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261 Cards in this Set

  • Front
  • Back
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Romanticism
-Tormented Mind
-Heroicism
-Superstition and mythology
-Nature
-High adventure and devoted love
-Left-winged; Anti-establishment
Ein Deutches Requiem
Brahms; Affected by death of Schumann; 7 mvments; Non-liturgical text (from Luther's O.T.); Consoles living;
Mirror structure of Brahms' Requiem
1 & 7: Share musical material; Tripart mirror keys.
2 & 6: Begin in minor, end in fugue.
3 & 5 : Have solos
4: ABACA
Alto Rhapsody
Brahms; Alto solo, TTBB; Dismay of one destined to live a solitary life.
Schicksalslied
Brahms; "Song of Destiny"; Describes struggle of ancient Greeks to liberate themselves from Turkish rule.
Nanie
Brahms; Written to his good friend. "Even beauty must die"
Triumphlied
Brahms; Baritone solo, double choir, orchestra; Celebrates the end of Franco-Prussian war
Gesang der Parzen
Brahms. 'Song of the Fates"; 6-part choir and orchestra
Rinaldo
Brahms; Cantata for tenor solo, TTTB choir and orchestra
Brahms' choral works with orchestra
1. Alto Rhapsody
2. Schicksalslied
3. Nanie
4. Triumphlied
5. Gesang der Parzen
6. Rinaldo
Geistliches Lied, op. 30
Brahms' first choral composition. "Even though life is hard, and there are trials, it will be over when you die."
The four sets of Brahms motets
1. Op. 29
2. Op. 74
3. Op. 109
4. Op. 110
Two sets of Brahms motets based on chorals
29 and 74
Zwei Motetten, op. 29
Brahms; Two motets for five-part choir: 1. Es ist das Heil uns Kommen her and 2. Schaffe in mir, ein rein Herz (Create in me O god).
Zwei Motetten, Op. 74
Brahms; Two motets in 4-part choir: 1. Warum ist das light gegeben den muhseligen? and 2. O Heiland, reiss die himmer auf.
Fest und Gedenkspruche, op. 109
Brahms; 3 motest for eight-part choir; Written as a "thank you" to the city of Hamburg for giving him the keys to the city. Lively and cheerful.
Fest und Gedenkspruche, op. 109
Brahms; 3 motest for eight-part choir; Written as a "thank you" to the city of Hamburg for giving him the keys to the city. Lively and cheerful.
Drei Motetten, op. 110
Brahms; Three motets for four and eight-part choir. First two are four double chorus in Venitian style. The third is simple, homophonic, strophic. Express sorrow for sin and yearning for piece.
Venitian style
Polychoir, at least two choirs bouncing off each other.
Missa Canonica
Brahms; Elaborate study in canon writing. Kyrie, Sanctus, Benedictus, Agnus Dei
2 influences on Brahms' secular music.
1. Hungarian folk music
2. German folk music
Brahms' "quartets"
Three quartets (op. 64), Four quartets (op. 92), and Six quartets (op 112). Great HS literature
Zigeunerlieder
Brahms; "Gypsie songs", SATB, soprano/tenor solos, piano.
Liebeslieder Waltzes, op. 52; Neue Liebeslieder waltzes, op. 65
Brahms; Most popular quartets
Brahms' partsongs
Eg sehnsucht, Warum, Waldesnacht du wunderkuhle, O Schone Nacht
Ave Maria by Brahms
Written for women's chorus, organ and orchestra
Four songs for female chorus, two horns, and harp
Brahms; Op. 17 is most famous set
Geistliche Chore
Brahms; Unaccompanied
Twelve songs and romances
Brahms; Unaccompanied
Thirteen Canons
Brahms; Unaccompanied
Categories of Brahms choral music
1. Choral Works with Orchestra
2. Sacred Choral Works
3. Secular Choral Works
Mendelssohn's oratorios
1. St. Paul
2. Elijah
3. Christus (incomplete)
St. Paul
Mendelssohn; Solos, SATB choir, large orchestra and organ; 45 numbers and 1/3 for choir; Intended for concert hall; 4 Bach-type chorales; Mostly fugal writing
Elijah
Mendelssohn; Soloists, SATB choir, orchestra, organ; Unusual beginning; More mature work than St Paul; Variety of textures and forms; Interlocking tritone
Christus
Mendelssohn; Unfinished oratorio; "A Star Shall Rise Up Out of Jacob"
Mendelssohn's secular cantatas
1. Die erste Walpurgisnacht, op. 60
2. Ein Sommernachtstraum (Midsummer Night's Dream)
Other large-scale sacred works by Mendelssohn
Psalm settings: 1. Non nobis domine (Not Unto Us O Lord) 2. Wie her hirsh shreit (As the Hart Pants).
