Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
84 Cards in this Set
- Front
- Back
- 3rd side (hint)
|
1867 (1870's)
Garden at St. Addresse Claude-Oscar Monet 1867 |
Significance:
- Japonism (inspired by Japanese prints) --such as 'Turban Shell Hall' and 'Inside Kameijo Tenjin' --wave pattern stylized in this way and vibrancy of colours = Japanese influence - Leisurely scene: sea-side resort with artist's family - Composition of three bands: the sky, the sea, and the terrace) |
|
|
1869 (1870's)
La Grenouillere Pierre-Auguste Renoir 1869 |
Significance:
-Deliberately depicting modern life 'en plein air' -Collection of boats -Similar to "Embarkation to Cythera" by Watteau --Fete galante --Renoir would search through old paintings and let the past speak with the present |
|
|
1869 (1870's)
Bathers at La Grenouillere Claude-Oscar Monet 1869 |
Significance:
-Looks very different from Renoir’s painting -considered to be incomplete, a Pochade (sketch or study) - very distinct clues in the direction of impressionism -start to recognize some similarities with his own work: --people not rendered with detail of fashion ---narrowed down the human subject figure --vibrant palette reminiscent of Japanese prints --Renoir more painterly but Monet more patchy/blotchy --Monet looking at the scene and reconfiguring it to make it more linear and internal geometry of boats ---boats pull us into the painting |
|
|
1872 (1870's)
The Cradle Berthe Morisot 1872 |
Significance:
-seen and interpreted through a gendered lens -Intimate domestic scene (interior) -- sister and sister’s new baby --diaphanous lacy quality of cradle curtain, luminous ---stylistically similar to Rousseau's 'en plein air' landscapes ("Souvenir de Montefontaine") |
|
|
1873 (1870's)
Impression, Sunrise Claude-Oscar Monet 1873 |
Significance:
-Vivid colors --transitional moment from water to sky --looked to Turner’s work “Slave Ship”, but didn't engage with the sublime and political views of the time (Franco-Prussian war) -Capture on canvas his own unique view of what he saw --atmospheric effects of what he saw as the artist and what is being portrayed |
|
|
1873 (1870's)
Boulevard des Capucines Claude-Oscar Monet 1873 |
Significance:
-idea of the height of the building and how objects and people looked like at this angle --sourced by photography -highly criticized due to sketch-like, unpolished quality --finish wasn't glossy and smooth, which was the convention --visible brushstrokes |
|
|
1876 (1880's)
Dance at Le Moulin de la Galette, Montmartre Pierre-Auguste Renoir 1876 |
Significance:
-at the peak of Impressionism (mid 1870's) -Leisure life, in dancehalls/ dance spaces -semi-open space with sun filtering in throught the trees -strong interest in dappling light of the scene, splays across everything (criticized as extreme) |
|
|
1874 (1870's)
La Loge Pierre-Auguste Renoir 1874 |
Significance:
- - - - - |
|
|
1876 (1880's)
The Cafe-concert des Ambassadeurs Hilaire-Germain Edgar Degas 1876 |
Significance:
- - - - - |
|
|
1877 (1880's)
St. Lazare Station Claude-Oscar Monet 1877 |
Significance:
- - - - - |
|
|
1875 (1880's)
Place de la Concorde Hilaire-Germain Degas 1875 |
Significance:
- - - - - |
|
|
1876 (1880's)
Le Pont du l'Europe Gustave Caillebotte 1876 |
Significance:
- - - - - |
|
|
1877 (1880's)
Paris: A Rainy Day Gustave Caillebotte 1877 |
