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78 Cards in this Set
- Front
- Back
was the first master of the romantic art song. |
Schubert |
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Musician who was a piano virtuoso, but injured his hand and turned his attentions more fully on music composition and writing in music journals. |
Mr. Schumann |
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a leading concert pianist in 19th century |
Mrs. Schumann |
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This romantic composer only composed for the piano. |
Chopin |
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This romantic composer abandoned his career as a traveling virtuoso and established himself as a conductor and champion of contemporary music. |
Liszt |
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The deliberate intent to draw creative inspiration from the composer's own homeland is known as |
nationalism |
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drawing on colorful materials from foreign lands for compositions |
exoticism |
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is a romantic form that is composed for solo voice and piano |
Art Song |
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repeating the same music for each stanza of the poem |
Strophic from |
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This musical form is used when a composer writes new music for each stanza of a poem.
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Through-composed form |
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set of songs
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song cycle |
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short, lyrical pieces for the piano |
romance |
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night piece that is a slow lyrical and intimate compositions for piano |
Nocturne |
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study piece designed to help a performer master specific technical difficulties |
etude |
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piece in triple meter, originated as a stately processional dance for polish nobility |
polonaise |
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The large group of players in a concerto grosso is known as the |
tutti |
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The main theme of a fugue is called the |
subject |
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The alternation between loud and soft dynamics is called ________________ dynamics |
terraced |
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A song for solo voice with orchestral accompaniment in an opera is called a/an |
aria |
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A large scale composition for chorus, soloists, and orchestra is known as, |
Oratorio |
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This Italian composer was a violin teacher and conductor of music at the school of the Pieta, which was an institution for orphaned girls ; This Italian composer’s music had a dramatic influence on Bach’s music. |
Vivaldi |
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A musical idea in the bass that is repeared over and over while the melodies above it change is called, |
basso ostinato or ground bass |
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The most prominent Italian violinist and composer of string music around 1700 |
Corelli |
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This German composer was considered the master of English oratorio |
Handel |
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A composition in several movements for 1 to 8 instruments is called, |
Sonata |
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This English composer wrote the opera, Dido and Aeneas, |
Purcell |
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lutheran, 13 children, german, masterpieces mark high point of baroque music |
Bach |
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Sonata form consists of three main sections: exposition, development, and |
Recapitulation |
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The most important form in classical chamber music is, |
String Quartet |
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A three movement work for instrumental soloist and orchestra accompaniment is known |
Concerto |
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An extended composition for orchestra that explores the many dynamics and tone colors an orchestra can achieve is called, |
Symphony |
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In sonata form, this section treats musical themes in different ways and could be the most dramatic of the movement. |
Development |
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The musical form where a basic musical idea is repeated over and over and is changed each time is known as, |
Theme and Variation |
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Often used as the third movement of a classical symphony and originated as a dance, this musical form is called, |
Minuet and Trio or Minuet |
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1 of the most important composers of early baroque period, Italian, emotional pieces, bridged 16th and 17th century |
Monteverdi |
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piece that sounds fairly complete and independent but is part of a larger composition |
movements |
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In italian, "refrain", a repeated section of music usually played by the full orchestra,or tutti, in baroque compositions |
Ritornello |
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Composition for several instrumental soloists and small orchestra; common in late baroque music |
concerto grosso |
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polyphonic composition based on one main theme |
fugue |
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a piece for a single soloist and an orchestra |
solo concerto |
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in baroque music, a set of dance-inspired movements all written in the same key but differing in tempo, meter, and character |
Suite |
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composition in several movements, usually written for chorus, 1 or more vocal soloists, and instrumental ensemble |
cantata |
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emotional states like joy grief, etc. represented in baroque music through specific musical languages |
affections |
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baroque accompaniment made up of a bass part usually played by two instruments: a keyboard plus a low melodic instrument |
basso continuo |
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variation of a fugue subject in which each interval of the subject is reversed in direction |
inversion |
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variations of a fuge subject in which the original time values of the subject are lengthened |
augmentation |
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variations of a fuge subject in which the original time values of the subject are shortened |
diminution |
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text of an opera |
libretti |
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dramatist who writes the text of an opera |
librettist |
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hymn tune sung to a German religious text |
chorale |
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short composition for organ based on a hymn tune and often used to remind the congregation of the melody before the hymn is sung |
chorale prelude |
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variations of a fuge subject in which the subject is presented by beginning with its last note and proceeding backward to the first |
retrograde |
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austrian from the classical period; pathfinder for the classical style |
hadyn |
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one of the most amazing child prodigies, classical, austrian, better known as boy musician than adult |
Mozart |
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may represent highest level of musical genius, german, classical |
Beethoven |
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form of a single movement, 3 main sections, exposition, development, and recapitulation |
sonata form |
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themes of sonata form presented |
exposition |
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drama that is sung |
opera |
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composition in 3 parts (A B A), sometimes is third movement in classical and romantic symphonies, string quartets, etc. usually in triple meter |
Scherzo |
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composition form featuring a main theme that returns several times in alteration with other themes |
rondo |
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unaccompanied section of virtuoso display for soloist in a concerto, near end |
cadenza |
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instrumental composition, light in mood, usually meant for evening entertainment |
serenade |
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music using a small group of musicians with one player to a part |
chamber music |
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symphony related to a story, idea, or scene, in which each movement usually has a descriptive title |
program symphony |
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also known as tone poem; programmatic composition for orchestra in one movement, which may have a traditional form or an original, irregular form |
symphonic poem |
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music intended to be performed before and during a play, setting the mood for the drama |
incidental music |
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instrumental music having no intended association with a story poem idea or scene; non-program music |
absolute music |
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short musical idea associated with a person object or thought |
leitmotif |
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single melody used in several movements of a long work to represent a recurring idea |
idee fixe |
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romantic whose music was deeply rooted in classical tradition; german |
mendelssohn |
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french romantic; daring creator of new orchestral sounds |
berlioz |
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most famous Russian composer |
tchaikovsky |
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leading composer of czech national music |
dvorak |
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romantic who breathed new life into classical forms |
brahms |
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most popular of all opera composers |
verdi |
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most important Italian opera composer of his time |
puccini |
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his opera and artistic philosophy influenced musicians, poets, painters and playwrights |
wagner |
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last great austrian romantic composer |
mahler |