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27 Cards in this Set

  • Front
  • Back
Robed Male Figure
S and SE Asian/Indus Valley
-Made of steatite
-Robe was adorned with trefoils holding red paste and shells
-Represents a priest king
-Has iconography similare to Sumerian sculptures
Lion Capital
S and SE Asian/Maurya Dynasty
-Four lions and four wheels represent four noble truths of Buddhism or four quarters of the world.
-The deer is symbolic of Buddhas first sermon at Deer Park
-Lotus flower at capitol was a symbol of Buddhism
-Made of sandstone
Sanchi Stupa
S and SE Asian/Maurya Dynasty
-Four gates-four noble truths of Buddhism
-Nucleas of structure was build over relics of Buddha
-Used as a place of important Buddhist pilgrimage
-Viharas in it were celled structures where monks lived
-Commissioned by Ashoka the Great
Seated Buddha
S and SE Asian/Kushan Dynasty
-Made of speckled sandstone
-Has almond eyes and styled hair
-Has all the identifying marks of Buddha, hair, ears, hand marks.
-Seated in the lotus position also indicates he is Buddha
Shiva Natraja
S and SE Asian/Chola Dynasty
-Considered to represent the perfect male being
-His movement is shown by his flying hair
-His drum beat sets the cycle of the unvierse
-He dances on a child showing ignorance
Borobudur
S and SE Asian/Shailendra Dynasty
-Designed in Gupta architexture reflects Indian influence
-Place for Buddhist pilgrimage
-Its form is a mandala
-Shows the symbolic journey from this world to the next
Tomb Structure
Chinese/Qin Dynasty
-Made of Terracota
-Over 8000 of these were made
-They are so detailed that you can see what part of China the soldiers were from
-Each soldiers was equipped with a real weapon
Vairocana Buddha
Chinese/Tang Dynasty
-Bodhisattva because it still has jewelry and worldly pleasures
-Has feminine characteristics because it was commissioned by an empress
-Pudgy cheeks and sharp eyebrows are different from other Buddhas
-Scale of this figure is quite large because of its royal commissioning
Travelers Amidst Mountains and Streams
Chinese/Song Dynasty
-Shows Daoist philosophy
-Hanging scroll format because more vertical emphasis than horizontal
-Not like western-no color
-Place does not actually exist, it is imagined
Dome of the Rock
Islamic/Early
-Gold covers the top showing eternity
-Octagonal plan and dome are Byzantine influence
-Holds rock where Muhammed is said to have ascended to heaven
-Exterior-Persian tiles
Prayer Hall, Great Mosque
Jeruselam/Early Islamic
-Has been home to many different religions over its construction
-Hypostyle hall
-Double columns were a new addition to architecture
-Alternating red and white voussoirs-inspired by Dome of the Rock
Hall of the Two Sisters
Spain/Late Islamic
-Muqarna Style
-Deliberate attempt at optical illusion-Islamic characteristic
-Dome here is no longer circle, but instead very geometric shape
-Islamic inscription and calligraphy
-Use of light and repetitive geomtric motifs
Church of St Sernin
Romanesque/Toulouse/11th century
-Building is in the form of a crucifix
-Very large in comparison to other churches
-Includes ambulatory(new)
-Vaulted ceilings(new)
Last Judgment
Romanesque/Mossaic/12th century
-Christ in majesty
-All figures are biblical
-Surrounded by four evangelist
-Three registers are all seperated by water
Prophet Jeremiah
Romanesque/Mossaic/12th century
-Drapery is stylized and clings to body, fitting shape of architecture
-Face is delicate and expressive
-Idealized spiritualy and relfection
-Trumeau
Virgin and Child
Romanesque/Auvergne/12th century
-Made from oak
-Waterfall drapery, Asian influence
-Posture embodies wisdom and justic
-Sculptures like these functioned as reliquaries
Pisa Cathedral Complex
Romaneque/Italy/12th century
-Located in center of city
-Used marble instad f stone
-Round arches, nave, two isles
-Bell tower is separate from church(makes it Italian
-Latin cross plan
Chartres Cathedral
France/Early Gothic
-Symbol of the cities wealth
-Assymetrical towers-gothic
-Late gothic features in left tower
-In center of the city
Amiens Cathedral
France/High Gothic
-Originally painted with multiple colors
-3 tier interior elevation
-Top gallery has statues of 22 kings
-Rose window-gothic
Annunciation and Visitation
France/High Gothic
-Shows individualism in technique
-Influence of classicism
-These are jamb figures
-Some figures in contraposto
St Chapelle
France/High Gothic
-Architecture with strong vertical emphasis
-Repitition of decorative motifs
-Built to be a reliquary
-Excess of stained glass showing biblical images
Virgin and Child
France/Late Gothic
-Expensive materials as gold and pearl
-Reliquary
-Exaggerated S curve-late gothic
-Bottom shows horrible future that awaits jesus
Abraham and Three Angels
France/Late gothic
-Vellum painting
-Exaggerated "s" curve-Late gothic
-Colors influence by stained glass
-Contrast of architectural setting in background
Belleville Breviary
France/Late Gothic
-Jean Pucelle
-Illuminated manuscript
-Much symbolism in decoration of paintings
-Interest in architecture and human forms
-Incorporates mostly biblical references
Salisbury Cathedral
England/Late Gothic
-Pronounced buttresses with lancet windows
-Layout has double transcepts
-Ribbed vault ceiling
-Interior has 3 part elevation but horizontal focus
Death of the Virgin
HRE-Late Gothic
-12 apostles surround Mary as she dies
-Tympanum sculpture is in high relief
-The relief is highly expressive
-Smaller image of virgin is shown as Jesus recieves his mothers soul
-Classicism drapery/contrapposto
Ekkehard and Uta
HRE/Late Gothic
-Realistic portraiture
-Jamb figure
-Made to demonstrate the history of Naumsburg