Significance:
- - - - - |
|
|
1877 (1880's)
Nana Edouard Manet 1877 |
Significance:
- - - - - |
|
|
1877 (1880's)
Cafe, Boulevard Montmartre Hilaire-Germain Edgar Degas 1877 |
Significance:
- - - - - |
|
|
1869 (1870's)
Portrait of the artist's mother and sister Berthe Morisot 1869 |
Significance:
- - - - - |
|
|
1869 (1870's)
Artist's sister at a window Berthe Morisot 1869 |
Significance:
- - - - - |
|
|
1875 (1880's)
Young man at his window Gustave Caillebotte 1875 |
Significance:
- - - - - |
|
|
1876 (1880's)
Psyche Berthe Morisot 1876 |
Significance:
- - - - - |
|
|
1880 (1880's)
A woman in black at the Opera Mary Cassatt 1880 |
Significance:
- - - - - |
|
|
1885 (1890's)
The Tub Hilaire-Germain Edgar Degas 1885 |
Significance:
- - - - - |
|
|
1882 (1880's)
Barmaid at the Folies-Bergeres Edouard Manet 1882 |
Significance:
- - - - - |
|
|
1863 (1860's)
The Birth of Venus Alexander Cabanel 1863 |
Significance:
- - - - - |
|
|
1879 (1880's)
The Birth of Venus William Bouguereau 1879 |
Significance:
- - - - - |
|
|
1878 (1880's)
Rolla Henri Gervex 1878 |
Significance:
- - - - - |
|
|
1870 (1870's)
Salome Henri Regnault 1870 |
Significance:
- - - - - |
|
|
1870 (1870's)
Moorish Bath Jean-Leon Gerome 1870 |
Significance:
- - - - - |
|
|
1870 (1870's)
The Snake Charmer Jean-Leon Gerome 1870 |
Significance:
- - - - - |
|
|
1870 (1870's)
Arbitrary execution under the Moorish Kings of Grenada Henri Regnault 1870 |
Significance:
- - - - - |
|
|
1859 (1860's)
Street of Laghouat Eugene Fromentin 1859 |
Significance:
- - - - - |
|
|
1857 (1860's)
The Plain of Thebes Jean-Leon Gerome 1857 |
Significance:
- - - - - |
|
|
1861 (1860's)
Pilgrims going to Mecca Leon Auguste Adolphe Belly 1861 |
Significance:
- - - - - |
|
|
1872 (1870's)
Pollice Verso Jean-Leon Gerome 1872 |
Significance:
- - - - - |
|
|
1884 (1880's)
Sunday Afternoon on the Island of La Grande Jatte Georges Seurat 1884 |
Significance:
- - - - - |
|
|
1884 (1880's)
Bathers At Asnieres Georges Seurat 1884 |
Significance:
- - - - - |
|
|
1886 (1890's)
Poseuses/Models Georges Seurat 1886 |
Significance:
- - - - - |
|
|
1886 (1890's)
The Dining Room, Breakfast Paul Signac 1886 |
Significance:
- - - - - |
|
|
1895-96 (1900's)
In the Time of Harmony Paul Signac 1895-96 |
Significance:
- - - - - |
|
|
1876 (1880's)
Apparition (Salome) Gustave Moreau 1876 |
Significance:
- - - - - |
|
|
1878 (1880's)
Eye-balloon/Oeil-ballon Odilon Redon 1878 |
Significance:
- - - - - |
|
|
1888 (1890's)
Bretonnes dans la prairie verte Emile Bernard 1888 |
Significance:
- - - - - |
|
|
1888 (1890's)
The Vision after the Sermon (Jacob Wrestling with the Angel) Paul Signac 1888 |
Significance:
- - - - - |
|
|
1888 (1890's)
The Cafe Terrace on the Place du Forum, Arles at Night Vincent Van Gogh 1888 |
Significance:
- - - - - |
|
|
1888 (1890's)
The Night Cafe Vincent Van Gogh 1888 |
Significance:
- - - - - |
|
|
1892 (1890's)
Fatata Te Miti/ By the Sea Paul Gauguin 1892 |
Significance:
- - - - - |
|
|
1892 (1890's)
Manao Tupapao/ The spirit of the dead watches Paul Gauguin 1892 |
Significance:
- - - - - |
|
|
1893 (1890's)
Chosen One Ferdinand Hodler 1893 |
Significance:
- - - - - |
|
|
1899 (1900's)
Self-Portrait with Masks James Ensor 1899 |
Significance:
- - - - - |
|
|
1894 (1890's)
Anxiety Edvard Munch 1894 |
Significance:
- - - - - |
|
|
1899 (1900's)
The dance of life Edvard Munch 1899 |
