Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
71 Cards in this Set
- Front
- Back
nature of human talk
|
to talk is to...
be human, define ourselves, share ourselves, think, communicate, be multidimensional |
|
nature of public talk
|
sends messages:
problem exists, can be overcome, impt enough to risk public exposure, you're willing to be changed, audience is willing to be changed |
|
unique features of public talk
|
message relevant to group as a whole, language is more restricted and less flexible, audience diverse, larger size of audience may mean more misinterpretation, must do more complete job of preparing, difficult to focus listeners' attn on your msg, potential to accomplish a lot of attitudinal change b/c large number of people
|
|
risks of public talk
|
expresses personality
invites evaluation (audience has people impt to you, larger than usual) unpredictable consequences (unsure of self, audience and dynamics of speaking situation) |
|
channel
|
medium through which a message passes on its way from source to reciever
|
|
communication
|
PROCESS whereby one person STIMULATES meaning in the mind of another through VERBAL/NONVERBAL means
|
|
content
|
substantive aspect of a message
|
|
decoding
|
receiver's act of attaching meaning to a message sent by a source
|
|
encoding
|
source's act of transforming an idea into a msg to transmit to receiver
|
|
fidelity
|
extent to which msg after transmission is similar to msg originally transmitted
(how true it is) |
|
labeling
|
interpreting a situation and treating the interpretation as real
|
|
message
|
the result of an act of encoding
|
|
punctuation
|
the way in which people segment a sequence of words or behaviors
|
|
relationship
|
affective aspect of msg
|
|
propositions about interpersonal comm
|
1 - verbal and nonverbal
2 - cannot not comm 3 - expresses content and relationship 4 - meanings are in people 5 - irreversible 6 - neutral tool 7 - learned skill 8 - takes place in physical and psychological contexts |
|
types of nonverbal comm
|
repeating
accenting complementing regulating contradicting (sarcasm) |
|
effective comm in relation to intentional and unintentional msgs
|
effective comm occurs when BOTH receiver and source view msg as either unintentional or intentional and not a mixture of the two
|
|
cognitive restructuring
|
helps ppl who are anxious reduce fears by changing unrealistic beliefs to more realistic ones (in cognitive therapy)
|
|
cognitive therapy
|
helps alleviate ppl's fears through directed conversation (also cognitive restructuring)
|
|
communication apprehension
|
predisposition to avoid situations that require comm
|
|
conspicuousness
|
feeling that you are an unwelcome focus of attn
|
|
dispositional comm anxiety
|
anxiety about comm in most situations; "trait-like anxiety"
-don't do as well in school and work -attributed to inadequate positive reinforcement, poor skill development, and lack of good models |
|
labeling
|
interpreting a situation and treating the interpretation as real
|
|
learned helplessness
|
learning thru experience that you can't change a situation (and therefore don't even try) - mixed signals
|
|
positive reinforcement
|
reward for engaging in some activity (ex: audience applauding)
-inadequate-dispositional shyness-rewarded for not talking, receiving no response when talk |
|
reframing
|
recasting your interpretation of an event from a different perspective
|
|
reticence
|
shyness or communication apprehension
|
|
rigid rules
|
standards for behavior that people don't alter even when the situation warrants
|
|
shyness
|
tendency of a person to avoid social interaction
|
|
systematic desensitization
|
therapeutic technique to help anxious people reduce their fears by associating comm w/relaxation
|
|
talkaholic
|
compulsive communicator; cannot shut up
|
|
visualization
|
therapeutic technique that helps anxious ppl reduce their fears by visualizing positive outcomes of future experiences
|
|
properties of stage fright
|
-fear evaluation
-increases when unprepared -increases when you feel conspicuous -increases when hold to rigid rules -increases with negative self-talk |
|
academic integrity
|
commitment, even in the face of adversity, to honesty, trust, fairness, respect, and responsibility
|
|
blatant plagiarism
|