Chorale cantata's by Mendelssohn
1. Jesu meine Freude
2. Christe du Lamm Gottes
3. Lauda Sion
Mendelssohn's Oratorios
1. St Paul
2. Elijah
3. Christus
Mendelssohn's secular cantatas
1. Die erste Walpurgisnacht
2. Ein Sommernachtstraum
Two examples of Mendelssohn psalm settings for chorus and orchestra
1. Not Unto Us O Lord
2. As The Heart Pants
Chorale Cantatas by Mendelssohn
1. Jesu Meine Freude
2. Christe du Lamm Gottes
3. Lauda Sion
4. Hear My Prayer
Verleih uns Frieden
Mendelssohn; SATB and orchestra (or keyboard); Small-scale sacred work; Text by Luther; Immensely satisfying
Mendelssohn pieces for women
Three motets for women's choir:
1. Veni Domine
2. Laudate Pueri
3. Surrexti Pastor Bonus
Mendelssohn pieces for men
op. 121: Adspice domine
Op. 115: 
1) Beati mortui 
2) Periti autem
Characteristics of Mendelssohn part songs
-Written to brighten oratorio or Lower Rhine Music Festival
-Influenced by Lieder
-Many for males voices
-Mostly homophonic
-Tuneful with rhythmic vitality
Robert Schumann
-Lived sad life
-Battled depression, auditory problems, muscle problems
-Large choral output
-Never mastered large forms
Das Peri die Paradis
Schumann; Secular oratorio; About trials of fairy
Requiem for Mignon
Schumann; Not really a requiem; Goethe text; Just a nice song
Scenen aus Goethes Fause
Schumann; Collection of scenes from Goethe's Faust
Der Rose Pilgerfahrt - The pilgrimage of the rose
Schumann; Another tale about a fairy
Schuman's large-scale sacred works
1. Mass
2. Requiem
Characteristics of Schumann partsongs
-Most are a cappella, strophic, homophonic
-Enormous variety
Examples of Schumann partsongs
-Zigeunerleben (Gypsy Life)
-Spanishes Liedersp
-Minnespiel
Verdi's choral output
1. Requiem
2. Messa di Gloria
3. Four Sacred Pieces
4. Pater Noster
5. Lots of opera choruses
Verdi's Requiem
-Tribute to Rossini
-Eventually wrote whole thing himself
-Very demanding
-Mirror structure
Verdi's Four Sacred Pieces
1. Ave Maria - unaccompanied, enigmatic scale
2. Laudi Alla Vergine Maria - SSAA unaccompanied
3. Stabat Mater - Chorus and orchestra
4. Te Deum - Chorus and orchestra; Gregorian chant
Messe Solennelle
Berlioz; Discovered in 1992 in Antwerp; Used material for later works; Not very interesting
Grande Messe des Morts
Berlioz; Commissioned to honor Revolution veterans; Huge orchestra demands; STB voicing; Not received well
Romeo and Juliet
Berlioz; Dramatic symphony with solos and choruses; Attempt to expand symphonic form further than Beethoven; Chorus explained the action
The Damnation of Faust
Berlioz; 4 voices, choir, and orchestra; Contains "Soldier's chorus"
L'Engance du Christ
Berlioz; Small scale, charming; Includes "Shepherd's Farewell"
Berlioz Te Deum
Huge in scope; 7 Movements; Last one is fugal and is particularly brilliant
Anton Bruckner's life
-Catholic Austrian
-Organist
-Insecure about his music
-Conservative (Influenced by St. Cecilia Society)
St. Cecilia Society
-Est. Franz Witt
-Reject excess of Romanticism
-Return to chant and liturgy
-No accompaniment
-Hymns sung in vernacular
Bruckner's 3 famous masses
1. D minor (Romantic)
2. F minor (Romantic)
3. E minor (Neo-Romantic)
Bruckner's D minor mass
SATB soloists (integrated into choral writing); Mostly in D major! Liturgical mass; Repeated motives that unify
Bruckner's E minor mass
Exemplifies Cecilia Society ideals; Gregorian chant; Wind band accompaniment; Florid counterpoint; No soloists
Bruckner F minor mass
