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21 Cards in this Set
- Front
- Back
Comedy arose... |
in Greece similar to the way tragedy did. |
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Tragedy moves towards ___________ while comedy moves towards ___________. |
despair or death; success, happiness, and marriage |
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Tragedy diction is ______ and ______ while comic diction can be ________ but is often _______ or _______ |
elevated and heroic; elevated, common or colloquial |
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Comic Problems |
in the beginning comedy can be individual or societal; from exposition to complication the problems get worse, complications are fueled by mistaken identities, errors in judgement, and misunderstandings |
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Comic Climax |
confusions reach a peak, misunderstanding is dominant, pressure is a high point; the catastrophe often introduces a sudden revelation in which a key fact, identity, or event is revealed to characters and audience at the same time |
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Comic Denouement (resolution) |
resolves the initial problems and allows for comic resolution which involves: people at odds are reconciled, new families formed through marriage, order reestablished |
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Two key features of comedy are: |
Education and Change: characters learn something about themselves, their society, or the way to love and live |
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Comic Characters |
generic (stock) characters that represent classes, types, and generation |
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Comic Language |
some comedies by elegant and witty language and others by puns and bawdy jokes |
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Obscenity |
Lowest form of comedy; poo-poo pee-pee jokes |
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Physical Mishap |
Second lowest form of comedy; depends heavily on exaggerated poses and facial expressions |
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Plot Device |
third lowest form of comedy; involves misunderstandings and mistaken identities |
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Verbal Wit |
Last form to be considered low comedy; skillful use of language, one-line joke |
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Inconsistencies of Character |
first form to be considered high comedy; surprise action or speech contrary to appearance of nature |
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Romantic Comedy |
second form of high comedy; features lovers who try to overcome opposition to achieve a successful union, aim is to entertain rather than ridicule |
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Comedy of Ideas and Satire |
humankind's ability to laugh at that which is closest to the heart-family, friends, religion, politics, country, ourselves |
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Comedy of Manners |
Examines and satirizes attitudes and customs in the light of high intellectual and moral standards. Dialogue is witty and sophisticated, and characters are often measured according to their linguistic and intellectual powers. The love plots are serious and real. |
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What is the order, from low to high, of comedy? |
obscenity, physical mishap, plot devices, verbal wit, inconsistencies of character, comedy of idea/satire, comedy of manners |
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Low Comedy |
Emphasis on funny remarks and outrageous circumstances; complications develop from situation |
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High Comedy |
witty, graceful, and sophisticated; complications grow out of character |
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Farce |
physical comedy |