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29 Cards in this Set

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Interior of Saint Philibert, Tournus, France, nave vaults, ca. 1060.
Interior of Saint Philibert, Tournus, France, nave vaults, ca. 1060.
Recognize as Romanesque
-Round Arch
-Heavy wide pillars

(Exterior view, DetailCloser view of the chevet)
Recognize as Romanesque
-Round Arch
-Heavy wide pillars

(Exterior view, Detail Closer view of the chevet)
Interior of Saint-Sernin, Toulouse, France, ca. 1070–1120.Interior: general view of the nave, from W
Interior of Saint-Sernin, Toulouse, France, ca. 1070–1120. Interior: general view of the nave, from W
Dark and dreary
Transcept crossing
dark and dreary
engaged column
barrel vaulting
flat column
composite pier
Dark and dreary
Transcept crossing
dark and dreary
engaged column
barrel vaulting
flat column
composite pier
Model of the third abbey church (“Cluny III”), Cluny, France, 1088–1130. Musée du Farinier, Cluny, France.
Model of the third abbey church (“Cluny III”), Cluny, France, 1088–1130. Musée du Farinier, Cluny, France.
The flying buttress is NOT characteristic of Romanesque, but is GOTHIC.
The flying buttress is NOT characteristic of Romanesque, but is GOTHIC.
Interior of abbey church of Notre-Dame, Fontenay, France, 1139–1147
Interior of abbey church of Notre-Dame, Fontenay, France, 1139–1147
Pointed arches GOTHIC.
Pointed arches GOTHIC.
Interior of Speyer Cathedral, Speyer, Germany, begun 1030; nave vaults, ca. 1082–1106.
Interior of Speyer Cathedral, Speyer, Germany, begun 1030; nave vaults, ca. 1082–1106.
Groin vaulting
Groin vaulting
Aerial view of Sant’Ambrogio, Milan, Italy, late eleventh to early twelfth century
Aerial view of Sant’Ambrogio, Milan, Italy, late eleventh to early twelfth century
Interior of Sant’Ambrogio, Milan, Italy, late eleventh to early twelfth century.  

Tall arches
Groin Vaulting
Interior of Sant’Ambrogio, Milan, Italy, late eleventh to early twelfth century.

Tall arches
Groin Vaulting
West facade of Saint-Étienne, Caen, France, begun 1067. Total view of W facade
West facade of Saint-Étienne, Caen, France, begun 1067. Total view of W facade
France gives to Normans, so it's called Normandy
Tall Spires
Interior of Saint-Étienne, Caen, France, vaulted ca. 1115–1120.
Interior of Saint-Étienne, Caen, France, vaulted ca. 1115–1120.
First church with Sixpartide vaulting. NORMAN ROMANESQUE.

Plan of Saint-Etinne
First church with Sixpartide vaulting. NORMAN ROMANESQUE.

