• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/17

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

17 Cards in this Set

  • Front
  • Back
  • 3rd side (hint)
Symphony No.3 in Eflat Major
Beethoven
1803
Eroica
4 movements
1.allegro con brio (sonata form)
2. funeral march
3. scherzo
4. theme and variations
Symphony Fantastique
Berlioz
1830
autobiographical
'dias irae'
prose program music
overture to a midsummer nights' dream
mendelssohn
1826
program music
new genra
sonata form
piano concerto No.4 in G major
beethoven
1806
orchestra V piano
orpheus idea?
compromise
string quartet in Bflat Major op.130
beethoven
1826
6 movements
5= cavatina --> beklemnt
finale = gross fugue
*embodied the changes of the time
wanderers nachtlied
schubert
1824
short piece
lyrical or 'mood' piece
erlkonig
schubert
1815
ballad
modified strophic
3 characters
prometheus
schubert
1819
progressive tonality
beautiful dreamer
foster
1862
simple but beautiful
parlor song
lieder ohne worte
mendelssohn
1837
character piece
song w/out words
mazurka in a minor
chopin
1833
polish dance/nationalism
tonic not established...not really in a minor
prelude no 2 in e minor
chopin
1839
chromaticism
prelude = pre-something
avoids tonality/establishment of tonal center
ABSOLUTE music
Ballade
chopin
1835
piano tells story
RUBATO
virtuosity!!
suggests a story w/out giving one
the banjo
gottschalk
1855
VIRTUOSIC = damn fucking hard
creates a sense of music of the 'people'
carnaval
op.9
schumann
1835
autobiographical
program music
titles give indication of underlying themes
chiarina -> passion -> clara S
chopin -> dedicated to chopin
estrella-> finace
Il barbiere de Siviglia
rossini
1816
"largo al factotum" big fiagro aira
virtuosic
'classical' da capo v. recit stuff
focus on drama in recit
music in aria
Rigoletto
verdi
1851
PARLANDO style of speaking/singing
balata
dramatic realism
scene is most important