Exam 3: Artwork & Vocab

Front 1

Back 1

Maderno
Saint Peter's Basilica (nave)
1610

Front 2

Back 2

Bernini
Saint Peter's Piazza Design
1656

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Back 3

Bernini
Baldacchino (St. Peter’s Basilica, Vatican, Rome)
1630

Front 4

Back 4

Bernini
David
1623

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Back 5

Bernini
Saint Teresa of Avila in Ecstasy
1650

Front 6

Back 6

Borromini
Church of San Carlo alle Quattro Fontane (façade)
1650

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Back 7

Borromini
Church San Carlo alle Quattro Fontane
(view into dome)
1650

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Back 8

Carracci
Ceiling of Palazzo Farnese Gallery
1600

Front 9

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Back 9

Carracci
Bacchus and Ariadne
1600

Front 10

***

Back 10

Caravaggio
Bacchus
1600

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Back 11

Caravaggio
Calling of Saint Matthew
1600

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Back 12

Caravaggio
Saint Matthew and the Angel
1600

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Back 13

Caravaggio
The Conversion of Saint Paul 1600

Front 14

Back 14

Gentileschi
Judith beheading Holofernes
1620

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Back 15

Cortona
Glorification of the Papcy of Urban VIII
1635

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Back 16

Gaulli
The Triumph of the Name of Jesus and the Fall of the Damned
1680

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Back 17

Cotán
Still Life with Quince, Cabbage, Mellon and Cucumber
1600

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Back 18

Ribera
Martyrdom of Saint Bartholomew
1634

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Back 19

Zurbarán
Saint Serapion
1630

Front 20

Back 20

Velázquez
Water Carrier of Seville
1620

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Back 21

Velázquez
Surrender at Breda
1635

Front 22

***

Back 22

Velázquez
Las Meninas
1656

Front 23

Back 23

Murillo
The Immaculate Conception
1660

Front 24

Back 24

Rubens
Self-Portrait with Isabella Brandt
1610

Front 25

***

Back 25

Rubens
The Raising of the Cross
1610

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Back 26

Rubens
Prometheus Bound
1615

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Back 27

Rubens
Henri IV Receiving the Portrait of Marie de' Medici
1625

Front 28

Back 28

Van Dyck
King Charles I at the Hunt
1635

Front 29

Back 29

Peeters
Still Life with Flowers, Goblet, Dried Fruit and Pretzels
1611

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Back 30

Peeters
Still Life with Fruit and Flowers
1610

Front 31

***

Back 31

Brugghen
St. Sebastian Tended to By St. Irene
1625

Front 32

Back 32

Frans Hals
Officers of the Haarlem Militia Company of Saint Adrian
1627

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Back 33

Frans Hals
Malle Babbe
1630

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Back 34

Leyster
Self-Portrait
1635

Front 35

Back 35

Rembrandt
The Anatomy Lesson of Dr. Nicolaes Tulp
1632

Front 36

***

Back 36

Rembrandt
The Night Watch
1642

Front 37

Back 37

Rembrandt
The Three Crosses
1653

Front 38

Back 38

Rembrandt
Self-Portrait
1658

Front 39

Back 39

Vermeer
View of Delft
1660

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Back 40

Vermeer
Woman Holding a Balance
1665

Front 41

Back 41

Borch
The Suitor's Visit
1660

Front 42

Back 42

Jan Steen
The Feast of St. Nicholas
1660

Front 43

Back 43

Witte
Portuguese Synagogue
1680

Front 44

Back 44

Ruisdael
View of Haarlem from Dunes at Overveen
1670

Front 45

Back 45

Claesz
Still Life with Tazza
1635

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Back 46

Ruysch
Flower Still Life
1700

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Back 47

Rigaud
Louis XIV
1701

Front 48

Back 48

Mansart
Palace of Versailles (Garden Façade)
1680

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Back 49

Mansart
Palace of Versailles (Hall of Mirrors)