Plan of Saint-Etinne
Interior of Durham Cathedral, England, begun ca. 1093.
Interior of Durham Cathedral, England, begun ca. 1093.
Doesn't reveal buttresses. Pointed and rounded arches. Romanesque.
Doesn't reveal buttresses. Pointed and rounded arches. Romanesque.
Cathedral complex, Pisa, Italy; cathedral begun 1063; baptistery begun 1153; campanile begun 1174.
Cathedral complex, Pisa, Italy; cathedral begun 1063; baptistery begun 1153; campanile begun 1174.
ROMANESQUE
Baptistery of San Giovanni, Florence, Italy, dedicated 1059.
Baptistery of San Giovanni, Florence, Italy, dedicated 1059.
Placed on top of old roman bathhouses. Multi colored stone work.
Interior of San Miniato al Monte, Florence, Italy, ca. 1062–1090.General View of the restored sanctuary (1998
Interior of San Miniato al Monte, Florence, Italy, ca. 1062–1090. General View of the restored sanctuary (1998
Wooden ceilings. Diaphragm arches. Most churches in Italy like this.
20   Cloister of Saint-Pierre, Moissac, France, ca. 1100–1115.
20 Cloister of Saint-Pierre, Moissac, France, ca. 1100–1115.
Single flanked by narrow columns.
Carry over from barbarian reliefs.
Corner column- Squat and rounded
Single flanked by narrow columns.
Carry over from barbarian reliefs.
Corner column- Squat and rounded
BERNARDUS GELDUINUS, Christ in Majesty, relief in the ambulatory of Saint-Sernin, Toulouse, France, ca. 1096.
BERNARDUS GELDUINUS, Christ in Majesty, relief in the ambulatory of Saint-Sernin, Toulouse, France, ca. 1096.
.
WILIGELMO, creation and temptation of Adam and Eve, frieze on the west facade, Modena Cathedral, Modena, Italy, ca. 1110
WILIGELMO, creation and temptation of Adam and Eve, frieze on the west facade, Modena Cathedral, Modena, Italy, ca. 1110
ROMANESQUE. Squat figures.
South portal of Saint-Pierre, Moissac, France, ca. 1115–1135
South portal of Saint-Pierre, Moissac, France, ca. 1115–1135
Trummeau sculpture centerpost. Tymphanum.
Trummeau sculpture centerpost. Tymphanum.
Lions and Old Testament prophet (Jeremiah or Isaiah?), from the trumeau of the south portal of Saint-Pierre, Moissac, France, ca. 1115–1130
Lions and Old Testament prophet (Jeremiah or Isaiah?), from the trumeau of the south portal of Saint-Pierre, Moissac, France, ca. 1115–1130
Trumeau of the S portal: the Prophet Jeremiah (Isaiah?)
Trumeau of the S portal: the Prophet Jeremiah (Isaiah?)
GISLEBERTUS, Last Judgment, west tympanum of Saint-Lazare, Autun, France, ca. 1120–1135
GISLEBERTUS, Last Judgment, west tympanum of Saint-Lazare, Autun, France, ca. 1120–1135
Figures damned or terrified.
Portal on the west facade of Saint-Trophîme, Arles, France, mid twelfth century
Portal on the west facade of Saint-Trophîme, Arles, France, mid twelfth century
Directly imitates roman arch created under Julius Ceazar. Serves no functional support. Late roman/Christian sarcophagus on bottom. DETAIL: Christ in Majesty.
BENEDETTO ANTELAMI, King David, statue in a niche on the west facade of Fidenza Cathedral, Fidenza, Italy, ca. 1180–1190.
BENEDETTO ANTELAMI, King David, statue in a niche on the west facade of Fidenza Cathedral, Fidenza, Italy, ca. 1180–1190.
Not naturalistic. Stylized.
RAINER OF HUY, Baptism of Christ, baptismal font from Notre-Dame-des-Fonts, Liège, Belgium, 1107–1118.
RAINER OF HUY, Baptism of Christ, baptismal font from Notre-Dame-des-Fonts, Liège, Belgium, 1107–1118.
,
Virgin and Child (Morgan Madonna), from the Auvergne, France, second half of twelfth century.
Virgin and Child (Morgan Madonna), from the Auvergne, France, second half of twelfth century.
Reliquary. Thorn is Romanesque.
Head reliquary of Saint Alexander, from Stavelot Abbey, Belgium, 1145.
Head reliquary of Saint Alexander, from Stavelot Abbey, Belgium, 1145.
Peel away silver and gold to reveal real skull of St. Alexander.
Christ in Majesty, apse fresco from Santa María de Mur, near Lérida, Spain,
Christ in Majesty, apse fresco from Santa María de Mur, near Lérida, Spain,
Influenced by byzantine mosaics.
Entombment of Christ, fresco above the nave arcade, Sant’Angelo in Formis, near Capua, Italy, ca. 1085.
Entombment of Christ, fresco above the nave arcade, Sant’Angelo in Formis, near Capua, Italy, ca. 1085.
Like Oddisy. Show emotional state.
Nave of the abbey church, Saint-Savin-sur-Gartempe, France. Painted barrel vault, ca. 1100.
Nave of the abbey church, Saint-Savin-sur-Gartempe, France. Painted barrel vault, ca. 1100.
.
The vision of Hildegard of Bingen, detail of a facsimile of a lost folio in the Scivias by Hildegard of Bingen, from Trier or Bingen, Germany, ca. 1050–1079.
The vision of Hildegard of Bingen, detail of a facsimile of a lost folio in the Scivias by Hildegard of Bingen, from Trier or Bingen, Germany, ca. 1050–1079.
Nun/composer/had visions
Church reluctant to accept visions.
EADWINE THE SCRIBE(?), Eadwine the scribe at work, folio 283 verso of the Eadwine Psalter, ca. 1160–1170.
EADWINE THE SCRIBE(?), Eadwine the scribe at work, folio 283 verso of the Eadwine Psalter, ca. 1160–1170.
Dry brush.
Battle of Hastings, detail of the Bayeux Tapestry, from Bayeux Cathedral, Bayeux, France, ca. 1070–1080
Battle of Hastings, detail of the Bayeux Tapestry, from Bayeux Cathedral, Bayeux, France, ca. 1070–1080
Norman invasion of England. 230ft long. Broken/Dead/Dying on bottom border=Roman style