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24 Cards in this Set

  • Front
  • Back
Editing
The coordination of one shot with the next
Fade-Out
Gradually darkens the end of a shot to black
Fade-In
Lightens a shot from black
Dissolve
Briefly superimposes the end of shot A and the beginning of shot B; bay/bridge shot in Maltese Falcon
Cut
The joining of two strips of film together with a splice; an instantaneous change from one framing to another
Wipe
Shot B replaces shot A by means of a boundary line moving across the screen
Graphic Relations
Two successive shots joined so as to create a strong similarity of compositional elements
Rhythmic Relations
When the filmmaker adjusts the lengths of shots in relation to one another
Kuleshov Effect
Any series of shots that in the absence of an establishing shot prompts the spectator to infer a spatial whole on the basis of seeing only portions of the space
Crosscutting
Alternates shots of two or more lines of action occurring in different places, usually simultaneously
Flashback
Presents one or more shots out of their presumed story order
Flash-Foreward
Editing moves from the present to a future event and then returns to the present
Elliptical Editing
Editing that presents an action in such a way that it consumes less time on the screen than it does in the story
Empty Frame
Figure leaves frame; cut; figure enters new frame
Cutaway
A shot of another event elsewhere that will not last as long as the elided action, then returns to the first shot
Continuity Editing
A system of cutting to maintain continuous and clear narrative action
Establishing Shot
A shot, usually involving a distant framing, that shows the spatial relations among the important figures, objects, and settings in a scene
Shot/Reverse-Shot
Two or more shots edited together that alternate characters, typically in a conversation situation
Eyeline Match
Shot A presents someone looking at something offscreen; shot B shows us what is being looked at
Reestablishing Shot
A return to a view of an entire space after a series of closer shots following the establishing shot
Match on Action
A continuity cut that splices two different views of the same action together at the same moment in the movement, making it seem to continue uninterrupted
Cheat Cut
Keeps shot continuous, but mismatches the positions of figures
Jump Cut
When two shots of the same subject are cut together but are not sufficiently different in camera distance and angle, there will be a noticeable jump on the screen
Nondiegetic Insert
Shot or series of shots cut into a sequence, showing objects that are represented as being outside the world of the narrative