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36 Cards in this Set
- Front
- Back
- 3rd side (hint)
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The King of Kings
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1927
Cecil B. DeMille |
Mise en scene emulating paintings, making emotional connection with audience from prior knowledge, hand-painted frames, portrays Jesus in film
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Way Down East
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1920
D.W. Griffith |
Location shooting, actors did lots of own stunts, Billy Bitzer, adaptation of a novel, manipulation of scene by tinting, long facial shots
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Babette’s Feast
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1987
Gabriel Axel |
Contrast of colors, portrayal as art forms (singing, culinary), alternate narrative style than typical America
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Wild Strawberries
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1957
Ingmar Bergman |
Contrast in lighting, deviated from narrative form (surrealism – dream sequences), unbalancing of frame to create uncomfortable feeling, characters represent archetype, adheres to certain philosophies (existentialism)
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Ben Hur
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1959
William Wyler |
Epic = epic hero, long period of time, grand scale, lots of different locations. Classic Hollywood narrative, good acting, good action, very resounding/crescendo score
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Picket Fences
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1992-1996
David E. Kelley |
Not visually based, dialogue based. TV show – suspense endings. Crime drama, quirky
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An Ideal Husband
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1999
Oliver Parker |
English-style (class system), play adaptation, five act structure
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Green Mile
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1999
Frank Darabont |
Book Adaptation, supernatural elements (magical surrealism), flashback
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Pushing Daisies
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2006-7
Bryan Fuller |
beautiful cinematography, fantasy-crime investigation, creative narration, eclectic mise en scene, stylized
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Fellowship of the Ring
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2001
Peter Jackson |
Awesome book adaptation, epic long sweeping camera shots, vertigo effect, mise en scene incredibly authentic (come into an aged world), creative camera angle to fake size
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Gone with the Wind
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1939
Victor Fleming |
Uses techni-color well, immerses audience in Southern Lifestyle
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On the Waterfront
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1954
Elia Kazan |
B/W, film noir,
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Raiders of the Lost Ark
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1981
Steven Spielburg |
Classic action style, continuity editing
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Hill Street Blues
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1981
Steven Bochco / Michael Kozoll |
Non-continuity editing, reality pacing , crime drama
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Fiddler on the Roof
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1971
Norman Jewison |
Use of diagetic sound (music being made in the actual story, or sound effects) and non-diagetic (orchestra, music not heard by the characters), great symbolism in narrative
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West Side Story
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1961
Jerome Robbins / Robert Wise |
" "
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Dick Van Dyke Show
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1961
Carl Reiner |
60’s style (I Love Lucy), classic comedy style
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Top Hat
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1935
Mark Sandrich |
30’s style, glittery/glitzy, grand/well-lit sets, wide camera shots
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The Incredibles
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2004
Bard Bird |
Stylistically driven, superhero spoof
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Snow White and the Seven Dwarfs
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1937
David Hand |
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Gone with the Wind
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1939
Victor Fleming |
Uses techni-color well, immerses audience in Southern Lifestyle
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On the Waterfront
|
1954
Elia Kazan |
B/W, film noir,
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Raiders of the Lost Ark
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1981
Steven Spielburg |
Classic action style, continuity editing
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Hill Street Blues
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1981
Steven Bochco / Michael Kozoll |
Non-continuity editing, reality pacing , crime drama
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Fiddler on the Roof
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1971
Norman Jewison |
Use of diagetic sound (music being made in the actual story, or sound effects) and non-diagetic (orchestra, music not heard by the characters), great symbolism in narrative
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West Side Story
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1961
Jerome Robbins / Robert Wise |
" "
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Dick Van Dyke Show
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1961
Carl Reiner |
60’s style (I Love Lucy), classic comedy style
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Top Hat
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1935
Mark Sandrich |
30’s style, glittery/glitzy, grand/well-lit sets, wide camera shots
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The Incredibles
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2004
Bard Bird |
Stylistically driven, superhero spoof
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Snow White and the Seven Dwarfs
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1937
David Hand |
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Anne Frank Remembered
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1995
Jon Blair |
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Triumph of Will
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1935
Leni Riefenstahl |
Propaganda film of the 1934 Nazi Party rally in Nuremberg, Germany
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Casablanca
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1942
Michael Curtiz |
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To Kill a Mockingbird
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1962
Robert Mulligan |
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Les Miserables
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1998
Bille August |
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Taming of the Shrew
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1967
Franco Zeffirelli |
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