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46 Cards in this Set
- Front
- Back
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Faultine set designer |
Dick stracker |
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Who designed Lighting for faultine |
Lucy Carter |
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Who designed the costumes for faultine |
Ursula bombshell |
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Who composed the accompaniment for faultine |
Errolyn wallen scanner |
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How many dancers are in faultine |
8 |
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Who made the film for faultline |
Peter Gomez |
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Name three stimuli for faultine |
Peter Gomes film Scanners music Londonstani book |
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Who was faultines choreographer |
Shobana jeyasingh |
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What did the faultine film show |
Peter Gomes film showed images of Asian youths in the city It's used as a starting point as the boys are Asian youths and the gestures they use are also repeated through the dance It's was shot in London on brick lane |
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Who was the female vocalist |
Patricia rozario |
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Name four movement styles used in faultine |
Contemporary Bharatanatyam Capoeira Street dance |
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Name four themes of faultline |
Youth culture Gender stereotypes Identity Urban city life |
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When was faultines premiere |
2007 |
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How many sections are in faultine |
4 |
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Describe the accompaniment in section 1 of faultline |
Recorded female voice Looped Second voice layered on top Low notes underneath Dynamics:low,booming, hypnotic, piercing vocal |
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Describe the men's costumes in faultine |
Fitted but stretchy shirt Collar 3/4 length shirts Wide leg trousers Belt Acid colour ties pink purple and green Different shades of greys and blacks |
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Describe a lighting effect in men's opening trio Section one |
Square blocks of light Increase in size Frames dancers Looks like a film panning in |
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Describe faultines set design |
2 curved screens upstage Large one covered in canvas Small one covered in grey gauze Screens slightly overlap each other leaving a entrance Grey |
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Yamunas costume |
Bra See through shirt sleeves Blouse Knew lengthy pleated skirt Loose hair Bare feet |
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Describe one key/constituent feature of each of the four styles used in faultine |
Contemporary- contractions Flexed feet Contact Bharatanatyam- Mudras hand gestures Hand and eye coordination Geometric body shapes Capoeira- Deep lunges Sweeping dynamics Use of floor No contact! Street dance- grounded movements Hip movements Isolation Pop and lock |
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How does the set design in faultine contribute to the mood/atmosphere |
Architectural, city atmosphere Plain and abstract to create a cold dark atmosphere Film projection creates an urban mood The film is black and white and set is dark to show a tense move |
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How does the aural setting in faultine contribute to the mood/atmosphere? |
Constant looping makes it sound hypnotic Female voice rising and falling creates tension Soundscape booming notes create a voluminous sound which creates and eerie mood and clanging |
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Describe one key/constituent feature of each of the four styles used in faultine |
Contemporary- contractions Flexed feet Contact Bharatanatyam- Mudras hand gestures Hand and eye coordination Geometric body shapes Capoeira- Deep lunges Sweeping dynamics Use of floor No contact! Street dance- grounded movements Hip movements Isolation Pop and lock |
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Set designer for ghost dances |
Christopher Bruce |
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Name the sections in the correct order |
Ojos azules Huajara Dolencias Papel de plata Mis llamitas Sicuriadas Ojos azules |
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Name four movement styles in ghost dances |
Ballet Folk Tap Contemporary |
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Name the structure of ghost dances |
Episodic |
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How many ghosts are there |
3 |
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Name three ways the rocks are used in ghost dances |
For villagers to rest on Ghosts to hide behind Ghosts stand on to view incoming villagers and watch their prey |
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Who are the pueblo Indians |
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Describe the set design for ghost dances |
Painted backdrop which is party translucent Andean mountain range viewed from a mountain cave Lake in foreground Rocks places upstage Colours are mainly blues and dark greens with a black frame to symbolise the cave mouth Grey rocks |
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Describe the ghosts costumes |
Bands with strips of ripped material hung from upper arms hips wrists and below knee Skull mask Scraggly hair Large eye sockets in masks and open jaws with few teeth Body paint makes them look more muscular Blacks with white body paint Strips of feathers and variety of materials used Made to look like a condor |
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Girls costumes in ghost dances |
Full skirt Tight waistband Blouse with short sleves Shawl attached to shoulders and hair in a single braid Red skirts white blouse blue shawl OR. Green skirt blue blouse red shawl |
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Describe the lighting at the end of huajra |
Overhead lighting almost creates a corridor of light downstage Green yellow and blue Sudden |
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Choreographer for ghost Dances |
Christopher bruce |
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Describe the accompaniment in the first ojos azules |
Silence Found sound Wind Dripping eerie melody builds in Starts quietly and builds up Pounding drum Panpipes guitar and drum |
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Describe the lighting at the end of papel de plata |
Sidelights stage right Orange |
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Describe a key/constituent feature of each of the four movement styles used in ghost dances |
Ballet- Posture Pointed feet arabesque Grand jete Contemporary- Contractions Flexed feet Tilted Folk dance- Chain holding hands Skip steps Flexed feet Pivot steps Lines Tap- Toe taps Loose ankles Rhythmic phrases |
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Lighting designer for ghost dances |
Nick chelton |
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Costume designer for ghost dances |
Belinda scarlett |
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Accompaniment used in ghost dances |
South American folk music |
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Name four characters from ghost dances |
Peasant boy Ghosts Girl in blue dress Older lady in red dress City men in suits Young girl in white And pueblo Indian girls |
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Ghost dances stimuluses Three |
The folk music South American rituals like day of the dead Meeting with Joan jara |
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A theme of ghost dances |
Death Political oppression in chile |
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Ghost dances premiere |
1981 |
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How many sections are in ghost dances |
7 |
