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46 Cards in this Set
- Front
- Back
Story that teaches a lesson or rule of living. The
characters are usually animals that speak and act like humans. The most famous fables are those attributed to Aesop, a Greek, Thracian, Phrygian, Babylonian, or Lydian 25 storyteller or a group of storytellers who assigned the name Aesop to a collection of fables popularized in Greece. Aesop's fables are sometimes referred to as beast fables. |
Fable
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Short verse tale with coarse humor and earthy, realistic,
and sometimes obscene descriptions that present an episode in the life of contemporary middle- and lower-class people. The _____ uses satire and cynicism, along with vulgar comedy, to mock one or several of its characters. Not infrequently, the ridiculed character is a jealous husband, a wayward wife, a braggart, a lover, a proud or greedy tradesman, a doltish peasant, or a lustful or greedy clergyman. Plot development often depends on a prank, a pun, a mistaken identity, or an incident involving the characters in intrigue. The fabliau was popular in France from 1100 to 1300, then went out of fashion. Chaucer revived the format in The Canterbury Tales to write “The Miller’s Tale,” “The Reeve’s Tale,” “The Cook’s Tale,” “The Shipman’s Tale,” and The Summoner’s Tale.” Not entirely clear is whether the fabliau was a pastime of the upper classes as a means to ridicule their social inferiors or of the middle and lower classes as a means to poke fun at themselves. |
Fabliau
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In Shakespeare's time, a play manuscript after it has been
edited. |
Fair Copy
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Type of comedy that relies on exaggeration, horseplay, and
unrealistic or improbable situations to provoke laughter. In a ----, plotting takes precedence over characterization. |
Farce
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Word, phrase or sentence that (1) presents a “figure” to
the mind of the reader, (2) presents an imaginative or unusual use of words that the reader is not to take literally, or (3) presents a special arrangement or use of words or word sounds that create an unusual effect. Ordinary language that does not contain a figure of speech is called literal language. Language that contains a figure of speech is called figurative language. Figurative language is also sometimes called imagery because it presents an image to the mind. Consider the following sentences: The leaves blew across the lawn. (Literal language) The leaves danced across the lawn. (Figurative language) Notice that the second sentence presents a figure to the mind of the reader: The leaves are dancing as if they were people. Obviously, the writer does not mean that the leaves literally danced. However, they “figuratively” danced. Now consider the following additional examples: Mr. Piper harvested a bushel of green vegetables. (Literal language) Peter Piper picked four pecks of peppers. (Figurative language) The repetition of the "p" in the second sentence is considered a figure of speech because it presents a sound to the mind. This glossary contains definitions of various figures of speech. The most common figures of speech are Alliteration, Irony, Metaphor, Metonymy, Onomatopoeia, Oxymoron, Paradox, Personification, Simile, and Synecdoche. |
Figure of Speech
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Device in which a writer describes significant events of an
earlier time or actually returns the plot to an earlier time. Flashback enables the author to inform the reader of significant happenings that influence later action. Vehicles that writers use to return to earlier times include dreams, memories, and stories told by the narrator or a character. |
Flashback
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Stage direction in a play manuscript for music introducing
the entrance or exit of a king or another important person. The music may consist of a short trumpet passage. |
Flourish
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(1) A secondary or minor character in a literary work who
contrasts or clashes with the main character; (2) a secondary or minor character with personal qualities that are the opposite of, or markedly different from, those of another character; (3) the antagonist in a play or another literary work. A foil sometimes resembles his or her contrasting character in many respects, such as age, dress, social class, and educational background. But he or she is different in other respects, including personality, moral outlook, and decisiveness. In Sophocles’ play Antigone, Ismene is a foil of Antigone, her sister. Ismene is easygoing, soft-spoken, and willing to keep her place. Antigone, on the other hand, is headstrong, outspoken, and unwilling to keep her place. Creon is also a foil of Antigone, and Antigone is a foil of Creon. Creon represents government law and male dominance; Antigone represents the 27 moral law and female rights. They clash. In so doing, one foil sets off the other. Their quarreling helps to reveal their personality traits. |
Foil
