Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
22 Cards in this Set
- Front
- Back
Symmetry
|
any form that can be divided along a central axis and yield two identical halves.
|
|
Overlapping
|
occurs when an object conceals from view part of itself or other objects positioned behind it.
|
|
Cropping
|
occurs when part of an image is cut off by the edge of the picture plane.
|
|
Proportion
|
refers to size relationships, such as comparing the width of a form to its height or the size of one form to another.
|
|
Contour Line
|
define the internal and external edges of forms. Contour lines can vary in line weight to depict an illusion of volume.
|
|
Picture Plane
|
refers to the imaginary plane through which artists view their subject. This plane also corresponds to the two-dimensional surface upon which a drawing is created.
|
|
Viewpoint
|
this is a general term that refers to the location of your eyes in relation to the subject.
|
|
Full View
|
this occurs when the subject is parallel to your viewpoint.
|
|
Foreshortened View
|
this occurs when the subject is not parallel to your viewpoint.
Fore-short-en-ing: his refers to the visual compression of an object’s dimensions when it is viewed at an angle to the picture plane (or at an angle to your viewpoint). |
|
Ellipse
|
the shape of a foreshortened circle.
|
|
Pencil Measure
|
the technique of using a straight edge to measure proportions within the subject.
|
|
Subject, Subject Matter
|
this refers to the identifiable things (objects, landscapes, figures, etc.) depicted in a drawing.
|
|
Sighting
|
the process of visually measuring proportion, shape, and position in the subject.
|
|
Cover Sheet
|
a blank sheet attached to the front of a drawing to protect its surface.
|
|
Cross Contour
|
move a-cross the surfaces of forms and emphasize volume.
|
|
Value
|
refers to relaltive degrees of lightness and darkness.
|
|
Value Scale
|
a visual scale that depicts a progression of value change from black to white.
|
|
Value Foundation
|
a quick, general rendering of the light and shadow in your subject using only three values: dark gray, middle gray, and white.
|
|
Chiaroscuro
|
Developed during the Italian Renaissance, this is a theory or technique for applying light and shadow to create an illusion of form and depth
|
|
Highlight
|
where the light source directly hits the object
|
|
Cast Shadow
|
where the light is completely blocked by the object on the surface it sits on
|
|
Reflected Light
|
the light reflected by the paper from the light source
|