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7 Cards in this Set
- Front
- Back
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Continuity Editing |
A predominant style of film editing practiced by most Hollywood editors. The goal of continuity editing is to make the work of the editor as invisible as possible. The viewer should not notice the cuts, and shots should flow together naturally. Hence, the sequence of shots should appear to be continuous. |
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Shot Reverse Shot |
When the editing cuts from one person talking to the next. |
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Eyeline Match |
The product of the 180 degree rule. |
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The 180 Degree Rule (or "Axis of Action) |
The 180 degree rule is where two characters are sat opposite each other. There is a parallel line through the middle of the characters. The camera travels around one side to get the same eye line. |
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Cutting on action / Match on action |
The action between one cut and another, so it is in one fluid motion. |
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Montage Editing |
This type of editing places edits together that are not linked in a chronological or continuous way. |
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The Kuleshov Effect |
The Kuleshov Effect is a film editing (montage) effect demonstrated by Soviet filmmaker Lev Kuleshov in the 1910s and 1920s. The effect was where, two images were put together and created a meaning. |
