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12 Cards in this Set
- Front
- Back
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Outline- |
Synopsis/one sheet A treatment A presentation packet Proposals go to a reader |
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Presentation package- |
Usually contains: One sheet Sketches of main characters Key players Concise production plan Contact details 5-8 pages |
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Logline- |
Hook/premise statement |
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Shawshank Redemption analysis- |
Look on PPT |
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Paul Gulino's sequence approach- |
Based on Frank Daniel's film programs Early reels were 8 reels of 10-15 minutes The middle act is divided into 4 sections. There is a first attempt to solve a problem, the attempt fails (known as the first culmination) at the midpoint. There are new complications with higher stakes, this leads to the low point (the second culmination). You can find this divide in the Sad Field paradigm and in Michael Hague's theory. |
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Look at structural character summary |
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Structure- |
Set up- context, world, characters New opportunity/emotional hook, disturbance Provoking/inciting incident Pinch point A Point of no return/tipping point Pinch point B Major setback/reversal/big gloom Big climax After effects/aftermath |
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Character- |
Repressed need Conscious desire Outward goal Strong opponent Progressive conflict Character change Goes from low self esteem to finding self worth |
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Field, Hague, Gulino synthesis |
Unforgiven analysis |
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Character progression in Unforgiven- |
Repressed need: Munny is a killer turned unsuccessful pig farmer, he feels like a failure.
Conscious desire: to provide for his children. Outward goal: to kill the cowboys who mutilated the prostitute to secure the bounty. Strong opponent: the local sheriff, Little Bill Dagget. Progressive conflict: Munny has to work with a poor partner, he is attacked by the sheriff when he comes into town, his former partner Ned is killed and there is a final showdown with the sheriff. Character change: Munny confronts his immoral past life. Hunting down Dagget Munny regains his notions of justice and gains a better self worth. |
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Subplot- |
It is a minor plot that underpins the main storyline. Sometimes the internal storyline iscalled a subplot, but it usually refers to another story involving another important character or aromantic plotline that runs alongside the main plot. There are three subplots in Unforgiven. |
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Subplots in Unforgiven- |
1- Following W. W. Beauchamp the journalist trying to write comic book biographies. 2- Ned Logan and his realisation that he cannot kill the cowboys 3. The realisation that the Schofield Kid is a fraud |