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A _____ is a sheet of printing paper folded once to form
four separate pages for printing a book. To better visualize a _____, hold before you a standard sheet of typing paper and fold it as you would a letter. You now have a rectangular piece of paper. Hold it so it opens from right to left. What you are looking at is Page 1. Now turn the flap from right to left to open the rectangle. You are now looking at Pages 2 and 3 separated by a crease. When you close the right flap over the left, you will be looking at Page 4. A ____ was considerably larger than a quarto.In 1623, friends and admirers of Shakespeare compiled a reasonably authentic collection of 36 of Shakespeare's plays in a ____ edition of more than 900 pages that was entitled Mr. William Shakespeare's Comedies, Histories & Tragedies. The printer and publisher was William Jaggard, assisted by his son Isaac. This edition became known as The First _____. Because of the authenticity of this collection, later publishers used it to print copies of the plays. Other _____s were printed in 1632, 1663 and 1685. In 1664, a second printing of the 1663 ____ included the first publication of Pericles, Prince of Athens. |
Folio
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Stories, songs, and sayings transmitted by memory (that is,
orally) rather than by books or other printed documents, from one generation to the next. ______ thrives independently of polished, sophisticated literature in the form of ballads, fairytales, superstitions, riddles, legends, fables, plays, nursery rhymes, and proverbs. Englishman William Thoms invented the term ______ in 1846. Jacob and Wilhelm Grimm, German scholars who studied ______ in the early 1800's, compiled many tales based on their research, including the stories of Briar-Rose (Sleeping Beauty) and Rumpelstiltskin. |
Folklore
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In the courts of England in Shakespeare's time, a ____ was
a comic figure with a quick tongue who entertained the king, the queen, and their guests. He was allowed to–and even expected to–criticize anyone at court. Many ______ were dwarfs or cripples, their odd appearance enhancing their appeal and, according to prevailing beliefs, bringing good luck to the court. Actors William Kempe and Richard Armin 28 became London celebrities for their performances as fools in Shakespeare's plays. Armin wrote a book about -----s entitled Foole Upon Foole; or Six Sortes of Sottes.Egypt's pharaohs were the first rulers to use ----, notably Pygmies from African territories to the south. |
Fool
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Each pair of unstressed and stressed syllables makes up a unit called a
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Foot and Feet
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Device a writer uses to hint at a future course of action.
The words “a heart trouble” in the first line of “The Story of an Hour,” by Kate Chopin, refer to a condition of the main character, Mrs. Mallard, and ----- the story's ironic ending, in which Mrs. Mallard dies from shock when her husband–whom she thought dead–walks through the front door. Because of -------ing in the opening paragraph of the story, the ending becomes believable. Shirley Jackson also uses ----ing in the second paragraph of her outstanding short story “The Lottery” in the following sentence: Bobby Martin had already stuffed his pockets full of stones, and the other boys soon followed his example, selecting the smoothest and roundest stones. . . . This sentence --------s the stoning scene at the end of the story. Another example of ------ing occurs in the prologue of Shakespeare's Romeo and Juliet. An actor called “the chorus” recites a sonnet in which he describes the bitter hatred separating the Montagues and Capulets and identifies Romeo and Juliet as lovers who had the misfortune to be born into warring families: “From forth the fatal loins of these two foes [the Montagues and the Capulets] / A pair of star-cross’d lovers take their life" (Lines 5-6). Take their life appears to have a doublemeaning: first, that they come into existence; second, in a -------ing of events to come, that they go out of existence by taking their own lives. |
Foreshadowing
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In Shakespeare's time, the original manuscript of a
playwright which was later edited. |
Foul Papers
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Story with a plot structure in which an author uses two or
more narrators to present the action. The first narrator sets the scene and reports to the reader the details of a story told by a character. (In some frame tales, the first narrator reports the details of several stories told by several narrators.) In Mary Shelley's Frankenstein, Captain Robert Walton–a minor character–is the first narrator. He 29 sets the scene and listens to the story told by Victor Frankenstein, the main character. All of the information Walton reports to the reader is in the form of letters written to his sister. Thus, Frankenstein is a frame tale in that it is like a framed painting: Walton's story is the frame, and Frankenstein's story is the painting. Some frame tales–such as Chaucer's “Canterbury Tales” and Boccaccio's “The Decameron”–have several narrators telling stories "inside the frame." One famous frame tale–the “Arabian Nights” (also called “The Thousand and One Nights”)–has only one narrator, a sultan's bride named Scheherazade, who tells many tales "inside the frame," including the wellknown stories of Sindbad the Sailor, Aladdin and his magic lamp, and Ali Baba and his magical command "Open sesame!" |
