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14 Cards in this Set

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Concerto Grosso

A work for a group of soloists - in this case two violins and a cello - supported by a group string players and a harpsichord/organ continuo.

L'estro Armonico

("Harmonic fancy" or "Harmonic inspiration")




The work of Vivaldi's consisting of 12 concertos (including Concerto in Dminor).

Continuo

Short for "basso continuo", the continuo instruments form the accompaniment in Baroque music.

Spiccato

Performed with short, abrupt and rebounding motions of the bow.



(Basically bouncing the bow off the strings).

Ripieno

All instruments playing, tutti.

Figured bass

A system of harmonic shorthand, which conveyed to the keyboard player the chords to be supplied.


Figures indicate the intervals above the bass.


(The little numbers in the continuo part)

Terraced dynamics

Bold, abrupt contrasts between loud and soft.


No crescendos or dimuendos, no use of 'middle' dynamics (ie mp or mf).

Metre

Motor rhythms

Hard driven rhythms, helped along with almost percussive harpsichord continuo.

Siciliano rhythm

A rhythmic cell consisting of: dotted quaver - semiquaver - quaver

Neapolitan 6th chord

Take the progression iiº6 - V7 - i in a minor key, and use the lowered second degree of the scale for the supertonic triad.



°6 just means augmented (°) 6th.



In this example (in Cminor) they've gone for a 2 5 1, which we touched upon when writing chorales.



Since this is a minor key, the ii chord becomes an augmented 6th chord (since the minor key has a raised 7th, which is the 6th degree of the ii chord).



To become Neapolitan, the ii°6 chord borrows from the phrygian scale, which can be seen with the Db in the second example.

Seen in movement 3, bar 2, beat 2.

Tierce de Picardie

A major third in the final chord of a piece in a minor key.

Seen in mvt 2 at bar 70, leading into the tonic minor.

Ritornello

Tutti section.

Canon

Consistent note-for-note imitation of one melodic line by another, in which the second starts after the first.