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26 Cards in this Set

  • Front
  • Back

Upper Paleolithic Peroid

40,000~10,000 BCE

Hybrid Figure


Germany


40,000~28,000 BCE (Upper Paleolithic)


Mammoth ivory

Woman (Venus) of Willendorf


Willendorf, Austria


25,000 BCE (Upper Paleolithic)


Limestone

Two Bison


Tuc d'Audoubert, France


13,000 BCE (Upper Paleolithic)


Unbaked clay

Ceiling View with Bison


Altamira cave, Spain


12,000 BCE (Upper Paleolithic)


Red ochre, black manganese

Chinese Horse


Lascaux, France


13,000 BCE (Upper Paleolithic)

Rhinoceros, Wounded Man, and Bison


Lascaux, France


15,000 BCE (Upper Paleolithic)

Spotted Horses with Human Hands


Pech-Merle, France


16,000 BCE (Upper Paleolithic)

Hall of Running Bulls


Lascaux, France


15,000 BCE (Upper Paleolithic)

Neolithic in the West

4,000~2,000 BCE

Stonehenge


Salisbury, England


2,800 BCE (Neolithic)

Neolithic in the Near East

8,000~3,000 BCE

Jericho, Jordan River Valley

1) ~7,500 BCE (Neolithic)


2) walls, tower, and stairs


3) plastered skulls


Catal Huyuk, Turkey

1) ~6,500 BCE (Neolithic)


2) reconstruction of town and shrine


Paleolithic

1) Lower Paleolithic (2,000,000~200,000 BCE)


2) Middle Paleolithic (150,000~40,000 BCE)


3) Upper Paleolithic (40,000~10,000 BCE)

Mesolithic

1) 10,000 BCE~8,000 BCE


2) transitional period of the Stone Age between the Paleolithic and the Neolithic periods


3) adaptation to a hunting, collecting, and fishing economy

Neolithic

1) origins in the Near East (~8,000 BCE)


2) last phase of the Stone Age


3) domestication of animals, development of agriculture, and the manufacture of pottery and textiles


In the Round

3-Dimensional art that is meant to be viewed from all angles (e.g. Woman of Willendorf)

Relief

the projection of a figure or part of a design in the background or plane which it is carved or modeled (e.g. Two Bison)

Cromlech

a megalithic chamber tomb

Post-and-lintel construction

type of construction used to make Stonehenge


supports are called posts; beams are called lintels

Megalith

massive stone slabs (e.g. like those used in making Stonehenge)

Naturalism

treatment of forms, colors, space, etc., as they might appear in nature

Modeling

the treatment of volume, as the turning of a form, in sculpture

Optical Image

showing something as one would actually see it

Composite Image

offering many details that go toward making the object that is portrayed, though not necessarily in accurate positions