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39 Cards in this Set
- Front
- Back
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pitch |
the relative highness or lowness of voice |
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volume |
relative loudness of your voice |
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inflection |
rise and fall of your voice |
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rate |
speed at which you speak |
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resonation |
sound created needs to be made louder and stronger |
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stage business |
little things the actor does on stage to appear naturally busy |
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articulation |
the sound we create is shaped into vowels and consonants that enable us to convey a wide range of thoughts and emotions |
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language is constructed of _____ and _____ |
consonants and vowels |
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_____ are connected to emotions |
vowels |
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4 resonators |
throat, mouth, nose, sinuses |
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7 articulators |
tongue, jaw, teeth, cheeks, lips, hard palate, soft palate |
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8 elements of movement |
size, time, weight, direction, tension, focus, lead, level |
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Make sure you are in _____ and _____ to enter the stage at the approriate time. |
position and ready |
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Know the exact point at which you become _____ to the audience |
visible |
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When turning on stage you must keep the audience in mind and turn ______ them |
toward them |
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Gestures are _____ bodily actions |
expressive |
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They should be ______ and _____ |
clear and definite |
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half hearted or extraneous gestures are the mark of an ______ or ______ actor |
inexperiences or unfocused |
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diapharam |
muscle that seperates chest from abdominal cavity |
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flocking |
when a bunch of people move at once in a formation |
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the wave |
walking in a straigjt line as a group |
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mirroring |
copying the person you are facing |
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shadowing |
following/copying someones movement from behind |
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partner shapes |
tableau/shape/picture made with two people |
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we betray _______ by their gestures? |
feelings we are trying to hide |
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________ is a sign of stress |
touching the back of the neck |
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_____ ______ are forms of body language used to conciously influence observers |
baton gestures |
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baton gestures |
gestures that accompany our speech |
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What are baton gestures used for? |
illustrate a point, reinforce a desire, to project ideas to beg a listener to agree. |
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_____ ______ is the type of acting that is most natural |
film acting |
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at the core of nonverbal communication lie _____, _______, ______/______, _______ that are central to all life. |
territory, status, agreement/disagreement, relationships |
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what are the permanent and temporary ways we create personal space? |
permanent- walls and fences temporary- personal possessions |
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what does tightly clenched or even wrung hands express? |
doubt and defense |
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how do we interpret a false smile? |
sincerety thats not really felt |
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how do we interpret covering the eyes when talking with someone? |
dont see the persons point |
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how do we interpret covering the mouth when talking with someone |
not wanting to discuss |
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how do we interpret unconcious nose touching? |
nervousness or lying |
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what is an example of non-verbal shorthand? |
thumbs up |
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facial expressions are created by ______ |
facial muscles |