Frame Tale
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Form of poetry that ignores standard rules of meter in
favor of the rhythms of ordinary conversation. In effect, _______ liberates poetry from conformity to rigid metrical rules that dictate stress patterns and the number of syllables per line. French poets originated _________ (or vers libre) in the 1880s, but earlier poems of American poet Walt Whitman (1819-1892) and other writers exhibited characteristics of ________. Although _____ generally contains no metrical patterns it may contain other types of patterns. For examples, see "When Lilacs Last in the Door-Yard Bloom'd." |
Free Verse
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Excessive boasting; incessant bragging. Perhaps the most
famous braggart in all of literature is Sir John Falstaff, the rotund knight (Henry IV Part I, Henry IV Part II) who is brave in words but timid in deeds. |
Gasconade
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Type or kind, as applied to literature and film. Examples
of ______ are romance, horror, tragedy, adventure, suspense, science fiction, epic poem, elegy, novel, historical novel, short story, and detective story. |
Genre
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Anglo-Saxon minstrel who sang or recited poetry. _______
traveled from place to place but sometimes found employment in the court of a monarch. |
Gleeman
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Adjective describing writing that contains wise, witty
sayings (aphorisms) |
Gnomic (NO mik)
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Wandering student of Medieval Europe who made merry and
wrote earthy or satiric verses in Latin. _____ sometimes served as jesters or minstrels |
Goliard (GAWL yerd)
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Literary genre focusing on dark, mysterious, terrifying
events. The story unfolds at one or more spooky sites, such as a dimly lit castle, an old mansion on a hilltop, a misty cemetery, a forlorn countryside, or the laboratory of a scientist conducting frightful experiments. In some ________ novels and short stories, characters imagine that they see ghosts and monsters. In others, the ghosts and monsters are real. The weather in a Gothic story is often dreary or foul: There may be high winds that rattle windowpanes, electrical storms with lightning strikes, and gray skies that brood over landscapes. The _____ genre derives its name from the _____ architectural style popular in Europe between the 12th and 16th centuries. Gothic structures–such as cathedrals–featured cavernous interiors with deep shadows, stone walls that echoed the footsteps of worshippers, gargoyles looming on exterior ledges, and soaring spires suggestive of a supernatural presence. See also Southern Gothic. |
Gothic Fiction
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Book on the lives of saints; scholarly study of the lives
of saints. |
Hagiography
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Serious character flaw of the main character (protagonist)
of a Greek tragedy. Often, this flaw is great pride, or hubris. But it may also be prejudice, anger, zealotry, poor judgment, an inherited weakness, or any other serious shortcoming. |
Hamartia
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Stage direction in a play manuscript indicating that
entering characters are playing ______, which are Elizabethan oboes. |
Hautboys [OH bwah]
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Seven Feet
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Heptameter
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Unit of two rhyming lines in iambic pentameter. Following
is an example: 31 What dire offence from am'rous causes springs, What mighty contests rise from trivial things (Lines 1 and 2, The Rape of the Lock, by Alexander Pope) |
Heroic Couplet
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six feet
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Hexameter
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Comedy that relies on wit and subtle irony or sarcasm. _____ usually focuses on the everyday life of upper
classes. It is generally verbal rather than physical. See also Low Comedy. |
High Comedy
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A clergyman's talk that usually presents practical moral
advice rather than a lesson on a scriptural passage, as in a sermon. |
Homily
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Great pride that brings about the downfall of a character
in a Greek drama or in other works of literature. |
Hubris or Hybris
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Eight-line stanza (French).
