Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
50 Cards in this Set
- Front
- Back
- 3rd side (hint)
CLIMAX
|
The point of highest dramatic interest
|
The point
|
|
CONFLICT
|
The struggle; opposition of forces
|
Strug, opp
|
|
DENOUEMENT
|
The solving of problems, after the climax
|
Solve, climax
|
|
EXPOSITION
|
The presentation of background information
|
Presentation
|
|
FORESHADOWING
|
A hint of coming disaster
|
A hint
|
|
RISING ACTION
|
Complications leading to the turning point
|
Complications leading
|
|
THEME
|
The play's message or abstract concept
|
The play's
|
|
TURNING POINT
|
The turning point where the protagonist makes a key decision
|
Protagonist
|
|
CATHARSIS
|
An emotional purgation
|
Emotion
|
|
DRAMATIC IRONY
|
Awareness of the hero's unawareness
|
Aware
|
|
HUMARTIA
|
Any tragic flaw
|
Tragic
|
|
HUBRIS
|
Insolent pride
|
Inso
|
|
TRAGEDY
|
A play depicting the downfall of the hero
|
Downfall
|
|
UNITIES
|
Singleness of time, place and action
|
Singleness
|
|
COMEDY
|
Amuses and has a happy ending
|
Amuses and
|
|
COMEDY OF HUMORS
|
Has characters that pesonify a trait
|
Has characters that
|
|
COMEDY OF MANNERS
|
Satirizes the behavior of society (restoration)
|
Society
|
|
FARCE
|
Consists of wild comedy and slapstick
|
Wild
|
|
THEATER OF THE ABSURD
|
Reflects life's meaninglessness
|
|
|
TRAGIC COMEDY
|
Contains tragic and comic elements
|
has both
|
|
DRAMATIS PERSONAE
|
Characters of the drama
|
characters in a play listed at the beginning of a play script
|
|
DRAMATURGY
|
The writing or producing of plays
|
|
|
EXPRESSIONISM
|
A drama that is distorted to reflect a reality
|
|
|
LEGITIMATE THEATER
|
Live, serious stage drama
|
|
|
PROBLEM PLAY
|
Drama that deals with social issues
|
|
|
REPERTORY THEATER
|
A company that alternates its play offerings
|
permanent company that can put on any of several plays
|
|
CLOSET DRAMA
|
Drama for reading only
|
NOT ACTED
|
|
MASQUE
|
An elaborate pageant play
|
Music, dance and elaborate costumes
|
|
MORALITY PLAY
|
A medieval allegorical play
|
|
|
MYSTERY PLAY
|
A medieval Biblical play
|
|
|
PASTORAL
|
A play about shepards
|
|
|
VAUDEVILLE
|
A variety show
|
|
|
CONFIDANT
|
A friend in whom the hero confides
|
|
|
MELODRAMA
|
A play with suspense, thrills, and incredible action
|
|
|
POETIC JUSTICE
|
The rewarding of characters according to deserts
|
|
|
REPARTEE
|
Quick, witty dialogue in a comedy
|
|
|
SOLILOQUY
|
Speaking alone or talking to ones self
|
|
|
STOCK CHARACTER
|
A much-used character type
|
|
|
STOCK SITUATION
|
A stereotyped plot element
|
|
|
HISTORIONICS
|
Affected acting
|
|
|
THESPIAN
|
An actor or tragedian
|
|
|
INGENUE
|
The innocent, trusting young woman
|
|
|
RAISONNEUR
|
The reasonable character who speaks for the author
|
|
|
STANISLAVSKI METHOD
|
Acting from remembered emotion
|
|
|
CHOREOGRAPHY
|
Creating of dances and ballet
|
|
|
CHORUS
|
Commentators on the play action
|
|
|
PROCENIUM
|
The front of the stage
|
including the curtain
|
|
DEUS EX MACHINE
|
A trick to resolve the plot
|
|
|
PROPERTIES
|
Stage funiture and articles
|
|
|
CONVENTION
|
An unrealistic but accepted play device, like poetic dialogue
|
|