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52 Cards in this Set

  • Front
  • Back

Alternative Theatre

Drama that sets itself against the established bourgeois theatre (i.e. it advocates principles that are not typically used in a traditional theater)

Amphitheater

A semicircular rising gallery in a theater containing part of the seats for spectators

Anagnorisis

A disclosure, discovery, or recognition in a play usually concerning a character's identity/nature or the essence of life

Ancient Greek Theater

Drama of ancient Greek city-states which utilized masks, choruses, all-male casts, and cranes (for a deus/dea ex machina)

Antagonist

A figure that opposes the protagonist

Arena Stage

A stage surrounded by spectators (a.k.a. central stage, island stage, or theater-in-the-round)

Aristotle's Dramatic Unities

The unities of time, place, and action in a tragedy (i.e. the action takes place within 24 hours and is unified, uninterrupted, and set in one location)

Aside

Speech by a character that is heard by the audience but not the other characters on stage

Blocking

The director's specifications for movement on stage

Box Set

Flats connected to form three walls with movable doors and windows

Catastrophe (or Denouement)

The change or revolution which produces the conclusion or final event of a play (e.g. Medea flying away on her chariot)

Catharsis

The purging or purification of emotions that is allegedly experienced by the spectators of a tragedy

Chorus

A group of singers/dancers in a play who either provide background information, comment on the action, or interact with the protagonist

Closet Drama

A play intended for reading instead of acting

Comedy

A play characterized by a light, amusing nature as well as a happy ending

Comic Relief

Humorous episodes in a tragedy with the intention to lessen or provide relief from the tragic effect

Deus (or Dea) Ex Machina

Greek for "god of the machine"; a god, divine instrument, or unexpected device used to quickly resolve a conflict and end a play

Downstage

Front half of the stage closer to the audience

Dramatic Irony

A tragic reversal of a character's expectations

Dramaturgy

The theory and practice of dramatic composition

Expressionism

Dramatic movement that portrays the subjective experience instead of objective reality

Falling Action

The action of a play after the climax; may involve a reversal or catastrophe

Farce

A play designed to make the audience laugh; usually little character development and based on amusing situations rather than subtleties of language

Foil

A character who sets off another character (usually the protagonist)

Futurism

A movement characterized more by gestures and motion than by verbal structures; distinctive qualities include speed, fragmentation, surprise, and simultaneity

Guerilla Theatre

Drama that attempts to throw audiences off of an oppressive bourgeois government

Harmartia

A tragic flaw, error, shortcoming, or weakness

Hybris (or Hubris)

Excessive and overreaching pride or arrogance

Kabuki Theatre

Japanese drama characterized by highly stylized singing, miming, dancing, and acting; all-male casts

Masque

An event in Renaissance-era courts where noblemen performed in a dignified play that was usually mythological and allegorical

Melodrama

Drama where clearly virtuous or vicious characters are pitted against one another in suspenseful situations until justice triumphs

Metatheater

Drama that emphasizes its theatricality and explores the nature of theatre

Method Acting

An acting style where the actor attempts to reproduce a character's emotional state by altering their own physical state or understanding the character's motivation

Morality Play

A medieval play that allegorically dramatizes aspects of one's moral life (e.g. "Everyman")

Naturalism

A dramatic movement influenced by evolutionary thought that portrayed its characters as creatures defined by their heredity and environment

"Noh" Drama

A traditional Japanese play that utilized masks, dance, mime, and song (e.g. "Atsumori" and "Pining Wind")

Peripeteia

A reversal that occurs when an action produces the opposite effect of what was originally intended or expected

Proscenium Stage

A stage framed in the front and separated from the audience

Protagonist

The chief character in a play

Rising Action

The action after the beginning and before the climax

Roman Theatre

Drama of the Roman Empire that, in addition to traditional play elements, included chariot races, gladiatorial fights, and dancing

Satyr Play

A play that features a chorus of lewd satyrs; usually followed tragedies and involved burlesqued heroic figures

Slapstick

A type of farce that relies on physical humor and/or assault

Soliloquy

A monologue in which a character utters his/her thoughts aloud while alone (e.g. Hamlet's "To be or not to be" speech)

Strophe

In Greek choral and lyric poetry and imitations of it, a series of lines forming a system, the metrical structure of which is repeated in a following system known as the antistrophe

Surrealism

A movement that embraced the unconscious and irrational; surrealist plays present dream-like worlds and maintain that the unconscious mind grasps reality while the conscious does not

Theatre of Cruelty

Drama that seeks to shock audiences out of their logical or civilized worldviews and unleash their suppressed primitive instincts

Theatre of the Absurd

Drama that attempts to reflect the absurdity of our existence in a Godless universe

Tragedy

A play that faces evil, depicts suffering, and ends with the death or spiritual destruction of the protagonist

Tragic Hero

The protagonist of a tragedy; usually admirable in some way

Tragicomedy

A play that mixes tragedy and comedy

Upstage

The back half of a stage farther from the audience