Significance:
- - - - - |
|
|
1882 (1880's)
Bend in the Road Paul Cezanne 1882 |
Significance:
- - - - - |
|
|
1904 (1900's)
Mont Ste. Victoire Paul Cezanne 1904 |
Significance:
- - - - - |
|
|
1880 (1880's)
Compotier, Glass and Apples (Still life with glass and apples) Paul Cezanne 1880 |
Significance:
- - - - - |
|
|
1833 (1830's)
Villa Melzi, drawing Henry Fox Talbot 1833 |
Significance:
- - - - - |
|
|
1826-27 (1830's)
View from his Window Nicéphore Niépce ca. 1826-27 |
Significance:
- - - - - |
|
|
1839 (1840's)
View of Boulevard du Temple Louis Daguerre 1839 |
Significance:
- - - - - |
|
|
1859 (1860's)
Napoleon III (carte de visite) Disderi 1859 |
Significance:
- - - - - |
|
|
1858 (1860's)
Great Pyramid and Sphinx Francis Frith 1858 |
Significance:
- - - - - |
|
|
1867 (1870's)
Bonaparte before the Sphinx Jean-Leon Gerome 1867 |
Significance:
- - - - - |
|
|
1868 (1870's)
La Pia de Tolomei Dante Gabriel Rossetti 1868 |
Significance:
- - - - - |
|
|
1865 (1870's)
Jane Morris posed by D.G. Rossetti Dante Gabriel Rossetti 1865 |
Significance:
- - - - - |
|
|
1867 (1870's)
A Panoramic View of the Pont des Arts, Paris Adolph Braun 1867 |
Significance:
- - - - - |
|
|
Date unknown
Street Scene before Notre-Dame, Paris Photographer unknown Date unknown |
Significance:
- - - - - |
|
|
1880 (1880's)
A Traffic Island Gustave Caillebotte 1880 |
Significance:
- - - - - |
|
|
1872 (1870's)
At the Races in the Country/ Carriage at the Races Hilaire-Germain Edgar Degas 1872 |
Significance:
- - - - - |
|
|
1880 (1880's)
Dancers in the Classroom Hilaire-Germain Edgar Degas 1880 |
Significance:
- - - - - |
|
|
1862 (1860's)
Petipa, uncut carte de visite Disderi c. 1862 |
Significance:
- - - - - |
|
|
1821 (1820's)
The Epsom Derby Theodore Gericault 1821 |
Significance:
- - - - - |
|
|
1878 (1880's)
Galloping Horse, motion study Eadweard Muybridge 1878 |
Significance:
- - - - - |
|
|
1887 (1890's)
Horse and Rider Hilaire-Germain Edgar Degas 1887 |
Significance:
- - - - - |
|
|
1889 (1890's)
Le chahut: une scene dans un cafe concert Georges Seurat 1889 |
Significance:
- - - - - |
|
|
1890 (1890's)
The Pole-Vaulter Etienne-Jules Marey 1890 |
Significance:
- - - - - |
|
|
1804 (1800's)
Château de Versailles Grand Trianon, Chamber of Emperor Napoleon I - 1804 |
Significance:
- - - - - |
|
|
1804-06 (1810's)
Perseus Antonio Canova 1804-06 |
Significance:
- - - - - |
|
|
1804-1808 (1810's)
Paolina Borghese as Venus Victrix Antonio Canova 1804-08 |
Significance:
- - - - - |
|
|
1764 (1760's)
Osterley Park, Exterior detail: portico designed by Robert Adam Photographer unknown 1764 |
Significance:
- - - - - |
|
|
1758-90 (1760's-90's)
Panthéon, Paris Jacques-Germain Soufflot and Jean-Baptiste Rondelet 1758-90 |
Significance:
- - - - - |
|
|
1815 (1820's)
Royal Pavilion, Brighton, Front John Nash 1815 |
Significance:
- - - - - |
|
|
1850 (1850's)
Crystal Palace Joseph Paxton 1850 |
Significance:
- - - - - |
|
|
1862 (1860's)
Opera, Paris, facade Charles Garnier 1862 |
Significance:
- - - - - |
|
|
1868 (1870's)
The Dance/ La Danse Jean-Baptiste Carpeaux 1868 |
Significance:
- - - - - |
|
|
1880 (1880's)
The Gates of Hell Auguste Rodin 1880 |
Significance:
- - - - - |
|
|
1879 (1880's)
The Thinker Auguste Rodin 1879 |
Significance:
- - - - - |
|
|
1884 (1880's)
The Burghers of Calais Auguste Rodin 1884 |
Significance:
- - - - - |