Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
3 Cards in this Set
- Front
- Back
http://www.cfa.arizona.edu/mus330a/rec/CD1/02-Antiphon%20&%20Psalm.mp3
|
No. 1. Lamenassêah al Haggitit
C=anon.; D=3rd century C.E..; G=Hebrew psalm; F=recitation formula; S=the recitation formula has 3 parts, an intonation, a reciting tone, and various types of medial and final cadences. This piece has syllabic text-setting and a restricted range. It is monophonic, and is an example of direct psalmody. |
|
Tecum principium & Psalm 109
|
C=anon.; D=800; G=antiphon and psalm; F=antiphon—psalm—Gloria patri—antiphon; S=the antiphon is a monophonic Gregorian chant that has a syllabic text-setting and a medium range. The psalm and Gloria patri are set to a recitation formula having 3 parts, intonation, reciting tone, and various types of medial and final cadences. The psalm and Gloria patri have syllabic text-setting and a restricted range. This piece is monophonic, and incorporates antiphonal psalmody.
|
|
Hodie Christus & Magnificat
|
C=anon.; D=800; G=antiphon and canticle; F=antiphon—canticle—Gloria patri—antiphon; S=the antiphon is a monophonic Gregorian chant that has a neumatic text-setting and an extended range. The canticle and Gloria patri are set to a recitation formula having 3 parts, intonation, reciting tone, and various types of medial and final cadences. The canticle and Gloria patri have syllabic text-setting and a restricted range. This piece is monophonic, and incorporates antiphonal psalmody.
|