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37 Cards in this Set
- Front
- Back
Characterization |
The ways characters are described. STEAL acronym. |
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Dialogue |
People speaking to each other in a dramatic or literary work |
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Genre |
A type of literature. Examples, comedy, mystery, tragedy, satire, elegy, romance, epic. How to define/differentiate: organizational features (chapters, acts, scenes, stanzas), length, mood, style, reader’s role, author’s reason for writing |
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Imagery |
The authors use of vivid descriptions, that evoke sense-impressions |
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Plot |
Sequence of events in a narrative or a story |
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Style |
How the author uses language to convey their ideas & purpose in writing. For example, diction, syntax, tone, characters; narrative techniques. |
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Bildungsroman prose text |
A type of novel that shows in individuals coming of age through self discovery, and personal knowledge |
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Epistolary prose text |
A novel, composed, primarily of letters, sent and received |
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Essay prose text |
A short written composition in prose that discusses a subject or an argument |
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Novela prose text |
A fictional narrative (between the length of a novel in a short story) |
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Apology, author voice |
Often at the beginning or conclusion of a text, author justifies their goals in producing the text |
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Apology, author voice |
Often at the beginning or conclusion of a text, author justifies their goals in producing the text |
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Irony, author voice |
Saying one thing and meaning the opposite. Often to shock audiences and emphasize the importance of truth |
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Satire, author voice |
Mocking ridiculing, or poking fun at a person, beliefs, or a group of people to challenge them. Use Irony, sarcasm, exaggeration to assert their perspective |
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Stream of consciousness, author voice |
Author traces their thoughts verb them into the text. A representation of the author’s exact thoughts throughout the writing process |
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Anti-hero |
A protagonist who embodies none of the qualities typically shown in traditional heroes. Their feelings are typically used to humanized them and conveyor message about the reality of human existence |
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Anti-hero |
A protagonist who embodies none of the qualities typically shown in traditional heroes. Their feelings are typically used to humanized them and conveyor message about the reality of human existence |
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Archetype/Stock character |
A figure (personality, place, situation) found in diverse cultures & different historical periods. Paying attention to these can help readers to identify what an author may pose as universal truths about life society, human interaction, etc.. |
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Epithet |
Adjective, noun or phrase expressing characteristic quality (or ironically speak of what it lacks) of a person or thing (ex: descriptive names) |
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Personification |
Artistic representation of a concept, quality or idea in the form of a person |
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Alliteration |
Repetition of the same sounds are (usually the initial consonant) in any sequence of neighbouring words |
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Apostrophe |
Figure of speech, referring to an address to a dead or absent person/an abstraction or inanimate object Usually employed for emotional emphasis. Example: “Blow winds, blow!” |
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Diction |
Author’s word choice, or specific language used to describe events and interact with other characters |
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Climax |
The moment, when events in the narrative and character’s destinies are most unclear. Often times the protagonist must make a decision to overcome the challenge. |
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Climax |
The moment, when events in the narrative and character’s destinies are most unclear. Often times the protagonist must make a decision to overcome the challenge. |
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Denouement |
When the climax and central conflicts are resolved, and a resolution is found |
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Deus Ex Machina |
Any character, event or device suddenly introduced to resolve the conflict |
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Exposition |
Usually at the beginning of a text, introduces the character, setting background information, etc. that readers might need to know in order to understand the rest of the text. |
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Frame narrative |
story around a central narrative to provide background information in context |
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In media res |
An author begins a text in the MIDDLE of the action! |
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Allegory |
An attempt to convert abstract concepts, values, beliefs or historical events into characters (or tangible elements) |
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Hyperbole |
Exaggeration. Not to be taken literally, used for emphasis. |
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Metaphor |
Refer to one thing by another to identify similarities between them (define each in relation to one another) |
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Metonymy |
Subtitution of a quality, idea or object for the thing itself. For example, refer to a woman as “a skirt” or the sea as “the deep” |
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Parody |
Native narrative work or writing style that mocks another. Typically exaggerates and emphasizes elements from original work in order to ridicule comment on and criticize their message |
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Simile |
A figure of speech that compares 2 things using “like” or “as” Things: people, object, elements or concepts |
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Types of Irony (3) |
Verbal — character says some thing that contradicts what they intended Situational — both the characters and the audience are unaware of certain important information. (Contrast between what is expected and what happens) Dramatic — the reader, is aware of information that the characters are unaware of. (What character says/believes contrasts, with what the reader knows) |