Reading...
Play button
Play button
Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
21 Cards in this Set
- Front
- Back
|
CU
|
(Close up) an Intimate, tight framing featuring one actor's face and possibly shoulders
|
|
|
ECU
|
Framed within the face, Often just the eyes. The term is sometimes used to describe extremely tight shots of inanimate objects as well.
|
|
|
Two-Shot
|
A Medium shot of two people, often profile or 3/4 profile from the waist up.
|
|
|
OS
|
"over shoulder" is a two shot where one person has their back to the cameraso we see over their shoulder while the other person faces towards the camera. Commonly used while covering dialogue between 2 people.
|
|
|
POV
|
Point Of View, a shot which appears to be the acual viewpoint of a character in the film. If the camera is moving these shots will often be handheld or steadycam.
|
|
|
Wide
|
a wide shot may be an establishing shot of a location or a full body shot of a person or persons.
|
|
|
Establishing shot
|
a wide shot usually at or near the beginning of a scene used to "establish" the setting and orient the viewer.
|
|
|
MASTER
|
Often the first shot of a scene commited to film. It is generally wide and covers all or at least a good portion of the action within the scene.
|
|
|
CUT
|
An editing decision where one shot ends and another immediately begins.
|
|
|
Jump Cut
|
A cut from a certain type of framing or composition to a very similar framing or composition that creates an uneasy feeling with the viewer since the subject seems to "jump" in space and time.
|
|
|
name all 6 of Murch's rule of 6
|
Emotion, Story, Rythem, Eye Trace, 2D planar, 3D space.
|
|
|
name all of the 4 FCP windows
|
Browser, Viewer, Timeline, Canvas
|
|
|
Three key play?
|
J (plays backward in real time), K (Pauses), L (plays forward in real time)
|
|
|
How Do you set an In and an Out?
|
I (in) O (out)
|
|
|
Continuity
|
represents what the audience can reasonably expect to remain constant within a scene. For example, if a man is wearing a red hat in the wide shot and the next shot is a Med. shot of the man in the same scene, he should still be wearing that hat.
|
|
|
Composition
|
The way that an image is structured based on the relationship of the elements within the frame.
|
|
|
MOS
|
"mit out sound" with out sound. Program or recording containing no sound.
|
|
|
EDL
|
Editor Decision List. A file created by an editor when an edit is complete that contains all the information regarding any of the cuts, disolves and transitions made in the entire program.
|
|
|
Option + X
|
clears ins and outs.
|
|
|
name 3 of the 9 steps of the Editorial process in order.
|
1. Read Script, 2. Set up a working enviroment, 3. Watch all material associated with the edit, 4. Choose "select" takes, 5. Prepare for rough assembly, 6. Prepare a final locked edit, 7. Do a sound mix, 8. Colour correct / add titling, motion graphics, 9. Output final program to delivery format.
|
|
|
What does a "ripple" delete do
|
clip A clip B clip C
if you would use ripple delete to delete clip B it brings clip C directly after clip A instead of leaving a gap. |
