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36 Cards in this Set

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The King of Kings
1927
Cecil B. DeMille
Mise en scene emulating paintings, making emotional connection with audience from prior knowledge, hand-painted frames, portrays Jesus in film
Way Down East
1920
D.W. Griffith
Location shooting, actors did lots of own stunts, Billy Bitzer, adaptation of a novel, manipulation of scene by tinting, long facial shots
Babette’s Feast
1987
Gabriel Axel
Contrast of colors, portrayal as art forms (singing, culinary), alternate narrative style than typical America
Wild Strawberries
1957
Ingmar Bergman
Contrast in lighting, deviated from narrative form (surrealism – dream sequences), unbalancing of frame to create uncomfortable feeling, characters represent archetype, adheres to certain philosophies (existentialism)
Ben Hur
1959
William Wyler
Epic = epic hero, long period of time, grand scale, lots of different locations. Classic Hollywood narrative, good acting, good action, very resounding/crescendo score
Picket Fences
1992-1996
David E. Kelley
Not visually based, dialogue based. TV show – suspense endings. Crime drama, quirky
An Ideal Husband
1999
Oliver Parker
English-style (class system), play adaptation, five act structure
Green Mile
1999
Frank Darabont
Book Adaptation, supernatural elements (magical surrealism), flashback
Pushing Daisies
2006-7
Bryan Fuller
beautiful cinematography, fantasy-crime investigation, creative narration, eclectic mise en scene, stylized
Fellowship of the Ring
2001
Peter Jackson
Awesome book adaptation, epic long sweeping camera shots, vertigo effect, mise en scene incredibly authentic (come into an aged world), creative camera angle to fake size
Gone with the Wind
1939
Victor Fleming
Uses techni-color well, immerses audience in Southern Lifestyle
On the Waterfront
1954
Elia Kazan
B/W, film noir,
Raiders of the Lost Ark
1981
Steven Spielburg
Classic action style, continuity editing
Hill Street Blues
1981
Steven Bochco / Michael Kozoll
Non-continuity editing, reality pacing , crime drama
Fiddler on the Roof
1971
Norman Jewison
Use of diagetic sound (music being made in the actual story, or sound effects) and non-diagetic (orchestra, music not heard by the characters), great symbolism in narrative
West Side Story
1961
Jerome Robbins / Robert Wise
" "
Dick Van Dyke Show
1961
Carl Reiner
60’s style (I Love Lucy), classic comedy style
Top Hat
1935
Mark Sandrich
30’s style, glittery/glitzy, grand/well-lit sets, wide camera shots
The Incredibles
2004
Bard Bird
Stylistically driven, superhero spoof
Snow White and the Seven Dwarfs
1937
David Hand
Gone with the Wind
1939
Victor Fleming
Uses techni-color well, immerses audience in Southern Lifestyle
On the Waterfront
1954
Elia Kazan
B/W, film noir,
Raiders of the Lost Ark
1981
Steven Spielburg
Classic action style, continuity editing
Hill Street Blues
1981
Steven Bochco / Michael Kozoll
Non-continuity editing, reality pacing , crime drama
Fiddler on the Roof
1971
Norman Jewison
Use of diagetic sound (music being made in the actual story, or sound effects) and non-diagetic (orchestra, music not heard by the characters), great symbolism in narrative
West Side Story
1961
Jerome Robbins / Robert Wise
" "
Dick Van Dyke Show
1961
Carl Reiner
60’s style (I Love Lucy), classic comedy style
Top Hat
1935
Mark Sandrich
30’s style, glittery/glitzy, grand/well-lit sets, wide camera shots
The Incredibles
2004
Bard Bird
Stylistically driven, superhero spoof
Snow White and the Seven Dwarfs
1937
David Hand
Anne Frank Remembered
1995
Jon Blair
Triumph of Will
1935
Leni Riefenstahl
Propaganda film of the 1934 Nazi Party rally in Nuremberg, Germany
Casablanca
1942
Michael Curtiz
To Kill a Mockingbird
1962
Robert Mulligan
Les Miserables
1998
Bille August
Taming of the Shrew
1967
Franco Zeffirelli