SATB soloists, choir, orchestra; Thanksgiving for Bruckner's return to health; Cantata mass; Monumental mass; Fusion of Baroque and Romantic elements; Recurring themes; Composer's faith
Bruckner Te Deum
SATB solos, choir, orchestra, organ; Bruckner's favorite and most often performed;
Bruckner Psalms
5 Large-scale works; Two styles (neo-renaissance and romantic)
Psalm 150
Bruckner; In praise of instruments; Jubilant and sonorous
Bruckner's motets
-Mostly written for liturgical use in his own church
-All in Rennaisance style, but romantic in tonality
-Mostly unaccompanied
Bruckner's Pange Lingua
Written at the request of Franz Witt; Wanted to emulate palestrina
Bruckner Motets
-Pange Lingua
-Ave Maria
-Locus Iste
Dvorak's Stabat Mater
-Written after the loss of his three children
-SATB solos, choir and orchestra
-Highly dramatic
Dvorak's Te Deum
SB soloists; Choir and orchestra; Premiered at Carnegie Hall; Influenced by Bach; Considered by many to be his best choral work
Dvorak's Requiem
SATB soloists, choir, orchestra; Huge and long; Many texts appear our of order; varied textures, both homophonic and polyphonic.
Dvorak Mass in D Major
SATB soloists, semi-chorus, choir; Originally scored for choir and organ; Imitates Haydn masses
Dvorak's sacred choral works
1. Stabat Mater
2. Te Deum
3. Requiem
4. Mass in D Major
Svatebni Kosile (Spectre's Bride)
Dvorak; Secular cantata
American Flag
Dvorak; Secular cantata
Dvorak's partsongs
Simple and colorful; Usually homophonic with repeated structure
Gabriel Faure's life
-Organist and teacher in Paris
-Church trained; Later incorporated modern elements
-Not known outside France
-Small but important choral output
Faure Requiem
SB soloists; SATB choir and small orchestra and organ; Written over a long period; "Lullaby of death" (omitted Dies Irae)
Other choral works by Faure
1. Cantique de Jean Racine
2. Messe Basse
3. Pavane
4. Madrigal
5. Other works for women
Define and describe the following:
Mass in D minor, E minor, F minor
The motets of Bruckner
Important choral works of Fauré
2 different Te Deums form last week’s composers
**Possible test question**
Three early English Romantics
Stanford, Parry and Elgar
Late English Romantics
Vaughan Williams, Howells, Holst
Sir Charles Villiers Stanford life
-Irish Prostestant
-Hugely popular
-Wrote 50+ choral opuses
Stanford's Oratorios
Largely forgotten:
1. The Three Holy Children
2. Eden
Stanford's Choral/Orchestral works
Largely forgotten; Unwieldy
Stanford's Anglican church works
Numerous services, magnificats, nuc dimittis, anthems, and hymns -- still performed regularly.
Stanford's most popular services
1. B flat major
2. G major
Stanford's most famous "Magnuncs"
1. E flat major
2. F major
Stanford's three most famous anthems
1. Op. 38 - 3 motets
-Justorum animae
-Coelos ascendit hodie
-Beati quorum via
2. The Lord is My Shepherd
3. And I Saw Another Angel
Hymns by Stanford
1. When in Our Music God is Glorified
2. O For a Closer Walk with God
3. I Bind Unto Myself This Today
Secular part songs by Stanford
-The Bluebird
-Quick, we Have But a Second
-Heraclitus
etc.
3 Oratorios of Parry
1. Judith
2. Job
3. King Saul
Blest Pair of Sirens
Best-known Hubert Parry work; Text by Milton; Performed at inaugural concert in Royal Albert Hall
I Was Glad When They Said Unto Me
Parry; Anthem written for Edward VII coronation
Hubert Parry's part songs
Four collections
Parry's hymns
-Jerusalem (Britain's 2nd national anthem)
-Dear Lord and Father of Mankind (from Judith)
Edward Elgar's life
-Little formal education; Studied scores in father's shop
-Honorary doctorate, knighted, etc.
