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3 Cards in this Set

  • Front
  • Back
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N: David


D: 1504 CE


P/S: High Renaissance


A: Michelangelo


Pa: Pope Julius II


OL: Firence, Italy


M/T: Marble


F: Symbolized Firence, its belief in civil rights and its fight us the Medici


C: David is before the battle. Expresses a heroic view of man's potential. His gaze, veins and muscles depict intensity and focus


DT: 14 ft. marble nude, muscular physique. Veins and muscle tone is realistic. Head and hands are disproportionate, to balance the statue. Slingshot rests over shoulder


Me: Michelangelo portrays man at his best - vigorous, beautiful, rational, and competent.... The David depicts mans ability to make a conscious choice, commit to it and act on it

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N: La Pieta


D: 1498 CE


P/S: High Renaissance


A: Michelangelo


Pa: Cardinal Billieres


OL: St. Peter Cathedral, The Vatican, Italy


M/T: Marble


F: First a tomb marker, iconic art for Mary


C: Michelangelo creates a sense not known in Italy. Mary is too young, her clothing appears real b/c of its multiple folds. She feels great sadness but w/ graceful acceptance. Christ is serene but idealistic. Only work of art signed by Michelangelo


DT: Mary holding the dead Christ. The sculpture is realistic, idealistic and pyramidal. The youthful Mary is draped in great detail. Christ's face and body is realistic in depth but w/o the "passion"


Me: Michelangelo captures Christ's soulless body on earth. Mary is youthful b/c she is an innocent virgin, her body never has been ruined by a man

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N: Moses


D: 1515 CE


P/S: High Renaissance


A: Michelangelo


Pa: Pope Julius II


OL: Rome, Italy


M/T: Marble


F: Tomb maker for Pope Julius II


C: Moses has received the 10 Commandments. The horns depict God's divinity and spiritual and power of the 10 Commandments. Body is realistic


DT: A muscular Moses holding the 10 Commandments. 8'4 ft. statue. Vines and muscle tone is realistic. Horns on his head.


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