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Huitain
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Exaggeration; overstatement. Examples: (1) He [Julius
Caesar] doth bestride the narrow world like a Colossus, and we petty men walk under his...huge legs.–Shakespeare. (Caesar has become a giant.) (2) Ten thousand oceans cannot wash away my guilt. (3) Oscar has the appetite of a starving lion. |
Hyperbole
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Poem focusing on the simplicity and tranquillity of rural
life; prose work with a similar focus. ____ is derived from the Greek eidýllion (little picture or image). The Greek poet Theocritus (300-260 B.C.) developed this genre. |
Idyll
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Unstressed + Stressed .........Two
Syllables |
Iamb and Iambic
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In a Shakespeare play, an introductory event that precedes
Act 1. For additional information, see The Taming of the Shrew. |
Induction
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Latin phrase for “in the middle of things,” meaning that a
story begins in the middle of the plot, usually at an exciting part. The writer of the story later uses flashback to inform the reader of preceding events. The Greek poet Homer originated this technique in his two great epics, “The Iliad” and “The Odyssey.” |
In Medias Res
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The struggle in a work of literature between a person and himself or herself.
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Internal Conflict
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_____(anastrophe) of the normal word order, as in a man forgotten
(instead of a forgotten man) or as in the opening lines of Samuel Taylor Coleridge's "Kubla Kahn": In Xanada did Kubla Kahn / A stately pleasure dome decree (instead of In Xanadu, Kubla Kahn decreed a stately pleasure dome). Here is another example, made up to demonstrate the inverted word order of anastrophe: In the garden green and dewy A rose I plucked for Huey |
Inversion
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In ancient Greece and Rome, poets generally requested a
muse (goddess) to fire them with creative genius when they began long narrative poems, called epics, about godlike heroes and villains. This request appeared in the opening lines of their poems. In Greek mythology are nine muses, all sisters, who were believed to inspire not only poets but also historians, flutists, dancers, singers, astronomers, philosophers, and other thinkers and artists. If one wanted to write a great poem, play a musical instrument with bravado, or develop a grand scientific or philosophical theory, he would ask for help from a muse by “invoking the muse.” The muse of epic poetry was named Calliope [kuh LY uh pe]. |
Invocation of the Muse
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Dogmatic or arbitrary statement made without supporting
evidence. This Latin term means He said [it] himself. |
Ipse Dixit
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(1) Saying the opposite of what is meant, or verbal irony;
(2) result or ending that is the opposite of what is expected, or situational irony; (3) situation in which the audience attending a dramatic presentation grasps the incongruity of a situation before the actors do, or dramatic irony. Examples: (1) "What a beautiful day," Maxine said, opening her umbrella. (2) In the movie, “Planet of the Apes,” an astronaut who lands on another planet where intelligent apes rule discovers a startling irony at the end of the movie: When looking over a vast wasteland, he sees the head of the Statue of Liberty and realizes he was on earth all the time. Apparently, a nuclear war had destroyed humankind while he was timetraveling. While in his Einsteinian time warp, the apes 33 had evolved to an almost human level. (3) In “Oedipus Rex,” by Sophocles, Oedipus is unaware that he has married his own mother even though the audience is well aware of the incestuous union. |
Irony
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Vocabulary understood by members of a profession or trade
but usually not by other members of the general public. Cerebrovascular accident is medical jargon for stroke; perp is police jargon for perpetrator, a person who commits a crime. Jargon can also refer to writing or speech that makes no sense–gibberish. |
Jargon
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Witty writing; clever wording; jest; pun, ingenious turn of
phrase. A literary work with jeu d'esprit is quick-witted but not necessarily profound. The literal English translation of this French term is play of the spirit or play of intelligence. |
Jeu d'esprit (Pronounce the eu like the oo in wood;
pronounce esprit as uh SPREE) |
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Pun; play on words.
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Jeu de mots (Pronounce the eu like the oo in wood;
pronounce de as duh; pronounce mots as moh) |
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Itinerant minstrel in medieval England and France who sang
songs (his own or those written by others) and told stories. |
Jongleur
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