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29 Cards in this Set
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Frotalla |
Italian secular polyphonic song about country life composed for aristocratic people. Single voice with accompaniment Based on Villancico |
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Marco Cara |
1465-1525 Leading Composer of Frottala
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16th Century Madrigal |
Text from High Quality Italian Poetry, text painting, careful consideration and high achievement of composition, text and musical relationship, music as a dramatic art |
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Early Madrigal Style |
4 Voices of Mixed genders, free use of instruments, purpose |
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Verdelot |
1480-1530 French Composer 4 Voice Homophonic Madrigals similar to frotalla |
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Arcadelt |
1507-1568 French Composer active in rome Leading Composer |
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Willaert |
1490-1562 Franco flemish composer, Taught at san marco, music and text. cadence at the end of the sentence. first person who insisted that notes and syllables lined up |
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Le Institutione Harmoniche |
Zarlino 1558 theory book talked about willaert's teaching. important rules of harmony |
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Style of Middle Madrigals |
5 voices, fragmented texture, mixture of consonance and dissonance to enhance text painting, strong dissonance appears |
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de Rore |
1516--1565 franco flemish composer successor as director of san marco. fascinated by chromatic and enharmonic tetrachord
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L'antica musica ridotta alla moderna practica |
1555 Vicentino Ancient Music Adapted to the Modern Practice Revive Greek Tetrachords
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Characteristics of Late Madrigals |
Extreme Chromaticism, extreme contrasts, fragmented textures |
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Late Madrigalists |
Lasso (Lassus) de Monte de Vert Marenzio Geualdo |
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Gesualdo |
1561-1613 exciting live-killed his wife and her mister fleed country and married niece of duke of ferrara fascinated with chromaticism |
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Imperfection of Modern Music |
Artusi 1600 Criticized madrigalists for breaking rules for sake of text painting |
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Villanella, canzonetta, balletto |
littler farmer song, little song, little dance song, balletto has fa la la refrain translated into other languages |
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Parisian Chanson |
light, fast strong rhythmic song 4 voices, sweet, homophonic wiht melody on top, duple meter Leading Composer Sermisy 1490-1462 Antaighant printed over 50 collections of Parisian Chanson |
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Programmatic Chanson |
Uses music to tell story or describe image leading composer Jannequin (1485-1560) |
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Academy of poetry and Music |
1570 unite poetry and music as in ancient times and revive the ethical effects of ancient Greek Music Co founded by Jean Antoine de Baif |
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Musique Mensuree |
measured music- late 16th Century French style of text setting, especially in chansons, in which stressed syllables are given longer notes than unstressed syllables (usually twice as long) syllabic, irregular rhythm, homophonic texture, with instruments. text in french. Leading composer le jeune |
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Consort Song |
english genre for voice and consolt of viols William byrd leading composer |
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Musica Transalpina |
1588 collection of italian madrigals translated into english influenced english composers to write english madrigal
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Thomas Morley |
1577-1602 wrote madrigals, canzonets and balets, modeled after italian genres
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A Plaine and Easie Introduction to Practicall Musicke |
1597 Thomas Morley Treatise aimed at broad public interested in music
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Triumphos of Oriana |
1601 Collection of 25 madrigals-23 composers modeled after similar italian anthology |
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Thomas Weelkes |
1575-1623 wrote as vesta was- wrote poem and madrigal providing many opportunities for text painting
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Lute Song |
solo song ith accomp. also known as ayre serious genre with serious and literary text accomp subordinate to vocal melody with some rhythmic and melodic independence
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Tablature |
tells player which strings to pluck and where to place the fingers on the string |
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John Dowland |
1563-1626 Leading Lute Song Composer Flow my tears- lute song with 3 repeated strains like pavane. |
