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98 Cards in this Set
- Front
- Back
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The interlopers point of view |
third person omniscient |
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The interlopers setting |
a forest |
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the interlopers primary source of conflict |
man vs nature |
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the int.; the story is mainly about |
a pair of bitter enemies who settle a feud |
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the conflict between Gradwitz and Znaeym is over |
which man owns a piece of land |
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the int.; when the two men meet |
the begin to fight |
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the int.; what foreshadowed the approaching storm |
all of the above |
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the int.; as the men talk |
they begin to develop a friendship |
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the int.; the von gradwitz family obtained the land |
in a lawsuit |
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the int.; georg and ulrich agree to |
call for help together |
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the int.; both men secretly hope their men are the first to discover them |
so they can release the other as a sign of friendship |
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the int.; the story's denoument is a surprise because the reader |
expects the figures to be men |
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the int.; the type of irony in the denoument is |
situational |
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the int.; the author's tone is |
cynical and sarcastic |
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Initiation; what plot teqnique directs the narration in the story |
flashback |
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Initiation; who was forbidden to give the pledges any directions? |
any boy |
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Initiation; what does millicent hope to gain from the sorority |
its a fairy tale world she wants to belomg to |
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initiation; what form of hazing did millicent escape? |
wearing clothes mismatched and disarrayed |
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initiation; source of increased tension between bev and millicent |
herb's attention |
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initiation; encounter on bus with strange man makes millicent realize |
she doesnt have to belong to a club to feel a bond with others |
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initiations; millicent compares sorority girls to |
a flock of sparrows |
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initiation; what made millicent reject the sorority |
tracy |
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initiation; millicent's decision not to join the sorority enforces the ____ of the story |
theme |
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initiation; millicents time in the basement is |
man vs self conflict |
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dangerous game; teqnique used to creat mood in story |
foreshadowing |
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dangerous game; discussion between whitey + rainsford becomes significant when |
rainsford realizes the hunted feel pain+ fear |
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dangerous game; general zaroff comes to the island after |
inheriting it |
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dangerous game ; zaroff welcomes rainsford because the general |
is glad to meet another hunter |
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dangerous game; how does the general obtain prey |
he lures them |
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dangerous game; what has dillusioned the general about his hobby |
he no longer felt it was a challenge |
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dangerous game; what comparison did the general make about hunting |
a soldier to a murderer |
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dangerous game; rainsford realizes he is the prey when |
zaroff tells him to join the hunt or become ivan's sport |
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dangerous game; most heinous of the dangers on the island |
the owner |
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dangerous game; tone |
formal |
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dangerous game; what isnt a part of the conflict in the rising action? |
the duel in the bedroom |
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dangerous game; antagonist |
the general |
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dangerous game; point of view |
third person limited |
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dangerous game; zaroff justifies his choice of prey |
humans are not morally responsible for each other |
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dangerous game; evidence zaroff is aware of his own viciousness |
cossacks |
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dangerous game; what becomes of the general |
no one knows |
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dog star; narration |
first person reliable |
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dog star; primary conflict |
man vs self |
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Dog Star; protagonist character |
dynamic |
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Dog Star; quote |
climax |
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dog star; where is the narrator in the beginning |
on the moon |
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Dog Star; what seperates the narrator from his dog |
five years+many miles |
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Dog Star; what prevented the narrator from giving up the puppy |
eyes |
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dog star; climax begins |
when general alarm sounds |
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dog star; dream about laika |
saved his life |
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e. a. poe fathers name |
david poe |
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poe's ____ caused rift between foster father + him |
gambling |
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prestigous school poe was expelled from |
west point |
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how did poe's foster family influence the cask of amontillado |
foster father was respected and wealthy |
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we study poe because of his |
contributions to literary world |
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ravem; indicates narrator is educated |
furnishings |
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raven; narrator believes nightine visitor is from |
heaven |
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raven; one of poe's |
haunting poems |
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raven; it is a |
ballad |
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Amontillado; type of narration is important because |
view point is distorted |
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amontillado; setting |
italy, prior to lent |
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amontillado; evidence montresor is unstable |
fortunato's death makes him smile |
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amontillado; why does montresor kill fortunato |
none of the above |
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amontillado; fortunato's weakness |
his pride |
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amontillado; montresor was confident fortunato could be lured into the catacombs by |
insisting luchesit was as good a judge |
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amontillado; acorrding to montresor fortunato is |
powerful, brave, despised |
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amontillado; not foreshadowing of fortunatos fate |
location of the amontillado |
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amontillado; not conflict in the rising action |
the coat of arms |
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amontillado; theme |
revenge |
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amontillado; tone |
formal |
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amontillado; effect of montresor's repetition |
shows his cold heartedness and madness |
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amontillado; type if story |
gothic |
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amontillado; antagonist |
fortunato |
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amontillado; mood is created |
psychologically |
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tell tale; claim narrator makes about himself |
he is nervous |
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ttheart; how is tone set |
use of repetition |
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ttheart; relationship between old man and caretaker |
cordial relationship |
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ttheart; narrator sense becomes acute |
hearing |
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ttheart; poe uses ___ for insanity |
hyperbole |
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ttheart; setting and antagonist |
city apartment, caretaker |
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ttheart; number of nights |
8 |
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ttheart; type of charcater protagonist is |
static |
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ttheart; literary tequinique not used |
foreshadowing |
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ttheart; includes a ____ element |
comedic |
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ttheart; narrators reaction as he gazed at the eye |
fury |
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ttheart; _____ is downfall of narrator |
arrogance |
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ttheart; most important to poe's purpose |
narrators mental state |
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ttheart; intended audience |
someone in law or justice |
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usher; unique about narration |
first person |
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usher; tequinique enhances mood |
mirroring |
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usher; not foreshadowing |
tapestries |
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usher, clue madeline was not dead |
rosy cheeks |
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usher; rodricks desire to entomb his sister is brought on by |
refusal to allow doctor to see body |
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usher; type of character of protagonist |
static |
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usher mood |
morbid expectation |
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usher; not example of mirroring |
swamp and family |
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usher; exciting force |
apartment doors opening |
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Alchemist; santiagos first dream is accomplished by |
buying some sheep |
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alchemist; greatest truth on the planet |
deepest desires originated in the soul of the universe |