purposefully stealing another person's work and representing it as your own
|
|
cheating
|
trying to get a better grade by trickery or deceit
|
|
credo
|
statement of beliefs
|
|
ethics
|
general study of right and wrong
|
|
faulty paraphrasing
|
plagiarism as a consequence of incorrectly rewording the meaning of another's work
|
|
proprietary knowledge
|
info belonging to another person, including less well known facts, statistics, ideas, etc
|
|
scholastic dishonesty
|
act designed to give unfair advantage to student
|
|
thought process that allows ppl to feel ethical while behaving unethically
|
-no harm, no foul
-appealing to higher loyalties (parents) -denying personal responsibility -condemning condemner (if YOU didn't make it so hard!) |
|
backchanneling cues
|
cues to let the speaker know you're listening
|
|
discriminate
|
to mark or perceive the distinguishing or peculiar features of (by discerning or exposing diffs)
|
|
hearing
|
physical process of sound waves bouncing off eardrum
|
|
listening & steps involved
|
active
-receiving -understanding -remembering -evaluating -responding |
|
receive
|
first stage of hearing - when you receive the msg or listen to it
|
|
subjective listening
|
listening that is peculiar to a certain individual; listening skills are modified/affected by personal views, experience, background, etc
|
|
how to become a better listener
|
-adapt to speaker's delivery (focus on msg more than delivery style)
-listen with eyes and ears (unspoken msgs) -monitor emotional reaction to msg -avoid jumping to conclusions -be a selfish listener (find ways to benefit from msg) -listen for major ideas -identify listening goals (pleasure, empathize, evaluate, gain info) -practice listening -taking notes -be an active listener (re-sort, rephrase, summarize, repeat key pnts, etc) |
|
brainstorming
|
creative process of generating uninterrupted, unevaluated ideas
|
|
closed question
|
invites a limited shortened response
|
|
clustering
|
the process of grouping similar ideas together to identify particular themes or topic areas
|
|
dialogic interview
|
both parties ask/answer ?s
|
|
directive interview
|
all questions asked by interviewer and answered by interviewee
|
|
double-barreled question
|
simultaneously asks two questions
|
|
guessing question
|
a question that guesses at its own answer w/o waiting for input from respondent
ex: i guess you came to did that b/c you were angry? |
|
interviewing
|
interactive process b/w two parties - one party has predetermined and seious purpose where interaction involves asking/answering questions to achieve that purpose
|
|
leading question
|
a question that attempts to steer the interviewee toward a particular response
|
|
open question
|
invites an elaborated, detailed response
|
|
primary question
|
introduces a new topic or new idea w/in topic
|
|
rapport
|
sense of relationship
|
|
secondary question
|
derived from primary question and probes for additional info
|
|
speedy question
|
derived from primary question and probes for additional info
|
|
starter
|
the words you use to begin a question
closed questions - do, will, can, is open questions - tell me about, what, describe, explain either - what, how |
|
nonscheduled interviews
|
so broad you want to let the conversation direct structure
+ no preconceived ideas/expectations - easy to go over in time & content |
|
highly scheduled interviews
|
detailed flowchart w/questions
+ consistency and comparability across reponses - ties hands of interviewers, little room for interviewees to expand or volunteer unexpected but potentially valuable info |
|
moderately scheduled interviews
|
divides interview into specific, major questions w/possible probing questions under each
=1 major question/2 min |
|
nudging probes/encouragement probes
|
encourage a respondent who has stopped short of providing sufficient info
"Go on" "really?" "uh huh" |
|
restatement probes
|
ask a question in a diff way to steer back on topic or exert subtle pressure
"we were talking about ____. what ___?' |
|
summary probes
|
recap or paraphrase ideas and thoughts of respondent and reflect them back for comment
"so what you mean is ____" |
|
closing probes
|
to close the door on a particular question to move on to another question
"anything else before we move on?" |