Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
54 Cards in this Set
- Front
- Back
Zeus- (Roman name “Jupiter” |
king of the gods, sky |
|
Venus- (Greek name “Aphrodite”), |
love, beauty, and procreation |
|
tholos |
a circular structure, general in Classical Greek style and probably derived from early tombs |
|
syllogism |
a deductive scheme of formal argument, consisting of two premises from which a conclusion may be drawn |
|
protagonist |
the leading character in a play or story |
|
pluralistic |
(in metaphysics) any of various theories holding that there are multiple basic substances or principles as the ground of reality, or that reality consists of multiple elements.2 A conviction that various religious, ethnic, racial, and political groups shouldbe allowed to thrive in a single society. |
|
pediment |
the triangular space forming the gable of a two-pitched roof in Classical architecture; any similar triangular form found over a portico, door, or window |
|
order |
Classical architecture, the parts of a building that stand in fixed and constant relation to each other; the three Classical orders are the Doric, the Ionic, and the Corinthian |
|
oligarchy |
a government in which power lies in the hands of an elite minority |
|
ode |
a poem expressing exalted emotion in honor of a person or special occasion |
|
octave |
the series of eight tones forming any major or minor scale |
|
Nike |
Greek goddess of victory |
|
monophony |
(Greek, “one voice”) a musical texture consisting of a single, unaccompanied line of melody |
|
monistic |
one belief system |
|
mode |
a type of musical scale characterized by a fixed pattern of pitch and tempo within the octave; because the Greeks associated each of the mode with a different emotional state, it is likely that the mode involved something more than a particular musical scale, perhaps a set of rhythms and melodic turns associated with each scale pattern |
|
metope |
the square panel between the beam ends under the roof of a structure |
|
lyre |
any one of a group of plucked stringed instruments; usually made of tortoise shell or horn an therefore light in weight |
|
krater |
a vessel used for mixing wine and water |
|
kouros |
(Greek, “youth”; pl. Kouroi) a youthful male figure, usually depicted nude in ancient Greek sculpture; the female counterpart is the kore (Greek, “maiden”; pl. korai) |
|
kithara |
a large version of the lyre (having seven to eleven strings) and the principle instrument of ancient Greek music |
|
hymn |
a lyric poem offering divine praise or glorification |
|
hubris |
excessive pride; arrogance |
|
Herodotus |
father of history (first historian; eyewitness) |
|
gable |
the triangular section of a wall at the end of a pitched roof |
|
frieze |
in architecture, a sculptured or ornamented band |
|
ethics |
the branch of philosophy that sets forth the principles of human conduct |
|
epithet |
a characterizing word or phrase; in Homeric verse, a compound adjective used to identify a person or thing |
|
empirical method |
a method of inquiry dependent on direct experience or observation |
|
dialectical method |
a question-and-answer style of inquiry made famous by Socrates |
|
deomcracy |
a government in which supreme power is vested in the people |
|
Contrapposto |
(Italian, “counterpoised”) a position assumed by the human body in which one part is turned in opposition to another part |
|
aulos |
a wind instrument used in ancient Greece; it had a double reed (held inside the mouth) and a number of finger holes and was always played in pairs, that is, with the performer holding on in each hand; a leather band was often tied around the head to support the cheeks, thus enabling the player to blow harder |
|
antagonist |
the character that directly opposes the protagonist in drama or fiction |
|
amphora |
1. a two-handled vessel used for oil or wine
|
|
allegory |
a literary device in which objects, persons, or actions are equated with secondary, figurative meanings that underlie their literal meaning
|
|
aesthetics |
1. what makes something beautiful
|
|
catalog |
a list of people, things, or attributes, characteristic or Homeric literature |
|
platonic idealism |
the theory that holds that things in the material world are manifestations of an independent realm of unchanging, immaterial ideas or forms |
|
portico |
a porch with a roof supported by columns |
|
Aristotle |
Greek philosopher, taught Alexander the Great |
|
Democritus |
an influential Ancient Greek pre-Socratic philosopher primarily remembered today for his formulation of an atomic theory of the universe |
|
Euripedes |
a tragedian of classical Athens. He is one of the three whose plays have survived, with the other two being Aeschylus and Sophocles |
|
Heraclitus |
a pre-Socratic Greek philosopher, The obscure, the weeping philosopher |
|
Leucippus |
a philosopher that was the earliest Greek to develop the theory of atomism — the idea that everything is composed entirely of various imperishable, indivisible elements called atoms |
|
Plato |
1. a philosopher, as well as mathematician, in Classical Greece, considered an essential figure in the development of philosophy, especially the Western tradition, and he founded the Academy in Athens
|
|
Platos republic |
1. a Socratic dialogue, written by Plato around 380 BC, concerning the definition of justice, the order and character of the just city-state and the just man
|
|
Pythagoras |
an Ionian Greek philosopher, mathematician, and founder of the religious movement called Pythagoreanism |
|
Sophocles |
one of three ancient Greek tragedians whose plays have survived. His first plays were written later than those of Aeschylus, and earlier than or contemporary with those of Euripides(the Theban plays) |
|
Thales |
a pre-Socratic Greek philosopher, attempted to explain natural phenomena without reference to mythology |
|
Thucydides |
an Athenian historian, political philosopher and general. His History of the Peloponnesian War recounts the 5th century BC war between Sparta and Athens to the year 411 BC |
|
sophists |
a specific kind of teacher in both Ancient Greece and in the Roman Empire specialized in using the tools of philosophy and rhetoric |
|
monarchy |
a form of government in which sovereignty is actually or nominally embodied in 1 or several individual(s) reigning until death or abdication |
|
metaphysics |
1. a traditional branch of philosophy concerned with explaining the fundamental nature of being and the world that encompasses it |
|
induction |
the action or process of inaugurating someone to a position or organization |