Dream of Gerontius
Elgar; The greatest English oratorio of the Romantic period; Death of Gerontius and his dream of the afterlife; Influenced by Wagner; Massive, modern, forward-looking Romanticism
The Music Makers
Elgar; Choral Ode for contralto, choir, and orchestra; Setting of poem
Scenes from the Bavarian Highlands
Elgar; Text by his wife, Alice
Caractucus
Elgar; Story of British chieftain fighting Roman invaders
Other sacred settings by Elgar
-Te Deum
-Jesus Meek and Lowly
-Ave maris stells
-They are at Rest
-Ave Verum
-Lux Aeterna
Elgars part songs
Called them "rot"; There is Sweet music; My Love Dwelt in the Northern Land; etc.
Other English Romantics
-Sir John Goss
-Robert Pearsall
-Charles Wood
-Samuel Wesley
-John Stainer
-Arthur Sullivan
Russian Romanticism
Worked in Moscow or St. Petersburg; Mostly homophonic; Russian orthodox church; No instruments
Russian Romantic Composers
-Borodin
-Tchaikovsky
-Rimsky-Korsakov
-Arnesnky
-Gretchaninov
-Chesnokov
-Rachmaninov
Musica Russica
Great resource for Russian romantic composers
Choral music in the modern era (characteristics)
-Experimentation with tonality and form
-More complex
-Diveristy
-Enormous output
-Awareness of composers around the world
Vaughan Williams life
-Upper-class
-Taught by Parry, Stanford, and others
-Interested in reviving folk music
-Friends with Holst
-Diversity of style
Toward the Unknown Region
Vaughan Williams; Whitman text; established him as a composer; Competition with Holst
A Sea Symphony
Vaughan Williams; Wrote after studying with Ravel; SB soloists, choir, orchestra. Text by Whitman;
Five Mystical Songs
Vaughan Williams; Text by George Herbert; Fifth movement is famous: Antiphon
Fantasia on Christmas Carols
Vaughan Williams; Wrote with carols gathered in folk music studies.
Sancta Civitas (The Holy City)
Vaughan Williams; Oratorio; From Revelations; NOT ACCESSIBLE
Flos Campi (Flower of the Field)
Vaughan Williams; Mix between concerto and choral work. Chorus functions as added timbre to orchestra; NOT ACCESSIBLE
Five Tudor Portraits
Vaughan Williams; Modern sounding; Virtuoso choir needed
In Windsor Forest
Vaughan Williams; Secular cantata; Drinking song, sigh no more ladies, and wedding chorus are useful
Dona Nobis Pacem (Vaughan Williams)
Composed during WWII; Text from Whitman and scriptures
Serenade to Music
Vaughan Williams; 16 parts with specific singers in mind! From Merchant of Venice;
Hodie
Vaughan Williams; Christmas cantata; 16 Movements
Mass in G minor (VW)
Vaughan Williams; 20th Century Unaccompanied mass!!!
Anthems by Vaughan Williams
O Clap Your Hands
O Taste and See
O vos omnes
All Hail the Power
The Old Hundredth Psalm Tune (for Coronation of Elizabeth II)
Lord, Thou Hast Been Our Refuge
A Choral Flourish
Secular collections by Vaughan Williams
1. Three Shakespeare Songs
2. Five English Folk Songs
3. Three Elizabethan Part Songs
4. Folk Songs of the Four Seasons
Single secular settings by Vaughan Williams
Rest
Bushes and Briars
Down Among the Dead Men
The Turtle Dove
Greensleeves
Silence and Music
The Cloud Messenger
Holst; First major work; Not well received
Hymn of Jesus
Holst; Based on plainsong; Exotic vocal colors
Choral Fantasia
Holst; Critics didn't get it, but other composers did
Choral Hymns from the Rig Veda
Holst; Eastern influence
Seven Festival Choruses
Holst;
1. Turn back o man
2. Psalm 148
3. Let all mortal flesh keep silence
4. A festival chime
5. Short festival te deum
6. Psalm 86
7. All people that on earth do dwell
Ode to Death
Holst
A Dirge for Two Veterans
Holst
Two Eastern Pictures
Holst
Christmas Day
Holst
Herbert Howells life
Taught at RCM. Fascinated with Gregorian Chant and Pentatonic scale; Music has a sound of its own
Howells' Requiem
Written after loss of his son; Fantastic piece! Combines latin and English
Hynmus Paradisi
Howells; Dedicated to his son. ST solo, SATB choir, orchestra,
Other short pieces by Howells
I Love All Beauteous Things
I Would Be True
Hymn for St Cecilia
O Pray for the Peace of Jerusalem
Like as the Hart (Psalm 150)
Take Him Earth for Cherishing
A Spotless Rose
Sing Lullaby
Here Is the Little Door
Peter Warlock
Unhappy life, ended in suicide; Many wonderful short pieces:
Benedicamus Domino
Bethlehem Down
What Cheer
Tyrley, Tyrlow
The Sycamore Tree
Life of Delius
Very agnostic if not atheistic - had no interest in writing sacred sacred music.
