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29 Cards in this Set
- Front
- Back
Interior of Saint Philibert, Tournus, France, nave vaults, ca. 1060.
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Recognize as Romanesque
-Round Arch -Heavy wide pillars (Exterior view, DetailCloser view of the chevet) |
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Interior of Saint-Sernin, Toulouse, France, ca. 1070–1120.Interior: general view of the nave, from W
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Dark and dreary
Transcept crossing dark and dreary engaged column barrel vaulting flat column composite pier |
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Model of the third abbey church (“Cluny III”), Cluny, France, 1088–1130. Musée du Farinier, Cluny, France.
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The flying buttress is NOT characteristic of Romanesque, but is GOTHIC.
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Interior of abbey church of Notre-Dame, Fontenay, France, 1139–1147
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Pointed arches GOTHIC.
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Interior of Speyer Cathedral, Speyer, Germany, begun 1030; nave vaults, ca. 1082–1106.
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Groin vaulting
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Aerial view of Sant’Ambrogio, Milan, Italy, late eleventh to early twelfth century
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Interior of Sant’Ambrogio, Milan, Italy, late eleventh to early twelfth century.
Tall arches Groin Vaulting |
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West facade of Saint-Étienne, Caen, France, begun 1067. Total view of W facade
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France gives to Normans, so it's called Normandy
Tall Spires |
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Interior of Saint-Étienne, Caen, France, vaulted ca. 1115–1120.
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First church with Sixpartide vaulting. NORMAN ROMANESQUE.
Plan of Saint-Etinne |
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Interior of Durham Cathedral, England, begun ca. 1093.
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Doesn't reveal buttresses. Pointed and rounded arches. Romanesque.
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Cathedral complex, Pisa, Italy; cathedral begun 1063; baptistery begun 1153; campanile begun 1174.
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ROMANESQUE
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Baptistery of San Giovanni, Florence, Italy, dedicated 1059.
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Placed on top of old roman bathhouses. Multi colored stone work.
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Interior of San Miniato al Monte, Florence, Italy, ca. 1062–1090.General View of the restored sanctuary (1998
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Wooden ceilings. Diaphragm arches. Most churches in Italy like this.
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20 Cloister of Saint-Pierre, Moissac, France, ca. 1100–1115.
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Single flanked by narrow columns.
Carry over from barbarian reliefs. Corner column- Squat and rounded |
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BERNARDUS GELDUINUS, Christ in Majesty, relief in the ambulatory of Saint-Sernin, Toulouse, France, ca. 1096.
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.
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WILIGELMO, creation and temptation of Adam and Eve, frieze on the west facade, Modena Cathedral, Modena, Italy, ca. 1110
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ROMANESQUE. Squat figures.
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South portal of Saint-Pierre, Moissac, France, ca. 1115–1135
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Trummeau sculpture centerpost. Tymphanum.
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Lions and Old Testament prophet (Jeremiah or Isaiah?), from the trumeau of the south portal of Saint-Pierre, Moissac, France, ca. 1115–1130
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Trumeau of the S portal: the Prophet Jeremiah (Isaiah?)
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GISLEBERTUS, Last Judgment, west tympanum of Saint-Lazare, Autun, France, ca. 1120–1135
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Figures damned or terrified.
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Portal on the west facade of Saint-Trophîme, Arles, France, mid twelfth century
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Directly imitates roman arch created under Julius Ceazar. Serves no functional support. Late roman/Christian sarcophagus on bottom. DETAIL: Christ in Majesty.
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BENEDETTO ANTELAMI, King David, statue in a niche on the west facade of Fidenza Cathedral, Fidenza, Italy, ca. 1180–1190.
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Not naturalistic. Stylized.
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RAINER OF HUY, Baptism of Christ, baptismal font from Notre-Dame-des-Fonts, Liège, Belgium, 1107–1118.
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,
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Virgin and Child (Morgan Madonna), from the Auvergne, France, second half of twelfth century.
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Reliquary. Thorn is Romanesque.
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Head reliquary of Saint Alexander, from Stavelot Abbey, Belgium, 1145.
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Peel away silver and gold to reveal real skull of St. Alexander.
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Christ in Majesty, apse fresco from Santa María de Mur, near Lérida, Spain,
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Influenced by byzantine mosaics.
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Entombment of Christ, fresco above the nave arcade, Sant’Angelo in Formis, near Capua, Italy, ca. 1085.
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Like Oddisy. Show emotional state.
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Nave of the abbey church, Saint-Savin-sur-Gartempe, France. Painted barrel vault, ca. 1100.
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.
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The vision of Hildegard of Bingen, detail of a facsimile of a lost folio in the Scivias by Hildegard of Bingen, from Trier or Bingen, Germany, ca. 1050–1079.
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Nun/composer/had visions
Church reluctant to accept visions. |
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EADWINE THE SCRIBE(?), Eadwine the scribe at work, folio 283 verso of the Eadwine Psalter, ca. 1160–1170.
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Dry brush.
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Battle of Hastings, detail of the Bayeux Tapestry, from Bayeux Cathedral, Bayeux, France, ca. 1070–1080
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Norman invasion of England. 230ft long. Broken/Dead/Dying on bottom border=Roman style
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