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50 Cards in this Set
- Front
- Back
Abstract/Concrete |
Details that the author chooses cab be given as ideas (abstract,) or examples (concrete). |
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Ad Hominem Argument |
Argument that appeals to emotion rather than reason, feeling rather than intellect. |
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Allegory |
The device of using a character or story elements to symbolically represent an abstraction in addition to a literal meaning. |
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Alliteration (Consonance Assonance) |
The repetition of sounds, especially initial consonant sounds in two or more neighboring words. |
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Ambiguity |
The multiple meanings, either intentional or unintentional, of a word, phrase, sentence or passage. |
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Anecdote |
A short, narrative account of amusing, unusual, revealing or interesting event. |
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Aphorism |
A terse statement of known authorship that expresses a general truth and moral principle. |
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Cliches |
A word that has become lifeless because of overuse -- avoid them! |
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Colloquialism (Colloquial Speech) |
Words or phrases that have a conversational feel and are not generally used in formal written English. |
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Connotation (Connotes Connotative) |
The nonliteral, associative meaning of a word; the implied, suggested meaning. |
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Detonation (Denotes Denotative) |
The structure, literal dictionary definition of a word, devoid of any emotion, attitude, or color. |
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Diction |
Refers to the author's word choices, especially with regard to connotative meaning, correctness, clearness, or effectiveness. |
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Emphasis: Position |
Placing importance on a particular idea by positioning a certain idea on a certain place structurally |
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Emphasis: Proportion |
Placing importance on a particular idea by proportioning a greater amount of words |
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Emphasis: Isolation |
Placing importance on a particular idea by isolating a key word or phrase |
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Emphasis: Repetition |
Placing importance on a particular idea by repeating the wording. |
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Euphemism |
Greek for "good speech," euphemisms are a more agreeable or less offensive substitute for verbally unpleasant words or concepts. |
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Figurative Language/Figure of Speech |
Writing or speech that it not meant to carry a literal meaning and is usually meant to be imaginative and vivid. |
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Hyperbole |
A figure of speech using deliberate exaggeration or overstatement. |
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Idiom |
Allegorical saying that native speakers of the language understand. |
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Imagery |
Sensory details used to describe, arouse emotion, or represent abstractions. |
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Irony |
The contrast between what is stated explicitly and what is really meant; the difference between what is true and what appears to be true. |
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Jargon |
Specialized terminology used by a particular group of people. |
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Juxtaposition |
Placing dissimilar items, descriptions, or ideas close together or side-by-side, especially for comparison or contrast. |
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Literal/Figurative |
Literal -- word for word verbatim ideas Figurative -- associated, implied meaning of ideas OPPOSITES! |
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Metaphor |
A figure of speech using an implied comparison of seemingly unlike things or the substitution of one for the other, suggesting some similarity. |
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Narrative |
The telling of a story or an account of ah event or a series of events. |
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Onomatopoeia |
A figure of speech in which natural sounds are imitated in the sounds of the words. |
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Oxymoron |
An oxymoron is a figure of speech wherein the author groups contradictory terms to suggest a paradox. |
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Paradox |
A statement that appears to be self-contradictory or opposed to common sense, but actually does contain some degree of truth or validity. |
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Personification |
A figure of speech in which the author presents or describes concepts, animals, or inanimate objects by endowing them with human characteristics, attributes, or emotions. |
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Parallelism |
Teh use of successive verbal constructions in poetry or prose that correspond in grammatical structure, sound, meter, meaning... |
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Parody |
A work that closely imitates the style or content of another with the specific aim of comic effect or ridicule. |
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Point of View |
The perspective from which the story is told. |
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Repetition |
The duplication, either exact or approximate, of any element of language, such as a sound, word, phrase, clause, sentence or grammatical pattern. |
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Rhetorical Features |
Rhetoric -- from the Greek word "orator," describes the principles governing the art of writing effectively, eloquently, and persuasively. The variety, the conventions, and the purposes of the major kinds of writing. |
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Satire |
A work that targets human vices or follies, or social institutions and conventions, for reform or ridicule. |
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Structure |
The design or arrangement of the parts of a work of literature to form a unified whole. |
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Style |
The writer's specific way of saying things. |
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Symbol |
Generally, something that represents or stands for something else. |
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Natural symbols |
Objects from nature that represent ideas commonly associated with them |
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Conventional symbols |
Invested meaning by a group |
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Literary symbols |
Found in a variety of works and generally recognized. |
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Syntax |
The deign or arrangement of the punctuation of a piece to form a unified whole. |
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Theme |
A writer's thoughts on a topic. |
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Usage (formal, non-formal, non-standard) |
A consistent level of usage provides unity and coherence in a work. |
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Vernacular |
The speech patterns of a particular group of people or region. |
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Voice |
The unique flavor of a piece based upon the author. |
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Simile |
An explicit comparison, normally using like or as. |
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Stream of Consciousness |
A method of narrative fiction that attempts to represent the inner workings of a character's mind at all levels of awareness, to re-create the continuous chaotic flow of half-formed and discontinuous thoughts, memories, dense impressions, random associations, feelings, and reflections that constitute a character's consciousness. |