Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
32 Cards in this Set
- Front
- Back
|
form |
the overall set of relationships among a films parts |
|
|
motif |
any significant repeated element that contributes to the overall form |
|
|
frequency |
the number of times an event take place in the plot |
|
|
suspense |
delayed fulfillment of an expectation |
|
|
narrative |
a chain of evens link bu cause and effect occurring in time and space |
|
|
referential meaning |
offers a straight forward plot summary |
|
|
master shot |
entire action of a scene |
|
|
line producer |
are responsible for human resources and handling any problems that come up during production.
|
|
|
motion capture |
small sensors attach to body on subject |
|
|
subjective |
inner thoughts
|
|
|
unrestricted |
we see and hear more than other characters |
|
|
restricted |
only see what other character sees |
|
|
mental subjectivity |
hearing the thoughts narrated from main character |
|
|
opposition |
conflict |
|
|
mise e snene |
what is in the scene. crops,setting, lighting, (how the director directs our attention) |
|
|
key light |
primary source of light to create shadows |
|
|
fill light |
to control shadows |
|
|
high key |
low contrast |
|
|
low key |
high contrast |
|
|
depth cues |
direct attention |
|
|
unbalanced composition |
create strong effects |
|
|
monochromatic color design |
emphasizes a single color |
|
|
aerial perspective |
hazing of more distant planes (a depth cue) |
|
|
size diminution |
figures and objects farther away from us are seen to get proportionally smaller |
|
|
linear perspective |
parallel lines coverage at a distant vanishing point |
|
|
shallow space composition |
the mise-en-scene suggests comparatively little depth, the closest and most distant planes are seperated only slightly
|
|
|
speed of motion |
slow motion/fast motion/ ect |
|
|
racking focus |
changing focus during a shot |
|
|
superimosition |
placement of an image or video on top of an already-existing image or video
|
|
|
composite |
combine (two or more images) to make a single picture, especially electronically.
|
|
|
aspect ratio |
describes the width and height of a cinema or television screen |
|
|
masking |
A device placed in front of a lens to reduce the horizontal or vertical size of the frame or to create a particular shape (for example, periscope eyepiece, binoculars, or gun-sight).
|
