Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
38 Cards in this Set
- Front
- Back
- 3rd side (hint)
|
The automatic response of psychological closure does not occur in stereo 3D when a cropped image is projected in front of the window in zv space. |
True |
True or False |
|
|
What can cause the miniaturization effect? |
C. when the object in front of the window does not appear to be larger than an identical one on or behind the window. |
A. when all objects are positioned along the zh-axis B. when all objects are positioned along the zv-axis C. when the object in front of the window does not appear to be larger than an identical one on or behind the window. D. when the object behind the window does not appear larger than an identical one in front of the window in zv space. E. when the distance between the viewer and the screen is too great. |
|
|
Before using digital video effects, you do not need to think about the possible metamessages they may carry. |
False |
True or False |
|
|
A preponderance of negative volume: |
E. can make us feel alone, cold, isolated, lost |
A. can confine movement B. can make us feel restricted C. invites mobility D. makes us feel we can breathe freely E. can make us feel alone, cold, isolated, lost |
|
|
Which of these video effects works against the figure-ground principle? |
A. superimposition |
A. superimposition B. horizontal wipe C. vertical wipe D. key E. matte-key |
|
|
Which statement represents a type of grapication? |
B. making an actual video scene look picturelike. |
A. showing a statistical graphic on television B. making an actual video look picturelike C. using slow-motion effects D. animating a still picture E. showing a newspaper on the video screen |
|
|
The interplay between positive and negative volumes is called: |
C. volume duality |
A. volume disparity B. volume articulation C. volume duality D. volume manipulation E. volume distortion |
|
|
When there is no POC in stereo 3D, the whole event plays behind the window. |
False |
True or False |
|
|
What causes a window violation? |
A. when an object, which is cropped by the screen edge, is projected into zv space |
A. when an object, which is cropped by the screen edge, is projected into zv space B. when a cropped object is projected into zh space C. when cropped object appears on-screen D. when the entire event plays behind the window E. when the entire event plays in front of the window |
|
|
Which situation describes a relative-size paradox between people appearing in first- and second-order screen space? |
B. image of second-order person larger than first-order person |
A. image of first-order person larger than second-order B. image of second-order person larger than first-order person C. image of second-order is outside the second-order space D. image of first-order person is in second-order space E. image of second-order person is in first-order space |
|
|
Distortions of the 3D image are not useful for showing sports or dramatic events. |
True |
True or False |
|
|
Lines and lettering across the screen are a form of graphication. |
True |
True or False |
|
|
Exaggerated stereo effects are appropriate for the following genres except? |
C. romance |
A. science fiction B. fantasy C. romance D. sports E. adventure |
|
|
All stereo images are based on fooling our perceptual system into believing that we experience actual 3D space. |
True |
True or False |
|
|
What vertical camera position and what focal length should you use to intensify the power of a big truck? |
C. from below and wide-angle |
A. from above and wide-angle B. from above and narrow angle C. from below and wide-angle D. from below and narrow angle E. all of the above |
|
|
articulating the z-axis |
Using objects as three-dimensional space modulators |
|
|
|
first-order space |
Video space defined by borders of the video screen |
|
|
|
foreground |
Depth plane closest to camera |
|
|
|
graphication |
Rendering a TV event as a two-dimensional, snapshot-like image |
|
|
|
metamessage |
Carries latent meaning(s) |
|
|
|
personification |
Perceive person in first-order space as real |
|
|
|
second-order space |
Clearly defined space within video screen |
|
|
|
z-axis blocking |
Arranging events along z-axis |
|
|
|
What is meant by personification? |
B. to perceive the on-screen person as real |
A. to morph an object into a person B. to perceive the on-screen as real C. to have an actor take on somebody's personality D. to take on a specific persona E. to become a recognized on-screen personality |
|
|
Camera movement, performers moving in and out of frame and the movement of the event itself all combine to create: |
B. a changing structural pattern |
A. a static structural pattern B. a changing structural pattern C. foreground action D. volume duality E. double z-axis staging |
|
|
Blocking along the z-axis is particularly important in television because: |
C. the television screen, with its limited picture field, cannot tolerate even moderate lateral action without camera movement |
A. lateral action is generally preferred B. diagonal action is most used C. the television screen, with its limited picture field, cannot tolerate even moderate lateral action without camera movement. D. the television screen, because of its capacity to take in wide vistas, demands lateral action E. the z-axis is the only one available to the director |
|
|
What is an example of graphication? |
A. the box over the news anchor's shoulder |
A. the box over the news anchor's shoulder B. howing a computer-generated chart during a briefing C. showing a full-screen graph of pollution increase D. switching from weather caster to weather map E. using opening title that are lens-generated |
|
|
In the context of structuring 3D space, what is an open set? |
D. a set that consist of specific set areas without continuous background scenery |
A. an active set that allows visitors B. a set that is open to further manipulation C. a set that has various open doors and windows D. a set that consist of specific set areas without continuous background scenery E. a set in which people move and invent their own blocking |
|
|
All of the following are types of 3D spatial paradoxes except: |
C. graphication |
A. relative size B. miniaturization C. graphication D. spherical image flattening E. window violations |
|
|
The principle that we automatically relate image size to distance does not always hold up in stereo 3D |
True |
True or False |
|
|
When there is no POC in stereo 3D, the whole event plays behind the window. |
False |
True or False |
|
|
Which of the following are perceptual and psychological predicaments of stereo 3D. |
D. all of the above |
A. depth of field B. accommodation C. psychological closure D. all of the above E. none of the above |
|
|
Similar to how we perceive text on a page, we perceive the on-screen lines and lettering keyed over a scene as the figure, and the images behind the letters (the actual scene) as the ground. |
True |
True or False |
|
|
What is the perceptual cause of a window violation? |
C. we no longer fill in the cropped parts of the image through psychological closure |
A. the zv-axis seems too long B. the zh-axis seems too long C. we no longer fill in the cropped parts of the image through psychological closure D. we apply premature closure to the cropped image E. we perceive a double image |
|
|
Heavy graphication in second-order space with no graphiciation in first-order space increases the personification factor in first-order space. |
True |
True or False |
|
|
Eye fatigue and headaches from 3D viewing can occur when our automated visual system tries to compensate for the close distance of images causing our eyes to go out of focus |
True |
True or False |
|
|
How you perceive the true shape of a positive volume depends on a combination of the stereo base, the screen size, and your proximity to the screen. |
True |
True or False |
|
|
middleground |
Between foreground and background |
|