Has his own voice among English composers – The English Impressionist
Shot during a concert – left him blind and paralyzed.
English hated him.
Mass of Life
Delius; Non-liturgical in German
Sea Drift
Delius; Whitman text
Delius part songs
To Be Sung of a Summer’s Night on the Water (no words)
On Craig Ddu
The Splendour Falls on Castle Walls
The Midsummer Song
To Be Sung of a Summer's Night on the Water
Delius
Gerld Finzi life
Half Jew, half Italian, born in England
Agnostic but wrote some wonderful sacred music
Never studied music at an institution
Taught at Royal Academy of Music
Grew out of VW, Holst and Parry school but has his own voice
Feet more firmly planted in the 20th Century
Paid great attention to expressing the text – Owned largest personal library of poetry and literature in England
In Terra Pax - Christmas Scene
Finzi; SB solo, choir, and orchestra; Chorus plays minor role; Framed by poems
Lo the Full Final Sacrifice
Finzi;
Magnificat (Finzi)
S solo, choir, organ;
Three anthems by Finzi
1. My Lovely One
2. God is Gone Up
3. Welcome Sweet and Sacred Feast
Seven Unaccompanied Partsongs by Finzi
My Spirit Sang All Day
I Have Loved Flowers That Fade
Nightingales
Wherefore Tonight So Full of Care
Clear and Gentle Stream
I Praise the Tender Flower
Haste On, My Joys
Sir William Walton Life
Started out as advocate for avant garde style in England (Façade). Later, reverted to slightly more traditional style
Failed his BA 3 times at Oxford - later received 7 honorary doctorates and knighted!
Known mostly for instrumental works but also wrote a few great choral pieces
Belshazzar's Feast
Walton
Coronation Te Deum
Walton
The Twelve
Walton; Mini cantata
Christmas carols by Walton
What Cheer?
Make We Merry
All This Time
Benjamin Britten life
Greatest British composer since Purcell
Mother was a singer and pianist – declared when he was a child that he would become the 4th great B!
Attended RCM
Especially important for his vocal works - very talented at setting texts
Pacifist - came to America 1939 and returned in 1942 when he registered as a conscientious objector
Music greatly affected by his friendship with W. H. Auden and Peter Pears
War Requiem
Britten; Written for newly-built Coventry Cathedral
Cantata Misericordium
Britten; Red cross
Hymn to St. Cecilia
Britten
Ceremony of Carols
Britten
Rejoice in the Lamb
Britten; Cantata
St. Nicholas
Britten; Cantata
Spring Symphony
Britten; Setting of 14 poems
Glorianna
Britten
Sacred and Profane
Britten
Sacred and Profane
Britten
Five flower songs
Britten
1. To Daffodils
2. The Succession of the Four Sweet Months
3. March Flowers
4. The Evening Primrose
5. The Ballad of Green Broom
I Loved a Lass
Britten; Secular song
Lift boy
Britten; Secular song
Britten songs for children
The Little Sweep - operetta
Noye’s Fludde- short opera
Fancie
The Ride-by Nights
Friday Afternoons
Oliver Cromwell (canon for children)
Old Abram Brown (canon for children)
Debussy's Three Chansons
1. Dieu! Qu'il la fait bon regarder (parisian)
2. Quant j'ai ouy le tambourin (accompanied song style)
3. Yver, cous n'estes qu'un villain (parisian)
Ravel's Three Chansons
1. Nicolette (humorous - Janequin style)
2. Trois oiseaux du Paradis (Accompanied song)
3. Ronde (parisian)
Poulenc musical characterisitcs
-Clear-cut tonalities
-Clipped phrases
-Strange word accents
-Gorgeous melodies
Motets of Poulenc
Quatre motets pour un temps de pénitence (Four motets for Lent)
Quatre motets pour temps de Noël (Four motets for Christmas)
O Magnuum mysterium – Gorgeous!
