Assyrians, Babylonians, Persians, and others. |
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ziggurat |
ancient monumental platform for a temple in Mesopotamia |
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cella |
chamber at the center of an ancient temple where the cult statue stood |
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formal analysis |
visual analysis of artistic form |
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iconography |
the content, or subject, of a piece of art as well as the study of the content in art (often religious) |
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register |
one of a series of superimposed bands or friezes in a pictoral narrative |
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frieze |
1. the part of a classical entablature between the architrave and the cornice, usually decorated with sculpture in low relief.
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conceptual vs. optical representation |
conceptual - stylized, not usually very realistic
optical - realistic, how the eye would see |
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hierarchy of scale |
bigger = more important |
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votive image |
gift of gratitude to a deity, offering |
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composite view |
A convention of representation in which part of a figure is shown in profile and another part of the same figure is shown frontally (again?) |
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stele |
carved stone slab used to mark graves or to commemorate historical events |
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naturalistic |
close representation of the natural world |
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stylization |
to design in or cause to conform to a particular style, as of representation or treatment in art; conventionalize. |
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hollow cast |
hollow sculpture following a wax mold |
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SANBAN P |
Ancient Near East: Sumer, Akkad, Neo-Sumer, Babylon, Assyria, Neo-Babylon, Persia |
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dynasty |
a sequence of rulers from the same family, stock, or group |
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heiroglyphs |
pictographic script, particularly that of the ancient Egyptians, in which many of the symbols are conventionalized, recognizable pictures of the things represented. |
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mastaba |
an ancient Egyptian tomb made of mud brick, rectangular in plan with sloping sides and a flat roof.
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ka |
a spiritual entity, an aspect of the individual, believed to live within the body during life and to survive it after death. |
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necropolis |
a cemetery, especially one of large size and usually of an ancient city |
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facade |
the front of a building, especially an imposing or decorative one. |
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sunken relief |
a relief, but carved into the material instead of out of it |
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capitals |
the city or town that is the official seat of government in a country,state, etc. |
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columns |
a decorative pillar, most often composed of stone and typically having a cylindrical or polygonal shaft with a capital and usually a base
looks like a bunch of f u c k i n g reeds |
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diorite |
rock, very hard to carve, symbolized strength |
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mortuary chapel |
Chapel, free-standing or attached to a church, under which is a sepulchre or tomb, often built and used for interment by one family. |
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bilateral symmetry |
a plan in which the left and right sides of something can be divided into approximate mirror images of each other along the midline. |
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pylon temple |
temple that divided up the social classes - court at front and then smaller and smaller rooms until the smallest, the shrine - only high priests and kings and people were allowed |
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fresco secco |
a fresco painting technique in which pigments ground in water are tempered using egg yolk or whole egg mixed with water which are applied to plaster that has been moistened (using this temper) to simulate fresh plaster |
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ideal proportion/canon |
Whenever the Ancient Egyptian artists sculptured, inscribed or painted figures, their proportions would be determined by a canon of proportions. Up until the end of the New Kingdom's 26th Dynasty, the Ancient Egyptians used a grid that measured 18 units to the hairline. |
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colonnade |
a series of regularly spaced columns supporting an entablature and usually one side of a roof. |
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pillar |
an upright shaft or structure, of stone, brick, or other material, relatively slender in proportion to its height, and of any shape in section, used as a building support, or standing alone, as for a monument: |
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iconoclasm |
destruction of religious or sacred images |
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colossus |
any statue of gigantic size. |
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clerestory |
a portion of an interior rising above adjacent rooftops and having windows admitting daylight to the interior. |
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obelisk |
a tapering, four-sided shaft of stone, usually monolithic and having a pyramidal apex. |