Film

Front 1

The Gold Rush

Back 1

Charlie Chaplin

Front 2

The Great Train Robbery

Back 2

Edwin Porter

Front 3

Chung King Express

Back 3

Wong Kar-Wai

Front 4

The Godfather

Back 4

Francis Ford Copalla

Front 5

Fallen Angels

Back 5

Wong Kar-Wai

Front 6

Weekend

Back 6

Jean Luc-Goddard
Raoul Coutard

Front 7

GoodFellas

Back 7

Martin Scorcese
Michael Balhause

Front 8

The Nutty Professor

Back 8

Jerry Lewis
Edith Head

Front 9

Legally Blonde

Back 9

Richard Luketic

Front 10

Nas Feratu

Back 10

FW Murneau

Front 11

Gladiator

Back 11

Riddley Scott

Front 12

Touch of Evil

Back 12

Orson Welles

Front 13

Leaving the Factory

Back 13

Lumiere

Front 14

Tableaux

Back 14

one shot scenes

Front 15

Scene

Back 15

Continuous unit of action in a single location

Front 16

Sequence

Back 16

unit of action in multiple locations

Front 17

rule of 3rds

Back 17

eyes naturally go to the center of the frame. the frame is divided into 9 segments

Front 18

Frontal Theatrical Framing

Back 18

unnatural used in comedies romance. flat horizontal lines

Front 19

plot

Back 19

series of events linked by causality

Front 20

Composition-in-depth

Back 20

attempt to errode the fact that you are watching a movie. angles used to show depth and attempt to portray 3D

Front 21

pan

Back 21

horizontal camera movement

Front 22

tilt

Back 22

vertical camera movement

Front 23

crosscutting/intercutting

Back 23

creates simultinaety, suspense. the idea of "meanwhile"

Front 24

shot scale

Back 24

scale of a person realative to the frame size.

Front 25

long shot

Back 25

you can see the full body of the character

Front 26

close-up shot

Back 26

the face is visible

Front 27

Director

Back 27

selects shots for film and place

Front 28

cinematographer

Back 28

execute the shot

Front 29

a change in shot scale

Back 29

can be caused by either a tracking shot or a zoom

Front 30

shot duration

Back 30

long take/short take

Front 31

establishing shot

Back 31

everything in the scene

Front 32

blocking

Back 32

how you direct movement of actions in the shot

Front 33

long lens

Back 33

flattens space minimizes depth

Front 34

short/wide angle lens

Back 34

enhance depth

Front 35

dutched frame

Back 35

film at an angle

Front 36

mis-en-scene

Back 36

everything that fills up the shot

Front 37

shot-reverse-shot

Back 37

conversation shot. two points of view usually from the two people speaking

Front 38

steady cam

Back 38

camera affixed to a gyroscope to decrease movement when forced to carry a camera during a shot

Front 39

subjective camer shot

Back 39

1st person shot

Front 40

tinting

Back 40

imersing the positive print in dye

Front 41

toning

Back 41

imersing the negative pring in the dye

Front 42

saturation

Back 42

intensity of color

Front 43

technicolor

Back 43

3 cameras filled to bring out 3 different colors in the shot (red blue green) then these colors are used to bring out a vast array of color

Front 44

registration

Back 44

layering the technicolor film

Front 45

hue

Back 45

color-intensity

Front 46

key light

Back 46

make sure camer sees what it needs to see

Front 47

backlight

Back 47

illuminate everything behind the principle object

Front 48

fill light

Back 48

fills in the shot and fill out the form

Front 49

high-key lighting

Back 49

shadows are shallow and only in the darkest parts of the shot. contains lots of fill light

Front 50

low-key lighting

Back 50

high contrast. sharp transitions between light and dark. contains lots of key lighting

Front 51

expressionism

Back 51

mvmt in europe related to the arts to express the internal feelings of someone externally