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64 Cards in this Set
- Front
- Back
- 3rd side (hint)
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“The Birth of a Sixth art”
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Ricciotto Canudo
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“Thoughts on an Aesthetics of Cinema”
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Georg Lukács, 1913
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The Art of Photoplay Making
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Victor O. Freeburg, 1918
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Visible Man, Or the Culture of Film
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Béla Balász, 1924
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Magnification,” “The Senses 1bis,” “The cinematograph seen from Etna,”
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Jean Epstein
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“We: variant of a manifesto” (1922) and “Kinoks: a Revolution” (1923)
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Dziga Vertov
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“Beyond the Shot” and “The Dramaturgy of Film Form”
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Sergei Eisenstein
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“The Making of a Film” from Film
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Rudolph Arnheim
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“Style and medium in the Motion Pictures”
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Erwin Panofski, 1934
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“The Work of Art in the Age of Mechanical Reproduction. Second Version”
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Walter Benjamin
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What is Cinema? v. 1
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Andre Bazin
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Theory of Film
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Siegfried Kracauer
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The Cinema, or the Imaginary Man
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Edgar Morin
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“Notes on the Auteur Theory in 1962”
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Andrew Sarris
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“The Auteur Theory”
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Peter Wollen
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“On the politique des auteurs”
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André Bazin
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The Genius of the System, Parts I and II
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Thomas Schatz
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The Classical Hollywood Cinema
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Bordwell, Thompson, Staiger
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Theory of Film Practice
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Noel Burch
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“Problems of Denotation in the Fiction Film”
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Christian Metz
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“Cinema of Poetry”
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Pier Paolo Pasolini
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“The Third Meaning” in Image Music Text
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Roland Barthes, 1978
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“Narrative Space”
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Stephen Heath, 1976
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“Cinema/Ideology/Criticism”
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Jean-Louis Comolli and Jean Narboni, 1969
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“Visual Pleasure and Narrative Cinema”
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Laura Mulvey, 1975
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“Reification and Utopia in Mass Culture,” from Signatures of the Visible
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Frederic Jameson, 1979
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“Identification, Mirror” “The Passion for Perceiving” from Imaginary Signifier
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Christian Metz, 1975
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“Ideological Effects of the Basic Cinematographic Apparatus”
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Jean-Louis Baudry, 1974
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“The Apparatus: Metapsychological Approaches to the Impression of Reality in the Cinema.”
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Jean-Louis Baudry, 1976
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“The Tutor-Code of Classical Cinema”
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Daniel Dayan
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“The Obvious and the Code”
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Raymond Bellour
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”The Spectator-in-the-Text: The Rhetoric of Stagecoach”
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Nick Browne
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“Metaphors On Vision”
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Stan Brakhage
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“Major Mythopoeia” from Visionary Cinema
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P.A. Sitney
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An Anagram of Ideas on Art, Form and Film
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Maya Deren, 1946
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“Towards a Third Cinema”
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Fernando Solanas and Octavio Getino, 1969
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“For an Imperfect Cinema”
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Julio Garcia Espinosa, 1979
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“White Privilege and Looking Relations: Race and Gender in Feminist Film Theory”
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Jane Gaines, 1986
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“White”
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Richard Dyer, 1988
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“Black Spectatorship: Problems of Identification and Resistance”*
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Manthia Diawara, 1988*
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“Film Bodies: Gender, Genre, and Excess”*
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Linda Williams, 1991*
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“Film and the Masquerade: Theorising the Female Spectator”*
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Mary Ann Doane, 1982*
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“The Cinema of Attractions”
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Tom Gunning
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“The Mass production of the senses: Classical Cinema ad Vernacular Modernism,”
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Miriam Hansen
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The World Viewed
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Stanley Cavell
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Cinema 1: the Movement Image, Cinema 2: the Time Image
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Gilles Deleuze
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What Cinema Is!, ch 2
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Dudley Andrew
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“Ideology, Genre, Auteur”
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Robin Wood, 1976
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“A Semantic/Syntactic Approach to Film Genre”
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Rick Altman, 1984
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“Document and Documentary: on the Persistence of Historical Concepts” in Change Mummified
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Philip Rosen, 2001
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“First Principles in Documentary”
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John Grierson
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Interview with Robert Drew and Richard Leacock, plus Leacock, "For an Uncontrolled Cinema,"
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Film Culture
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“Truth Not Guaranteed: An Interview with Errol Morris,”
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Cineaste 17:1 (1989), 16-17.
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“The Domain of Documentary,” in Representing Reality
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Bill Nichols, 1991
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“Observation Cinema,”
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Colin Young, 1975
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“Beyond Observational Cinema”
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David MacDougall, 1975
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Narration in the Fiction Film, part III
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David Bordwell, 1985
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“Adaptation”
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Dudley Andrew
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“Projections of Sound on Image” in Audio-Vision
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Michel Chion
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The Principles and Applications of the Moving Pictures
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Gonda Yasunosuke
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Film Theory and the Crisis in Contemporary Aesthetics
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Nakai Masakazu
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A Theory of Avant-Garde Documentary
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Matsumoto Toshio
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My Theory of Film: A Logic of Self-Negation
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Yoshida Kiju
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Hasumi Shigehiko and Film Theory
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Ryan Cook
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