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9 Cards in this Set
- Front
- Back
Apparatus theory associated with…
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onature of film projection,
ovideo playing, odarkness of theatre/lightness of daytime tv, otextual component of what is screened, opsychic mechanism engaged |
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(apparatus theory) identification…
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spectator becomes part of the apparatus that was made for them
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Apparatus theory Derived from
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semiotics and psychoanalytic ideology and critique
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(Apparatus theory) metz 4 points
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o(semiotic, revive semiotics, psychoanalysis) hidden meanings
o Cinematic institution is not just the cinematic industry, but also “mental machinery” – another industry which spectators accustomed to cinema… which has adapted them to the consumption of films o Agrees with Baudry (analogy between screen and mirror, and how it reenacts the pre-oedipal moment of identification) o Disagrees in the sense that the cinema does not reflect back the spectator’s own image |
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Lacan and Althusser ( did not write about cinema)*** 4 points
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o Meeting point is at the mirror phase when the infant is put in front of a mirror and realizes that he is whole and detached from everyone else.
o Process of viewing is linked to the illusion of a solid ego given by the mirror phase o Spectators are blinded by the lens. They, like the films they watch, are filled with discourse unknowable to themselves |
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Althusser (Marxist)(5 points)
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o Social assumptions about apparatus theory come from him
o Sees the economic base of apparatus theory as the productive forces and the relations of production. o RSA – repressive state apparatus - The work is done by sanction and interdiction (police, courts, prisons etc). Bodies that enforce law to order o ISA – ideological state apparatus – religious and educational institutions, family, cultural. Follow law because of ideological pressure. o Ideology: “representation of the imaginary relationship of individuals to their real conditions of existence” Ex ideology of religious faith = illusionary, but alludes to reality |
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Baudry (more?)(5 points)
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o Experience of watching a film would be best understood as a set of objects (technology of cinema and the narrative), plus the relations to those objects (credulity, identification and fantasy)
o Film’s capacity to be both an “impression of real” and “more than the real” o ***made the connection of apparatus theory (Althusser) and psychoanalysis (Lacan) bottom o Cinema is an illusion of movement that we mistake for actual movement. It is a surrogate of our desire. o When our vision roams freely, the world exists for it |
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Main critique (5 points)
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o By female scholars claiming that there is a failure to distinguish between the experiences + psychic mechanisms between male and female spectators
o No mechanism for predicting just how the spectators process the info o Very mechanistic mode of inquiry o Did not take into non-visual aspect. i.e. sound o Application of Lacanian theory is not always correct |
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Positive aspects
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o Emphasis on questions of ideology and the interplay of the machine, text, culture, person guaranteed that film theory would not be caught in formalism of much literary criticism
o Points out that there is a problem with the exclusive concentration on representation. Materiality and perception they too have their place |