1680

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Back 50

de la Tour
Mary Magdalen with the Smoking Flame
1650

Front 51

Back 51

de la Tour
The Education of the Virgin
1650

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Back 52

Le Nain
A Peasant Family in an Interior
1650

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Back 53

Poussin
Landscape with St. Matthew and the Angel
1640

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Back 54

Poussin
Landscape with St. John of Patmos
1640

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Back 55

Lorrain
A Pastoral Landscape
1650

Front 56

Back 56

Inigo Jones
Banqueting House (Whitehall Palace)
1620

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Back 57

Inigo Jones
Banqueting House (Ceiling Paintings)
1630

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Back 58

Wren
Façade of St. Paul’s Cathedral

Front 59

Barocco

Back 59

--Period of artistic style that began in Rome 1600 and would spread throughout Europe
--Uses: EXAGGERATED MOTION and easily interpreted detail
--Produces: DRAMA, tension, exuberance, and GRANDEUR

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Genre Painting

Back 60

--painting of scenes from EVERYDAY LIFE of ORDINARY PEOPLE in work or recreation.
--depicted in a generally REALISTIC manner.

Front 61

Obelisk

Back 61

--a STONE PILLER, typically having a square or rectangular cross section and a PYRAMIDAL top
--set up as a MONUMENT or landmark.

Front 62

Baldachin

Back 62

--a CANOPY of state over an ALTER or throne.
--Originating as a cloth canopy,but in other cases it is a sturdy, permanent ARCHITECTURAL FEATURE particularly over high altars in CATHEDRALS

Front 63

Galleria/Gallery

Back 63

--Italian for "gallery" or "ARCADE", but also for "TUNNEL"
--a common name for a shopping mall
--ultimately deriving from the 19th-century Galleria Vittorio Emanuele II in Milan.

Front 64

Quadro Riportato

Back 64

--Term applied to a CEILING PICTURE that is intended to look as if it is a FRAMED

Front 65

Herms

Back 65

--A rectangular, often TAPERING STONE post bearing a carved HEAD or BUST
--usually of Hermes, used as a boundary marker in ancient Greece and for DECORATIVE purposes in later periods.

Front 66

Quadratura

Back 66

--a term that emerged during the Baroque period to describe a type of CEILING PAINTING

Front 67

Tenebrism

Back 67

--Italian, meaning "murky"aka: DRAMATIC ILLUMINATION
--a style of painting using very pronounced CHIAROSCURO
--violent contrasts of light and dark
--DARKNESS becomes a dominating feature of the image.

Front 68

Trompe l'oeil

Back 68

-French meaning "FOOLS THE EYE"

- Technique that uses REALISTIC imagery to create the optical illusion seems to be 3-dimensional

Front 69

Connoisseurship

Back 69

--a PERSON who is especially competent to pass CRTITICAL JUDGEMENTS in an art
--particularly one of the fine arts

Front 70

Stilleven

Back 70

DUTCH for "STILL LIFE"

Front 71

Breakfast Piece

Back 71

--a still life painting originating in the Netherlands, especially Haarlem, from about 1620
--painting of a DINING TABLE shows SIMPLE FOODS such as bread, cheese and a glass filled with wine or beer.

Front 72

Drypoint

Back 72

--The SIMPLEST METHOD for producing INTAGLIO prints
--in which a sharp stylus or needle is used to scratch lines directly into the metal plate

Front 73

Impasto

Back 73

--painting technique where PAINT IS LAID on an area of the surface very THICKLY usually thickly enough that the brush or painting-knife strokes are visible

Front 74

Camera obscura

Back 74

--Latin: "DARK CHAMBER"
--an OPTICAL DEVICE that led to photography and the CAMERA
--The device consists of a box or room with a hole in one side.

Front 75

Vanitas

Back 75

--type of SYMBOLIC artwork associated with STILL LIFE painting
-- Latin for "VANITY"

--Symbolizes MEANINGLESS of EARTHLY LIFE/ GOODS and PURSUIT

Front 76

Flower Pieces

Back 76

FLORAL Still life

Front 77

Piazza

Back 77

--an OPEN SQUARE especially in an Italian town
--an arcaded and ROOFED GALLERY