Exultate Deo – Renaissance-like
Salve Regina – Very beautiful
Poulenc's Gloria
Happy music; His favorite work
Figure Humaine
Poulenc; 12 voices
Sept chansons
Poulenc
Huit chansons
Poulenc
Un soir de neige
Poulenc
Durufle Requiem
SB solos, choir, organ, orchestra; Based on Gregorian chant; Almost same structure of Faure's requiem
Messe cum jubilo
Durufle; B solo and unison men's chorus
4 motets based on Gregorian chants
Durufle;
1. Ubi Caritas
2. Tota Pulchra Est
3. Tu es Petra
4. Tantum ergo
Notre Pere
Durufle; Pianisimo throughout
o sacrum convivium
Messien; Impressionistic
Cinq Rechants
Messien; Virtuosic, erotic love story
King David
Honegger; Oratorio
Joan of Arc
Honegger
Une Cantate de Noel
Honegger; Christmas cantata
Avodath Hakodesh (Sacred Service)
Bloch; Text from reform Jewish prayer book;
Laud to the Nativity
Respighi
Messa di Requiem
Pizzetti
Gurre-lieder
Schoenberg;
Friede auf Erden
Schoenberg
Other tonal works by Schoenberg
Three folksongs for mixed chorus (1929)
Es gingen zwei gespielen gut
Der Mai tritt ein mit Freuden
Mein Herz in stetenn Treuen(CB)
Three German Folksongs (1948)
Es gingen zwei gespielen gut (CB)
Herzlieblich Lieb, durch Scheiden
Schein uns, du liebe Sonne (Third verse! 2:16)
Gebraughsmusik
Pioneered by Hindemith; "Music for the people"
Apperebit repentina dies
Hindemith
When Lilacs Last in the Dooryard Bloom'd
Hindemith; Text by Whitman about Abe Lincoln's death; Requires study to appreciate
Carmina Burana
Orff
Choral-passion op. 7
Distler; Small-scale a cappella passion
Die Weinachtsgeschichte
Hindemith; Variation of Lo How A Rose
Geistliche Chormusik
Distler; Planned set of 52 motets (only wrote 9); Based on Schutz's collection:
Singet dem Herrn ein neues Lied
Totentanz – a church drama in which a character playing death confronts mortals such as a bishop, a physician, a sailor, a child etc.
Gott in deiner Majestat
Singet frisch und wohlgemut - Christmas motet based on Joseph lieber, Joseph mein - pastoral, brilliant counterpoint, beautiful masterpiece
Ich wollt, dass ich daheime war
Wachet auf, ruft uns die Stimme)
In der Welt habt ihr Angst
Das ist je gewisslich wahr
Fuhrwahr, er trug unsre Krankheit.
Der Jahrkreis
Distler; Small motets; sung by children
Kleine Choralmottetten
Distler; 3 small SATB motets
Neues Chorliederbuch
Distler; Secular song collection
Morike-Chorliederbuch
Distler; Secular song collection
Hans Zimmerman
Jazzy psalm settings
Alexander Nevsky
Prokofiev; Based on previously written material for film
The Wedding (Les Noces)
Stravisky; 4-part choral work describing the day of a wedding
Four Russian Peasant Songs
Stravinsky; Fortune telling songs
Three Motets (Stravinsky)
1. Pater noster
2. Credo
3. Ave Maria
Stravinsky Mass
Choir of men and boys and double quintet; Neo-classical style; Formal structure
Symphony of Psalms
Stravinsky; No violins or violas; Based on two minor thirds joined by a major third
Psalmus Hungaricus
Kodaly; David's plea with the Lord to deliver from enemies
Missa Brevis
Kodaly; Composed in monastery;
Jesus and the Traders
Kodaly; A cappella
Choral works of Bela Bartok
Four Hungarian Folksongs – Mixed chorus
Two Romanian Folksongs - women’s chorus
Four Slovak Folksongs - mixed chorus and piano
Five Slovak Folksongs - men’s chorus
Three Village Scenes -women’s chorus and chamber orchestra
Six Székely Folksongs -men’s chorus
Twenty-seven Choruses - 2 or 3 equal voices
All set in simple homophonic style with careful attention paid to metric shifts of the original folk material
Cantata Profana (The Nine Enchanted Songs)
Bartok; based on Romanian folk tune
Ejzaka and Reggel
Ligeti; Morning and night
Ligeti's Requiem
Almost entirely polyphonic; Harsh harmonies; "Deeply disturbing music"
Lux Aeterna
Ligeti; 16-part unaccompanied chorus; In A Space Odessey
Passion According to St. Luke
Penderecki; Homage to Bach; describes suffering of Christ as well as victims of Auschwitz
Dies Irae by Penderecki
Written for unveiling of Auschwitz monument; Brutal descriptions of holocaust events
Arvo Part
Estonian composer; Tonal, serial, and tintinnabulation
Tintinnabulation
Using just a few elements (notes in the major triad) and repeating them to sound like bells
