Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
60 Cards in this Set
- Front
- Back
Dwiggins
|
combined collage with ornament
did 18 typefaces apprentice of J. Tschichold, worked for A. Knopf |
|
Evans
|
photographer during Depression
juxtaposed fantasy and reality in America |
|
Erte
|
Harper's Baazar covers
|
|
Will Burtin
|
worked for UpJohn pharmacuticals
|
|
Eggburt
|
worked for CCA
|
|
Lester Beall
|
self-taught
used J. Tschichold's type |
|
Ben Shahn
|
WPA
social realist pointed out injustice |
|
isotype
|
symbol in place of a word
invented by Otto Newrath |
|
Ludwig VanDerRohe
|
"less is more"
"God is in details" |
|
Tscihold
|
deliver message in the shortest and clearest way possible
|
|
Stanley Morrison
|
Times Roman typeface
|
|
Paul Renner
|
designed Futura
|
|
Rudolph Koch
|
designed Kabel
|
|
Otto Newrath
|
invented isotypes, pictograms
|
|
Walter Herdeg
|
designed Graphis magazine
|
|
Dr. Agha
|
desiged for Vogue, Vanity Fair, Home/Garden
introduced BLEED |
|
Brodovitch
|
Harpar's art directed after Dr. Agha
used contrast, scale, b/w and color loved whitespace had musical flow in text and pictures |
|
Joseph Binder
|
cubism - to styled realism
|
|
Bayer
|
combined illustration
|
|
Bauhaus
|
sought to unify art and craftmanship
school started by Walter Gropius in 1919 art, design and architecture began with emphasis on arts and crafts 1923- evolved into De Stijl geometric approach |
|
Lazlo Maholy-Nagy
|
spokesman for Bauhaus
says idea is more important than execution |
|
typo-photo
|
type integrated in photo
|
|
Bayer
|
former student at Bauhaus
taught type and invented universal sans-serif type |
|
Tschihold
|
influenced by Bauhaus
advocate of new typography arrested by Nazis said work on humanist position, look at past (180) |
|
Eric Gill
|
invented Gill Sans
from British railroads type designer and illustrator/stone carver |
|
Piet Zwart
|
looked at graphic design as an architect
used dingbats combined playfulness of dada with De Stijl |
|
H/N Werkman
|
used type as objects
|
|
Sandberg
|
experimented heavily with type
|
|
Matter
|
design large typeface for Swiss tourist posters
dynamic scale changes Paula Scher - swatch |
|
Swiss Design
International Typo Style |
mathmatically constructed grid
flush left, ragged right clarity and order |
|
Ernst Keller
|
design problem should emerge from content
leader of mvmt |
|
Theo Ballmer
|
used the grid
|
|
Max Bill
|
formulated art concrete - calling for a universal art of clarity basied on contralled arithmetical
construction |
|
semantics
syntactics pragmatics |
study of signs and symbols
how they are connected into a whole how they relate to users |
|
Huber
|
bright, pure hues
layered shapes, type, almost chaotic |
|
Stankowski
|
photography
photomontage darkroom manipulation of images worked to create physical forces in symbols worked for Berlin |
|
Adrian Frutiger
|
created Univers
|
|
Hoffman/Miedinger
|
Helvetica
|
|
Herman Zapf
|
50 typefaces by age 21
Palentino, Optima |
|
Basel/Zurich
|
important cities in design
|
|
Armin Hofmann
|
created "Grapic Design manual"
|
|
Vivarelli
|
spread awarness of elderly problems
|
|
Muller Brockman
|
the era's most influential graphic designer
design withiout designer's personal feelings or propaganda |
|
Odematt
|
took Swiss design to business world
almost all work is pure type |
|
DeHarak
|
brought Swiss design to America
book jackets |
|
Paul Rand
|
more than anyone, intiated America's response to modern design
collaboration with Burnbach, huge for advertising wrote "Thoughts On Design" used universal signs and symbols as tools for translating new ideas |
|
Lustig
|
Look Magazine,
used symbols |
|
Bradbury Thompson
|
one of the most influential graphic designers in post-war America
used color, enlarged objects |
|
Saul Bass
|
influenced by Rand
reduced things to single dominant image worked on film credits, posters |
|
Tscherny
|
reduced complex content to an elemental graphic symbol
|
|
Brownjohn, Chermayeff and Geismar
|
first design firm title
major player in corporate identities |
|
Eisnenman
|
worked with Yale program to benefit graphic design
|
|
Leo Lionni
|
art director at Fortune
gave magazine a unique identity contributed to war effort CCA |
|
Storch
|
quit Dell publishing for more interesting job
Better Living/McCalls after Brodovitch recommends really helped McCalls with beautiful editorial design |
|
Henry Wolf
|
worked with Esquire, Show
"instant wine" cover |
|
Stermer
|
Ramparts Magazine
influenced cover design indited for cover of burning draft cards |
|
Bernbach
|
legendary
turned ad industry around VW |
|
Lubalin
|
famous NY,NY, mother&child logos
more than ever, explored photo-typography Eros magazine variety of typefaces, designs created Avant Guarde |
|
ITC
|
started to combat stolen typefaces
|
|
George Lois
|
brought Esquire back from almost dying
enfant terrible of American mass communications no harmony on cover skilled in persuading people |