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27 Cards in this Set
- Front
- Back
High Renaissance |
-the period referencing the peak of the visual arts in the Italian Renaissance. |
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Counter-Reformation |
-aka:Catholic Revival or Catholic Reformation -Response to the Protestant Reformation.
Church of Gesu: Active during both the Catholic and Protestant Reformations |
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Allegory |
-a story, poem, or picture that can be interpreted to reveal a hidden meaning
-Typically a moral or political one. |
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Pietà |
-is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus
-most often found in sculpture |
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Château |
-a manor house or residence of the lord of the manor -a country house of nobility or gentry |
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Chiaroscuro |
: the treatment of light and shade in drawing and painting. |
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Sfumato |
-1 of 4 canonical painting modes of the Renaissance.
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Ignudi |
-phrase coined by Michelangelo to describe the 20 seated male nudes he incorporated into the Sistine Chapel ceiling frescoes |
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Cartoon |
-Full-sized preliminary drawing that will later be used in creating frescoes, tapestry, etc.
-Large in size with cast details |
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trompe l'oeil |
-French meaning "fools the eye"
- Technique that uses realistic imagery to create the optical illusion seems to be 3-dimensional |
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hemicycle
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: is a term for a semicircular, or horseshoe shaped, debating chamber (plenary chamber) where deputies (members) sit to discuss and pass legislation
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Woodcut
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-relief printing artistic technique in printmaking
-image is carved into the surface of a block of wood, with the printing parts remaining level with the surface while the non-printing parts are removed, typically with gouges. |
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Engraving
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-practice of incising a design onto a hard, usually flat surface, by cutting grooves into it.
- Artist: Durer was able to master techniques such as: woodcut, wood engraving, etching, and engraving |
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Oil glaze
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-the simplest form of a glaze
-thin, oily, transparent layer of paint spread over the top of an opaque passage |
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Italian Mannerism
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-(1520-1580) period of European art that emerged in the later years of the Italian High Renaissance.
-encompasses a variety of approaches influenced by, and reacting to, the HARMONIOUS ideals |
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Protestant Reformation
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-major 16th century European movement aimed initially at reforming the beliefs and practices of the Roman Catholic Church
-initiated by Martin Luther, John Calvin, and other early Protestant Reformers |
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Poises
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--a term Titian used to describe the ambitious series of large-scale mythological paintings
--Inspired by the Roman poet Ovid’s epic poem ‘Metamorphoses’ --Titian considered the works as visual equivalents of poetry. |
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Stucco
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--material made of an aggregate, a binder, and water
--applied wet and hardens to a very dense solid --used as decorative coating for walls and ceilings and as a sculptural and artistic material in architecture |
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Pediment
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--the triangular upper part of the front of a building in classical style
--typically surmounting a portico of columns. |
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Lantern
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--Roof lanterns of masonry and
glass were used in Renaissance architecture, such as in principal cathedrals |
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Predella
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--the platform or step on which an altar stands
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Grisaille
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--a term for painting executed entirely in monochrome or near-monochrome
--usually in shades of grey |
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iconoclasm
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--The Protestant Reformation induced iconoclasm, or the DESTRUCTION of religious imagery.
--All forms of Protestantism showed a degree of hostility to religious images, as idolatry, especially sculpture and large paintings |
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Inquisition
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--A group of institutions within the judicial system of the Roman Catholic Church
--aim is to combat heresy. |
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Tondo
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--Renaissance term for a circular work of art, either a painting or a sculpture
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Blind windows
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--architectural features that are shaped like windows but which have no openings or translucent/transparent parts
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Plaster
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-- A soft mixture of lime with sand or cement and water
--used to spread on walls, ceilings, or other structures --forms a smooth hard surface when dried. |