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26 Cards in this Set

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Haircutting
The artistic carving or removing or hair lengths with shears, taper shears, razors, and/or clippers to create various forms and shapes
Solid Form
One-length cut, cut at 0 degree angle....rectangle shape...texture is unactivated
Graduated Form
Known as a wedge, cut at a 45 degree angle...shape is a triangle....texture is unactivated/ activated
Increase- Layered Form
Cut at a 180 degree angle...shape is oval...texture is activated
Uniformly Layered Form
Cut at a 90 degree angle...shape is circular...texture is activated
Combination Form
Two or more forms in any combination...shape reflects forms chosen...unactivated/ activated
Graduation
Similar to graduated form but shorter....shape is rectangle or oval...texture is activated
Square Combination Form
Uniform at center top to increase layered at front and crown...shape is square/rectangle....texture is activated
Shear
Creates blunt, clean edge
Taper Shear
Creates a distinct and regular alternation of shorter and longer lengths
Razor
Creates tapering or an angle effect on the end of each strand, which produces a softer, somewhat diffused form line
Clipper
Can achieve a variety of effects, depending on the blade attachment (guard) used
Combs
Used to distribute and control the hair before and, sometimes, while cutting
Every successful haircut begins with...
Sectioning
Natural Distribution
The direction the hair assumes as it falls naturally from the head
Perpendicular Distribution
Hair is combed at a 90 degree angle from its parting
Shifted Distribution
When the hair is combed out of a natural distribution in any direction except perpendicular to its parting.
Directional Distribution
When the hair is distributed vertically, or straight up from the head, and horizontally, straight out from the head
Projection
Also known as elevation, the angle at which the hair is held in relation to the curve of the head prior to cutting
Projection below 90 degrees produces....
Weight
Texturizing
"Thinning"... involves cutting shorter lengths within the form to reduce bulk and create support, closeness, fullness, mobility, and visual texture
Never ______ the very ends or the hair, or anywhere around the hairline
Thin
______ removes bulk and creates mobility
Slithering
Coarse hair should be texturized at least ____ away from the scalp
1.5''
Medium hair should be texturized at least ____ away from the scalp
1''
Fine hair should be texturized as close as ____ from the scalp
1/2''