206. Why does a Catholic sin against faith by identifying himself with other religions?
A Catholic sins against faith by identifying himself with other religions because the One True religion is the Catholic Faith, and to knowingly embrace practices or beliefs contrary to the Faith is to abandon the Truth.
Healey Willan characteristics
Harmonically conservative, father of Canadian music. Examples:
An Apostrophe to the Heavenly Hosts (double choir)
The Three Kings
Gloria Deo, per immensa saecula
Hodie Christu natus est
I Beheld Her, Beautiful as a Dove
Rise Up, My Love
A Fond Kiss
R. Murray Schafer
Avant-garde educational pieces
Imant Raminsh
Tonal, romantic, accessible to singers and audiences.
Imant Raminsh music
Ubi caritas (CD7788)
Psalm 23 (treble)
Bless the Lord O My Soul
Songs of the Lights
Ave verum corpus
Charles Ives
Wrote modern choral music; INsurance salesman
Psalm 67
Ives
Psalm 90
Ives
Three Harvest Home Chorales
Ives' most famous choral work
Circus Band
Funny choral piece
Samuel Barber
Child prodigy; Neo-Romantic; Fastidious craftsman
212. When does a person sin by superstition?
A person sins by superstition when he attributes to a creature a power that belongs to God alone, as when he makes use of charms or spells, believes in dreams or fortune-telling, or goes to spiritists.
power, charms, spells, dreams, fortune-telling, spiritists.
More Barber works
A Stopwatch and an Ordnance Map –TTBB and Timpani
The Monk and His Cat - SATB and piano
Under the Willow Tree – Solo, SATB, piano
Heaven-Haven (A Nun Takes the Veil) - SATB
Brazilian Psalm
Berger
Chichester psalms
Bernstein;
Choruses from The Lark
Bernstein; French Choruses and Latin Choruses
Bernstein Mass
Very controversial work
Choruses from Candide
Bernstein
Missa Brevis
Adapted from "The Lark"
Irving Fine
The Hour Glass
Choruses from Alice and Wonderland
Vincent Persichetti
20th Century sounding.
Mass (a cappella)
Te Deum
Stabat Mater
Song of Peace (TTBB)
Ned Rorem
Huge vocal output; All tonal and very accessible. Examples:
Four madrigals (20th C/Renaissance style)
Love Divine All Loves Excelling
What Is Pink? (treble)
Seven Motets for the Church Year
Many church anthems
Dominick Argento
Prolific opera composer.Tonal but 20th century; Examples:
-Gloria
-A Nation of Cowslips
-The Revelation of Saint John the Divine
-Jonah and the Whale
Randal Thompson
-Alleluia
-Frostiana
-The Last Words of David
-The Peaceable Kingdom
Aaron Copland
Small choral output;
-4 Motets
-Old American Songs
-In the Beginning
Norman Dello Joio
-A Jubilant Song
-Come to me, My Love
How Excellent is Thy Name
Howard Hansen
Make a Joyful Noise unto the Lord
Kirke Mechem
Christmas Cantata
Pinkham
Halsey Stevens
Dr. Staheli's favorite
Unaccompanied 20th century masses
1. Vaughan Williams - G Minor
2. Poulenc - G Major
3. Martin - Double choir
4. Hindemith - Plainsong w/ 20th c. harmonies