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16 Cards in this Set

  • Front
  • Back

Bowl with Human Face and Fish

Neolithic / Yangshao Culture


5th Century BCE


Painted earthenware


Teracotta


Forehead / chin has different colors (face mask)


Culture dependent on nature and rain, etc. Religion connected to needs. Spirits (wind, water, etc.)


Image of supernatural world. Shaman, perhaps.




Yu Vessel

Shang Dynasty


11th Century BCE


Bronze


Handle on top


Ambiguous figure (monster) eating or regurgitating humanoid figure, attaches to chest of supernatural/spiritual anthropomorphic animal


Repetitive patterns/motifs (swallowing)


Composite animal


Bi Disk

Late Zhou dynasty


4th-3rd Century BCE


Jade


Very thin jade


Dragon, "beginning of image of dragon, entire image of dragon, spiritual animal"


"Narrative"


"Auspicious/spiritual, representative of emperor's power","Interaction between dragon/person, no hostility, friendly"


Dragon leads Hun to celestial world


Burial offering


Fabric supposed to be weaved into hole


Kneeling Archer from the Burial Army

Qin Dynasty


221-206 BCE


Teracotta


All money spent on monuments, so Dynasty was short-lived


Tomb of the First Emperor of Qin, Qinshi Hiangdi


Each soldier in the teracotta army has different facial features, diff eye shape, "natural" pose


Original weapon made out of wood


Sole of shoe decorated


Distinguishable body paraphernalia, hair, and gesture


"Well-maintained culture"

Incense Burner in the Shape of a Magic Mountain

Han Dynasty


2nd Century CE


Bronze inlayed with gold


Tomb of Liu Sheng and Wife, princess Dou Wan


Lost-wax technique


Smoke rising from burner looks like misty mountain in morning. "Spirits live here. Magical, spiritual place where scholars live to escape reality" > Daoism. Natural world has spirit.


Depiction of Kunshun Mountain where Great Mother of the West lies.


Detail: people dwelling in mountain

Teacher and Students

Late Han


Stamped Brick


Depicts cultural insight on the respect of students towards teacher

Buddha Niche from Dunhuang Cave

Tang Dynasty


557-581 CE


Rock-cut Painting on Clay


Chaitya-worship


Vihara-Sleeping place for monk


Mix w/more materials (dung, etc.) For cement


Distinctive mandala decoration


Kizil style named for town in gobi desert. Characterized by "primitive", sporadic brush technique and limited use of pigment. Dark outline, almond eyes on figure (bodhissatva)


Entire room painted


2 bodhisattva in each side. In Kizil style


Caves undiscovered until 1907, Mark Stein, British archaeologist. 1908, Paul Pelliot worked library of scrolls.


Paradise of Amitabha at Dunhuang Cave

Tang Dynasty


8th Century AD


Silk painting


Scroll painting for every travel. Sold by merchants as offering for safe journey.


Layered and elaborate, more naturalistic.


Thin lines, fine brush. Flat, but implication of atmospheric perspective. Luxurious pigments, various colors.


Sitting underneath painting.


Tang Dynasty court painting (compare to Kizil style).


Mahayana Buddhism more accessible to public. Different Buddhas (Medicine buddha, universal buddha, maitreya buddha), different bodhisattvas, tantric: individual relationship with Buddha(s)

Seeking the Tao in the Autumn Mountains (by Zhu Ran)

Northern Song Dynasty


10th Century AD


Ink on Silk


Hanging Scroll


Amateur Literati painting.


Mountain dominating entire space. "Master Mountain." Layer of rock/mountain range, moving.


Mountain house in valley. Small road. Human life a part of nature. "House a part of the mountain." - Living in a passive way > Daoism. Tao > Daoism.


Mother of the West World, core idea of Daoism.


Seeking the ideal place you can live forever.


Diff brush stroke types developed during Song Dynasty in order to create more naturalistic image. Also wet vs. Dry brush stroke.

Travelling Among Mountains and Streams (by Fan Kuan)

Northern Song Dynasty


Silk (ink & light color)


Literati


Wet/dry brush stroke.


Humans and secular life.


River in front, stream/mist in foreground, how they create depth of space (atmospheric perspective. Mist comes from waterfall, top of mountain in background. Even in bg it is still dominant. Idea of Master Mountain.)


1 house depicted > Daoism


Signature hidden within trees, pine tree leaves. Tradition during Song Dynasty. "Game - you are obligated to find my name."


During Song Dynasty, painting was part of government/scholar position examination.

Five Colored Parakeet (Emperor Huizang Painting Academy)

Northern Song Dynasty


Handscroll, Ink & Color on Silk


Painted by Emperor Huizang (Emperor's seal)


Bird and Flower Painting/Fur and Feather Painting rules: Feathered/Furry animals must be associated with flora. Branch+flower. Means academic, NOT literati.


Huizong responsible for loss due to Xia invasion: focused on humanities with no military.


Pure and Remote Views of Hills and Streams (Xa Gui)

Southern Song Dynasty


13th Century


Academic Style


Hand scroll, Ink on paper


Tiny travellers visible, bottom


Scholars drinking on top of cliff and enjoying the view, talking about their "glorious past". Daoistic approach - "we can't do ****."


Daily life of scholars/merchants in nature.


Brush strokes used:


Axe and chisel (cliff)


Hemp-fiber (plants)


Chan Priest (Liang Kai)

Chan Buddhist Painting


12th Century


Hanging Scroll, Ink on Paper


"Lousy personality", abandoned secular life with high paying job to become a monk.


Large face with abnormal proportions.


Part of meditative process.


Humorous way to depict figure, open robe. Intentional. Part of meditative process.


Quick, spontaneity in brush stroke. Sudden brushstroke - sudden enlightenment.



Thatched Hills on Mount Tai (Wang Meng)

Yuan Dynasty


14th Century


Hanging Scroll


Ink and Color on Paper


Cun Technique : Technique of painting from imagination. Mountains crafted by pushing the flesh of the artist's hand upward. Technique used to create a nonrealistic image.


Use of minimal color in painting.


Extremely intricate and detailed.


Less empty space.


Multiple eye-level perspective : 2 or more conflicting perspectives.


Story :


Door in the middle of valley that


leads to a secret village. Returns after


30 years, though he only stayed 3


days.


Daoist concept > immortal village.


Deer/crane/immortal mushroom all associated with longevity.

Poet on a Clifftop (Shen Zhou)

Ming Dynasty


15th Century


Album Leaf, Ink on Paper


Poem:


"White clouds encircle the mountain


waist like a sash [...] My longing for the


notes of a flute is answered in the


murmuring of the gorge."


Self-portrait with flute. Literati.

Kazaks Presenting Tribute Horses to the Qian Long Emperor (Lang Shiang aka. Giuseppe Castiglione)

Qing Dynasty


18th Century


Handscroll


Color on Paper


Academic, NOT Literati. Follow old rules.


Linear perspective, Western/Persian influence. Vanishing point.


Used to document events.


Various colors. Pastel tones.